Balabushka.. the final phase 3... what better way to close out 40 years

Just a curiosity question. Are these cues marked as Steve's or will LOAs be made to recognize them as such? I am sure they will remain in collections forever but will they one day become "originals" without the proper documentation. Either way they are great examples. Thanks for sharing.

Having had a few of Steve's cues, there is no mistaking them for an original simply because he would not do that. Though as a tribute the exterior is as close as they can come from ANY cue maker.
 
Just a curiosity question. Are these cues marked as Steve's or will LOAs be made to recognize them as such? I am sure they will remain in collections forever but will they one day become "originals" without the proper documentation. Either way they are great examples. Thanks for sharing.

Yes there are certificates for all the cues.

Joe
 
I was thinking the same.

It would be much more special coming out of the shop where George worked at, perhaps even the same machine.

So, you are under the impression Pete's shop is where George worked/lived in Brooklyn? George worked in what most today would consider a shed (not really a shop) in the back of his house in Brooklyn.
 
So, you are under the impression Pete's shop is where George worked/lived in Brooklyn? George worked in what most today would consider a shed (not really a shop) in the back of his house in Brooklyn.

I was under the impression that Tascarella Cues started by buying Balabushka's equipment and whatever remaining unfinished cues and materials.

Therefore, it would be right if he did all of them. At least we got that gorgeous GTB cue that he built.

Also, it would be nice to see interpretations of a Bushka cue from various makers. Any competent cue maker, if given George's blueprint, can build a very similar cue.

You don't want an artist to just trace the Mona Lisa. It's better if he painted his version of the Mona Lisa with da Vinci's canvas, brushes or paint.
 
I was under the impression that Tascarella Cues started by buying Balabushka's equipment and whatever remaining unfinished cues and materials.

Therefore, it would be right if he did all of them. At least we got that gorgeous GTB cue that he built.

Also, it would be nice to see interpretations of a Bushka cue from various makers. Any competent cue maker, if given George's blueprint, can build a very similar cue.

You don't want an artist to just trace the Mona Lisa. It's better if he painted his version of the Mona Lisa with da Vinci's canvas, brushes or paint.

So, if I bought all of Jackson Pollock's paintings, that would make me the only one you would go to if you wanted a painting like Pollock's? I will buy a couple of his personal cans of paint and paint brushes if I can get what his paintings command, no doubt.

But I was correcting what you said, in that it would be made in the same shop George worked in. Which is not correct.
 
It appears that I have misspoken
Perhaps i should read before I write

Please pass the crow,it is dinner time in Texas
Dean
 
You really sucked em' in Joe... Many too gullible..

I wonder how the show is going.. I was gonna pack up and go at the last minute but just couldn't... :(... Next year plan for sure!
 
Here are some pics of the cues...

Cue 1 sold and I was asked to limit the pics to the ones posted...

These are the others...

BTW the cues got great compliments, and lot of looks. Everyone I asked did not consider these 4 anniversary cues as "tributes". Denny Glenn and Pete T both loved the concept and idea, and thought the cues were very well done.

The Spain blank cue, because of the patina was the most asked if it was real...

JV
 

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This cue was pointed out by many as their favorite cue...

JV
 

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