I would have thought the same. But over the time I owned one of Gus’ cues, I was surprised how often it drew attention from other players in the pool rooms. Even people who know nothing about high end cues would slowly take notice and comment how nice the cue looked. Three times, people tried to take the cue from my hand, once successfully. It got to where I could not take the cue to a pool room where I did not know everybody there. One time in my local pool room, a friend walked over to my table and said that I could never hide the cue because from across the room he could tell it was a Szamboti.
I saw your cue when it was posted recently and was impressed as I am with all of the Szambotis’ work. Of course, I enjoy seeing Gus’ inlay work, particularly peacocks, arrowheads, and propellers. For any cuemaker, I don’t like dots or arrowheads at the end of points. After the trouble a cuemaker takes to perfect their points, I don’t want anything to distract from the effort.
I have seen inlayed cues on the same base as my Gus (not mine any longer). They are incredibly beautiful. But even though I like them, I would not have anybody, including Barry, do inlay work on an existing cue. For the same reason, I would not have him inlay a NOS unturned blank from Gus. I would let its beauty to stand on its own.