Do you think a ball can be cut more by using inside or outside English? What are your thoughts?
I hope everyone says outside, unless they are confused about which is "inside" and which is "outside" as a famous pool author once was.Tennesseejoe said:Do you think a ball can be cut more by using inside or outside English? What are your thoughts?
Bob Jewett said:I hope everyone says outside, unless they are confused about which is "inside" and which is "outside" as a famous pool author once was.
This does not included the standard trick shot of cutting a ball that is frozen to the cushion more than 90 degrees by hitting the cushion first with "inside" english. Actually, on that shot, the english becomes outside as it comes off the cushion into to the ball.
It can "cut" more with inside, but less than 90 degrees. It will "throw" more with outside, so you can get a more than 90 degree result.Bob Jewett said:I hope everyone says outside, unless they are confused about which is "inside" and which is "outside" as a famous pool author once was.
This does not included the standard trick shot of cutting a ball that is frozen to the cushion more than 90 degrees by hitting the cushion first with "inside" english. Actually, on that shot, the english becomes outside as it comes off the cushion into to the ball.
jsp said:The title of this thread specifies "very thin cuts". If this means cut shots about 80 degrees or more, I would vote inside english.
On these extreme cut shots, if you don't put enough outside english to totally cancel out CIT (collision-induced throw), then you can actually throw the OB more (in the bad direction) than if you don't use english at all. This is because you're actually slowing down the surface speeds at the contact point, giving friction more time to take hold. The higher the surface speeds, the less friction can take hold (coefficient of friction falls as the surface speeds gets high), which is why I would use inside english.
If you want to use outside english on these extreme cuts shots, you have to be sure that you put enough spin on the CB such that the surface velocity of the CB at the contact point is going backwards (from your point of view) instead of forwards, or at least remaining still. Basically, you need a high spin to linear speed ratio of the CB, which means you really have to hit the CB a lot off-center. Adjusting for squirt then becomes the dominant issue instead of adjusting for throw.
I would vote for a bit of inside english on these thin cut shots. With inside, the surface speeds at the contact point would be much faster, and thus friction would be greatly reduced.
I think overspin, or as I've called it, "retrograde" spin is pretty easy to get on side spin shots by using both draw and side and letting the draw take away the speed of the ball while the side stays on. The Jacksonville Project tape showed one side spin shot that had something like 15% retrograde spin as the ball left the tip (the side of the ball was actually moving backwards relative to the table as the ball moved forward).Colin Colenso said:That's a good analysis jsp. I'm guessing a bit, but I'm pretty sure it's not that hard to get "overspin" as you might call it with OE english such that the edge of the CB is moving backwards, and this is what pushes the OB back at over 90 degrees from the contact point tangent (or is it the normal).
I didn't believe it myself until I started experimenting with some close shots using BHE and slowish speeds.
Try it out with a CB and OB placed in dimples about 2" apart with a big cut required, with OB travel of not more than a foot required.
Colin
While this sounds reasonable, especially if you include swerve, I still favor retrograde outside for thinnest possible cuts.jsp said:... I would vote for a bit of inside english on these thin cut shots. With inside, the surface speeds at the contact point would be much faster, and thus friction would be greatly reduced.
Colin Colenso said:I agree with Bob here. Outside english can clearly cut the ball to a wider angle.
Try putting CB and OB a couple of inches apart. From this distance, swerve and squirt don't come into play, so you can make an extreme edge contact pretty accurately and consistantly.
Colin
Bob Jewett said:IFreddy the Beard tells of a proposition shot that is similar. Move the object ball up the rail towards you until it is almost at the side pocket. Bank it cross-side, which is more then 90 degrees. You can ask Freddy, but I'm pretty sure the only hope is with plenty of outside english.
Snapshot9 said:I think you can cut a ball more with inside english, and definately know that more speed is generated on the object ball with inside english. Plus with inside, you can slightly masse into the contact point if necessary. (85 degree cut or more).
I use more inside english than probably 98 percent of the players I have seen, and definately a lot more on cuts on the rail down into a corner pocket, or on back banks to the side pockets. If fact, I have to go back and shoot the same shots with outside english, just to remind myself that I still know how....lol
Tennesseejoe said:I thought that squirt takes place at the time of cue ball and cue stick contact. I believe as you that swerve (I'm sure you meant to type squirt here) does not have a significant effect at this distance but I think swerve might.
It is hard to be consistent using outside english on a thin cut. For some shots, throw can vary by around nine degrees over a range of tip offsets which span less than one-tenth of an inch. That's the difference between a large amount of throw in one direction and a similar amount in the other direction, and assuming a reasonably fast cueball speed to move the object ball (the span is even greater at slower speeds). As you approach 90 degrees, the offsets that produce one or the other come closer and closer together.JoeyA said:....However, I believe that I can make some particular cut shots using outside English that I cannot make with inside English. I just can't cut shots as consistently using outside English although it looks good when the curve of the cue ball and the spin combine together to slide off of the object ball cutting it even more.
JoeyA