John, if you followed the threads last year after Stan released his CTE/Pro-One DVD, you should remember that the prescription for Stan's CTE is not all that is involved. Here's something I wrote at that time.
[Stan] is acknowledging that the basic set of prescriptions, if executed precisely the same way every time, would create only a small number of cut angles for a given CB-OB distance. So that issue should be settled. What, then, creates the additional cut angles; what turns a discrete method into a continuous method -- one with enough cut angles to pocket all shots? Where is the "feel" being introduced? Stan has now answered that question --
it is different eye positions for the same set of visuals. In other words, for any particular shot and alignment-menu choice, such as this:
CB-OB distance = 3 feet
cut to left
secondary alignment line to "B"
bridge length = 8"
cue offset = 1/2 tip
pivot from left to right
multiple cut angles can be achieved by viewing the CTEL and secondary alignment line from different eye positions.
How does one know where to put his eyes? It is knowledge gained from experience. Stan did not acknowledge that this is "feel," but I'm sure many of us would view it that way, as feel in any aiming method is developed from experience in using the method.
So there we have it. Stan's manual
CTE depends upon utilizing multiple eye positions within each of the basic 6 alignments. The feel or additional knowledge is not introduced by varying the offset, or by varying the bridge length (beyond what Stan prescribes), or by fudging the pivot --
it comes from knowing where to place the eyes while still somehow holding to the underlying pair of visuals for each of the prescriptions.
I hope this really puts an end to the squabbles. Manual CTE is not some voodoo hocus pocus. It is not geometric magic. There are no supernatural powers to align-&-pivot methods. It doesn't work because of numerology -- the table being 1x2 or 90 being the sum of 45, 30, and 15. It works by utilizing a small number of reference alignments that the player has learned to fine tune based on his explicit knowledge of where the pocket is and the appearance of the cut angle needed for the shot, i.e., his experience-based knowledge of the shot needed.