No, old chap. All want to see how you "debate" by twisting what others write, since I responded to your Post # 6 with my POST NUMBER 7:
Your Post #6:
Sorry but I've never heard the term "bridge aim" mentioned by you or anyone else. I'm sure I could have missed it so if you could provide links to these multiple threads it would be appreciated. Always looking for new aiming methods.
A more thorough explanation of the concepts described in your 2nd paragraph would also be appreciated as I'm having difficulty understanding how what you're advocating will enable beginners to advance their skills.
My response:
I used quotation marks for a reason, it was a paraphrase of what I've described and taught.
With an open hand bridge, If the thumb and forefinger are pressed together, and that line (channel, groove) is atop the shot line, and the thumb is one side of the shotline, the forefinger on the other, the cue stick is of course also on the shot line. Stroke!
https://forums.azbilliards.com/threads/bridge-hand-role-in-aiming.542001/page-2#post-7233929 is the first one I found on a search.
Your response/twist/shift to mechanics from aim: As for the second assertion, the fact that the thumb and forefinger are astride the shot line doesn't do a whole lot to ensure the other variables are in the correct alignment to result in a successful shot.
My [partial] response besides calling you out for the goalpost shift:
The entire cue stick is on the shot line, and it will take quite bad "variables" as you wrote to
miss the shot.
Another response/twist/shift from you to "whole bridge hand" from "groove between thumb and finger [where the cue sits] for aim and alignment": Just because the bridge hand is on the shot line doesn't translate into the entire cue stick being on the line also. Are you disputing that?
My [partial] response:
. . . Nor did I write about the whole bridge hand, but the groove or channel made by the thumb and forefinger. Your earlier post recognizes I'm right about aligning the cue stick, and goalpost shifts to discuss body mechanics.
Your newest "horse shift" shows you twist others' words, ignore what they write, and make boldface lies:
“Shall we continue?” – James Bond to Gustav Graves,
Die Another Day