I have never owned a cue with no bumper (i.e., original Brunswick Hoppe), but I have banged around with several and it seems that they have a different “hit/sound” than cues with bumpers.
I ordered a cue from Richard Black, back in 1978, and originally asked for a Hoppe design. He told me not to get that style because he hadn’t perfected it yet. His cue had a bumper and he said it made some kind of unusual sound. I went with one of his standard four-point Ebony cues instead.
I was wondering if anyone ever made a Hoppe-style butt, with an internal rubber bumper (or damper) that would dampen the sound and vibration to make it feel and sound like a cue with a regular bumper.
I think I may have one more custom made before I call it quits. (LOL. That is what I always say and why I have a closet full of cues.)
Since I never got my Hoppe, I was thinking of a simple replica of a Hoppe, but with modern specs and building techniques.
Four-point shorty ebony forearm with original Titlist veneer colors into straight-grained maple.
Smooth black leather wrap.
Ebony butt sleeve with Hoppe ring and black butt plate made the same widths as an original Hoppe.
Brass joint. Black joint and shaft collars. Ivory ferrules.
Now comes the tricky part with the recessed bumper (or damper) that is hidden under the butt plate. Is this something that anybody has done or is it not needed?
I would not want something that may come loose inside and cause some kind of rattling or vibration. I once had one of my old cues start playing like a car running on a flat tire and it took me a while to figure out the problem and it turned out to be the rubber bumper where it had torn loose from the washer where the screw held it in. When I replaced the bumper, it was back to normal.
Any comments, thoughts, advice appreciated.
Aloha.
I ordered a cue from Richard Black, back in 1978, and originally asked for a Hoppe design. He told me not to get that style because he hadn’t perfected it yet. His cue had a bumper and he said it made some kind of unusual sound. I went with one of his standard four-point Ebony cues instead.
I was wondering if anyone ever made a Hoppe-style butt, with an internal rubber bumper (or damper) that would dampen the sound and vibration to make it feel and sound like a cue with a regular bumper.
I think I may have one more custom made before I call it quits. (LOL. That is what I always say and why I have a closet full of cues.)
Since I never got my Hoppe, I was thinking of a simple replica of a Hoppe, but with modern specs and building techniques.
Four-point shorty ebony forearm with original Titlist veneer colors into straight-grained maple.
Smooth black leather wrap.
Ebony butt sleeve with Hoppe ring and black butt plate made the same widths as an original Hoppe.
Brass joint. Black joint and shaft collars. Ivory ferrules.
Now comes the tricky part with the recessed bumper (or damper) that is hidden under the butt plate. Is this something that anybody has done or is it not needed?
I would not want something that may come loose inside and cause some kind of rattling or vibration. I once had one of my old cues start playing like a car running on a flat tire and it took me a while to figure out the problem and it turned out to be the rubber bumper where it had torn loose from the washer where the screw held it in. When I replaced the bumper, it was back to normal.
Any comments, thoughts, advice appreciated.
Aloha.