RussellK said:Look at Earl Strickland and Allison Fisher. Both play with a $150 Cuetech. And there are only a handfull of people out there than can beat them.
Russell Killgo
Earl can lose to a hell of alot more people then a handful of people, and when he is watch how many of those Cuetec's he pulls out of that bottomless case trying to find one that he can run some racks with. I watched him get drilled by Fabian Lawson in Calgary and Earl had about 6 Cuetecs and was shooting with all of them at different times and switching shafts over onto different cues and generally giving off the impression that he needs a little more then "just a simple cuetec off the rack". He is a great player but he would likely be alot better if he had the cuemaker of his choice build him a cue he trusts 100% and to his exact standards. He has had better years as a pro then the ones he has had with Cuetec. With his style a cue he is not comfortable with is the last thing he needs. Allison on the other hand is the most technical player out there and does not work the cueball much at all or let out her stroke in the slightest, she is the exact opposite of a feel player like Earl and as such the cue does not matter as much for her, she would be no better and no worse with almost any other cue but that is not glowing praise to Cuetec either.
Low end cues: Dufferin, Lucasi, Meucii, Players, McDermot, Joss, Mali, Players, Falcon, Cuetec.
Mid end cues: Schon, not well known cue makers custom cues with no design.
High end cues: Custom cues with no design from "name" makers (Southwest, Gina, DPK, ect...), and fancy designed cues from not well known or collectable cue makers.
Collectable: Old collectables, AKA turn of the century Brunswicks, Fancy cues from the "name" cuemakers, custom cues from the golden age of custom cues (Szamboti, Bushka, Paradise, Rambo, ect...). Most anything in this class is special and will demand premium prices and hold their value or increase over time.
And as for the $250 cue maxing out in "hit" I disagree. I think that the point where you can get the best hitting cue is alot higher, $800-$1000 I would say is the point where you can get the best hit money can buy, and then from there the money you pay in addition is on design alone. The best hitting cue IMO is not a production cue for two reasons. A) the cue is not made to your exact specifications and normally a cue off the rack is not going to match your prefferences exactly to the level a custom cue can be made too, and B) certain custom cue makers are known to make cues that are known for their "hit", Southwest comes to mind, and I dont think their is any production cue that has come close to the extreme respect certain cue makers have for building simply phenomenal "playing" cues. Schon are the closest, they are very good but they are not as good as the best custom makers that aim at building a truely great hitting cue. There is just a point where production cues fail, and that is quality control. It is impossible for a production cue to have the same level of detail and quality control as a custom cue due to the very nature of waht defines them as "custom" or "production" in the first place.