bridge help

worriedbeef

The Voice of Reason
Silver Member
Can anybody help me with this bridge? I've always seen it used and it was quite funny, few days ago i was practicing and a shot came up where i needed to use it, and i just went ahead naturally to try and use it, it just seemed right. but then it hit me - i hadn't got a clue on how to form it!

bridgeky6.jpg


made me laugh because i went to do it completely naturally yet i'd never done it before!

perhaps somebody has a closer deatiled picture as well?
 
Not true Cameron. Earl's wrist is NOT on the rail, as he is bridging over what appears to be the 7-ball. The OB in the way, sits higher than the top of the rail, necessitating raising the closed bridge up on the other three fingertips. Naturally you have to be careful not to touch the OB you're bridging over, if you're a pro. Otherwise, it doesn't matter if you accidentally touch the OB.

worriedbeef...just make your normal closed looped bridge (where your palm and fingertips touch the cloth), and raise your hand up off the table, so that you have the pressure of your bridge just on the fingertips. The fingers should be spread out, so that the bridge is reasonably stable, and not wobbly.

Scott Lee
www.poolknowledge.com
 
My first question to you is, what type of bridge are you used to in this situation? A situation in which you need to rest only your hand on the table.

To expand on what Scott was saying, if you normally use an open bridge, first, you need to develop a closed "cross-over" bridge. It will seem difficult at first and unnatural, but as you use and develop a feel for it, it seems that there should be no other bridges (unless on a rail, or jacked up over a ball,etc).

To do a cross-over bridge, lay your hand flat on the table, then perch up the knuckles of your hand as to cup it. Next, slide your middle finger towards your thumb while lifting your index finger (it will wrap around the cue like a normal closed bridge, but will end up on top of the middle finger, not touching your thumb like the classic closed bridge). Wrap your index finger around the cue, and put your index finger tip on top of your middle finger. Press your thumb snuggly against the inside of your middle finger to aide in support (it's ok if your thumb and index finger touch, but it's not ideal). Most players like to tuck their ring finger under in this case, because it is vestigial (not being used really) and, it looks more professional anyways:cool:

Now, all you have to do, to perform the bridge Earl has in the picture, is to raise you elbow and forearm to extend you bridge hand. With your ring finger curled up, you will have just your pinky and your middle finger for support as shown.

Practice with this bridge without raising your arm first, then try it in this situation. this will give you a whole other arsenal to your game, and you will look like an "A" player doing it.
 
worriedbeef said:
Can anybody help me with this bridge? I've always seen it used and it was quite funny, few days ago i was practicing and a shot came up where i needed to use it, and i just went ahead naturally to try and use it, it just seemed right. but then it hit me - i hadn't got a clue on how to form it!

bridgeky6.jpg


made me laugh because i went to do it completely naturally yet i'd never done it before!

perhaps somebody has a closer deatiled picture as well?

Step number 1: Make a closed bridge.
Step number 2: Lift your palm off of the table, leaving your fingers on the table.

It's that simple.
 
Hustl3r said:
What the heck is he wearing on his elbow?
Probably weights. He has an idea about weighting his bridge hand/arm to keep them steady. It seems to me to just be a superstitious thing...... but it seems to work for him.
Chuck
 
belmicah said:
To expand on what Scott was saying, if you normally use an open bridge, first, you need to develop a closed "cross-over" bridge. It will seem difficult at first and unnatural, but as you use and develop a feel for it, it seems that there should be no other bridges (unless on a rail, or jacked up over a ball,etc).

We teach five different bridges, that encompass almost all shot situations. Occasionally you have to make up something to fit the table position.

Scott Lee
www.poolknowledge.com
 
I read somewhere on here that you should turn your bridge hand slightly toward the cue ball. Allowing the shaft to rub the meat of your thumb.

I've been trying this for about a week and I must say the results are amazing.
 
Hal said:
I read somewhere on here that you should turn your bridge hand slightly toward the cue ball. Allowing the shaft to rub the meat of your thumb.

I've been trying this for about a week and I must say the results are amazing.

I'll give that a try Hal! Thanks!
 
Here's a shot of Busta with the same type of bridge; I've noticed in the past that he uses it quite often. This angle might help to get a better picture for those who don't know how to use it

bustamantee1.GIF
 
I use this bridge also, but the other one seems to work better on tougher shots or long straight shots that you need to "bear down" on.
 

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Incidentally, I've been trying for a while to get away from that bridge, but I've gotten so used to it, it's hard.

I'd like to put my palm on the table, but it involves minor adjustments in my stance, and in the heat of competition I'm not thinking about my freaking stance.
 
Hustl3r said:
What the heck is he wearing on his elbow?
It's a elbow brace thingy...he wears a back brace too....I use a bridge similiar to the one of Francisco's only with all three fingers on the table...
________
 
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