Knowing systems is a huge benefit and knowing when and how to appropriately apply them is crucial to end result.
Not all systems require direct counting (though they can be proven mathematically).
Ive had fair success with maximums, being aware of the outcome of 'all' speed/spin imparted on the ball.
For the record, you rarely need all. Adjust accordingly.
I'll tell ya one maximum that has gotten me out of a good few jams...cb on short rail and Max English to opposite corner, short rail first. I ~know where that cb hits when it comes back to the side it started from.
I've not used a numbering system but manage some decent kick shots.
I'm not sure if the fiddling over the numbers is more than I could do because there are a fair
amount of systems that are different.
This is my favorite system for one rail kicks, no counting. It really improved my ability to precisely kick.
I may have missed it, but did he say where, relative to the nose of the cushion, his tip is placed when he pivots to the midpoint?This is my favorite system for one rail kicks, no counting. It really improved my ability to precisely kick. ...
I may have missed it, but did he say where, relative to the nose of the cushion, his tip is placed when he pivots to the midpoint?
It took me a long time to realize my contact points on a rail is actually the ball's radius (measure) off the rail.I may have missed it, but did he say where, relative to the nose of the cushion, his tip is placed when he pivots to the midpoint?
For many, a huge source of error is trying to do the parallel shift from the midpoint line to the cue ball line.I think the tip of the cushion is your contact point (that’s how I use it at least).
My error comes in accurately spotting the midpoint on kicks with large gaps between ob and cb.
That's called the rail groove and it is at the reflection plane for some banking/kicking systems. Other systems use a different reflection plane.It took me a long time to realize my contact points on a rail is actually the ball's radius (measure) off the rail. ...
For many, a huge source of error is trying to do the parallel shift from the midpoint line to the cue ball line.
This system is the equivalent of a mirror system with the reflecting plane where you put your tip. (The physical reflection occurs at the rail groove, of course.) Since it is a reflection system, there is an equivalent target ball that works for all cue ball origins. If you want to practice this system and in particular check on your alignment errors, putting up the target ball can tell you whether you have made errors before you shoot.
(How the target ball works: To get to a particular point -- the left side of the side pocket, for example, as in the video -- different starting points for the cue ball will have different landing points on the first rail. However all of those shot lines from the different cue ball positions to where it hits on the rail will to go exactly towards the same point out in space about four feet from the table. If you put a ball at that location, you will be able to see instantly whether your measuring and shifting was correct.)
He illustrates the tip of the cue being at the point the rail meets the bed of the table. (or about 2/3rds to the location of the diamond from the nose of the rail.)I may have missed it, but did he say where, relative to the nose of the cushion, his tip is placed when he pivots to the midpoint?
Well, yes, but you know what an angle is -- some people don't, really -- and you spend how many hours a week on mechanical design systems?I give zero weight to numbered kicking systems. I just see the angles with my eyes.
That’s fine for experienced players. For beginners and intermediate players, it’s best they learn diamond systems and kicking and banking systems. Knowing these things helps players understand the role of speed and spin and teaches them the angles. Over time these things will become intuitive.I give zero weight to numbered kicking systems. I just see the angles with my eyes.