Greg, I have tried your method and it has merit in hitting the cue ball accurately such as in center ball hits. However I found it lacking in 'feel' for stun or drawing/following the cue ball precisely.
Judd Trump is in contention for best long potter and Stephen speaks to and addresses the difference between them. With no intention to change anyone.Through my trials in the last 3–4 months experimenting extensively with focusing on the cue ball last throughout my entire stroke, I’ve come to the the conclusion that for me, yes, there are certain shots in which looking at the cue ball last works better for me, but certainly not for longer shots in which there is considerable distance between the cue ball and object ball. There is no way to pocket balls as well looking at the cue ball last as looking at the object ball during my stroke on these longer shots, unless the cue ball is within a foot or two of the object ball.
I was able to achieve my lifetime 14.1 high run of 110 balls focusing on the cue ball last for my entire stroke, on our 7 foot diamond a few months ago, but that was largely due to almost all shots being relatively short, as opposed to the shots one often has to face on a 9 foot table. I have now implemented shifting my eyes for the final time from the cue ball to the object ball just before the start of my backstroke, and maintaining focus on the object ball through the completion of my stroke.
Well there's a few big names that call it Their Method.Greg, I have tried your method and it has merit in hitting the cue ball accurately such as in center ball hits. However I found it lacking in 'feel' for stun or drawing/following the cue ball precisely.
I’m just not sure if what they say they do and what they actually do are two different things. I would have to see actual video evidence clearly showing their eye movement pattern, to see their eyes shifting for the last time from the object ball to the cue ball and then remaining focused on the cue ball throughout the entirety of the stroke, particularly on a longer shot, for me to confirm that it’s true, regardless of what they might say.Judd Trump is in contention for best long potter and Stephen speaks to and addresses the difference between them. With no intention to change anyone.
I enjoy the looks that Matchroom is giving on most players eye patterns in the snooker coverage. Ronnie is so quick and subtle with his eyes that the break off is the best evidence of looking at the white as he strikes it. The break off shot is about control of the cue ball first. Stephen Hendry speaking of Ronnie and himself being the same is strong evidence.
My observations lead me to the opinion that watching the path the tip takes through the cueball gives me the most accurate guess as to what the ball will do. The players that are demonstrating long range speed control of the white in the Snooker safety exchange are the players that appear to be looking at the white as they strike it. My experience mirrors that.
The entirety of the stroke? Not sure if I am understanding. I think of the entire process.I’m just not sure if what they say they do and what they actually do are two different things. I would have to see actual video evidence clearly showing their eyes, to see them remaining focused on the white throughout the entirety of the stroke, particularly on a longer shot, for me to confirm that it’s true, regardless of what they might say.
When I refer to “the entirety of the stroke” I’m not referring to the preshot routine or the prestrokes. We all know and agree that our eyes shift back and forth from the OB to the CB before the start of the stroke. I’m specifically referring to the start of the final backstroke through the completion of the follow through.The entirety of the stroke? Not sure if I am understanding. I think of the entire process.
My method has the final shift at the full back point. Stephen (if I remember right) indicated that the pause at the back was related to the eye shift. For me the eye shift, the pause and the ring finger trigger are the big 3 to final my process.When I refer to “the entirety of the stroke” I’m not referring to the preshot routine or the prestrokes. We all know and agree that our eyes shift back and forth from the OB to the CB before the start of the stroke. I’m specifically referring to the start of the final backstroke through the completion of the follow through.
So when you refer to the final eye shift, for you or for Stephen Hendry, please clarify if that’s the eye’s final shift from CB to OB, or from OB to CB?My method has the final shift at the full back point. Stephen (if I remember right) indicated that the pause at the back was related to the eye shift. For me the eye shift, the pause and the ring finger trigger are the big 3 to final my process.
