Flaws or no flaws?

mamono

AzB Silver Member
Silver Member
So say that you have a very early vintage custom cue from a hall of fame cuemaker, his early work obviously isn't perfect such as inlay defects, imperfect finish, rings might not be flush... etc etc... Despite these, would you have that same cuemaker restore and refinish the cue to update the cue to his current quality of standard or leave it all original? I'm just curious.
 
Good Question. If it were me I would leave it original. The only way I could ever have it restored is if I had two of them:smile:. I bought a early 1980's Viking three point box cue, it has many inlays and some were not perfect. The finish was also not very good even though I bought it new. I have played with the idea of sending it back to Viking to get refurbished but I cant talk myself in to it. I rarely play this cue so it is like new even though I have had it for fifteen years. I am not worried about the value of the cue, I just like it original.
 
Ah, the age old question. There are some old threads about this topic that contain some useful opinions. Some think original is the only way to go and others see no harm at all in restoring it, especially if it is being done by the hall of famer that made the cue. Perhaps it comes down to which is worth more: a 70% all original or a 100% fully restored one. Everyone is sort of speculating on how this affects the value of cues. Cars it seems, are always better all original. Paintings, on the other hand, are restored all the time (i.e. renaissance).

I don't really have an answer. I know I talked to Ernie about it once and he said some collectors prefer an original but as soon as they get it they have it restored before putting it in their collection.

One thing though, a restore is a little different than what it sounds like you are talking about. For instance if I had an old 60's Gina Titleist with square cut corners on the windows I sure wouldn't have Ernie change them to mitered corners just because he now does it that way. That kind of stuff I would leave original. I'm thinking more of a re-finish, restoring the condition of the cue. Changing things like that is not really a restoration, by definition.

On the one hand, it is only original once. On the other hand, once the maker retires you have foregone the best method of having it restored. But there more flaws it has (parts not fitting properly etc) the more I would be inclined to have it worked on.

I'd like to see some of the high end dealers and collectors around here chime in on this one.
 
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Let's say for example that the cue has diamond slotted inlays, pretty common since many cues do have those. When you look close, you see finish filling in the gap between the diamond and the wood. The inlay wasn't perfectly flush to the wood, so the inlay itself is a bit tilted slightly off angle and the edges as well as slots to the diamonds are hazed due to the finish filling in the gap.
 
as long as the original maker works on the cue it would not matter to me.....i would rather have the cue in as good condition as it could be....all work done by the original maker does not decrease it's value but only increases it in most cases imho.....
 
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