I am looking at the cue tip and ball impact and reading any spin imparted at contact. My eyes stay with the cueball in transit and I am so focused on the white's impact with the object ball that I can detect any skid or transfer of rotation at that collision.So when you refer to the final eye shift, for you or for Stephen Hendry, please clarify if that’s the eye’s final shift from CB to OB, or from OB to CB?
If it’s CB to OB, you (and Stephen) are not focusing on the CB at the point of impact, and this entire claim of CB last is quite misleading as to what I interpret CB last to mean.
I find this very conflicting and confusing statements as to what he (Stephen Hendry) has his eyes focused on during the forward stroke, CB or OB?I would not hazard to speak for Stephen Hendry. He does stress finding the point of contact on the object ball and staying with it. At the same time he speaks of his last look is the cue ball.
I can't remember more than the pause at the back was to make the transition to the cue ball. So from the pause at the back, the eyes would be on the white through the stroke. That's my take anywayI find this very conflicting and confusing statements as to what he (Stephen Hendry) has his eyes focused on during the forward stroke, CB or OB?
Seems I missed this question:I’m just not sure if what they say they do and what they actually do are two different things. I would have to see actual video evidence clearly showing their eye movement pattern, to see their eyes shifting for the last time from the object ball to the cue ball and then remaining focused on the cue ball throughout the entirety of the stroke, particularly on a longer shot, for me to confirm that it’s true, regardless of what they might say.
Greg, I’m curious what you think of Barry Stark’s aiming video in which he claims that there are four different options for your eyes in shifting from the cue ball to the object ball?
Not one of his four options mentions even the possibility of your eyes remaining focused on the cue stick or the cue ball last through the forward stroke. In fact, at the beginning of the video, I recall that he says you MUST be focused on the object ball target at the point of cue tip/cue ball contact, and it’s not disputable.
It’s not hard to find. Go to YouTube, punch in Barry Stark. The second one down from the top is titled Aim Part 1. The video lasts 5:52.Seems I missed this question:
Barry Stark definitely teaches object ball last. I don't recall the video you are referencing. Pretty sure I have watched all of his though. I had a brief interaction with him before Stephen Hendry made his video regarding his method. We(Barry and I) agreed to disagree, so I assume he still teaches object ball last. Seems to work good for Judd. Kyren Wilson studied under Barry so I assume he does as Barry prescribed.
Either method! My original post 10 years ago was simply to make the point that at the very least the methods are equal. My experience is that I can perform better watching my tip go through the ball. The degree of precision of the strike on the cue ball in turn is reflected in the results of the shot. 14.1 is a game that rewards precision over power. Well short precise cue ball paths were what I noticed watching Ray Martin playing 9 ball. My personal experience is that I can make some very delicate cue ball movements now that were not a sure thing before I started watching the tip/ball interaction.
Ronnie owns most of the records that were set by Stephen. Judd is a close second to Ronnie. So close that Ronnie hugged him in his latest big victory.
As for any that thinking, "well that's snooker". Ronnie said Snooker compared to Pool like The Masters compared to Putt Putt golf. Stephen says it's like Chess to Checkers.
Got it.It’s not hard to find. Go to YouTube, punch in Barry Stark. The second one down from the top is titled Aim Part 1. The video lasts 5:52.
He demonstrates each of the 4 various methods of eye patterns used during the stroke, but stresses that there is only one correct answer to what you should look at from the start of the forward stroke for all 4 methods, and that is the object ball.
Oh gosh!This is pure Gold. A good look at her form and some good looks at the eye pattern at times. Looks like Ronnie to me(shrug).
So why do you reply? Am I on your lawn ?obsession bordering on delusion. whatever works for a player is what they should do. the constant need of approval for whatever method you may like makes zero sense. i don't play snooker so what they do means nada to me actually. been playing pool for 40+yrs and am pretty damn observant and i've never seen one top pool player that looks at the cb last. i'm sure some do but none i've watched. again, WHY is proving this method better(which it isn't) so damn important? you like it and that's great. i don't and that's great.