IMO, one of the most overlooked keys to a great cue action/stroke is timing and rhythm.
I would suggest to everyone that practices stroke drills to think about this as well. Rhythm is probably the biggest thing I took away from Pleasures of Small Motions. If you establish your own personal rhythm, and make it consistent, you will see improvements.
My rhythm, when I'm playing my best is a 1 & 2 & 3... count.
1 (two short practice strokes, eyes on CB)
& (backswing, eyes on OB)
2 (two short practice strokes, eyes on CB)
& (backswing, eyes on OB)
3 (two short practice strokes, eyes on CB)
& (backswing, eyes on OB, slight pause)
Shoot (eyes remain on OB's original location, they don't follow it to the pocket or intended location)
I would suggest to everyone that practices stroke drills to think about this as well. Rhythm is probably the biggest thing I took away from Pleasures of Small Motions. If you establish your own personal rhythm, and make it consistent, you will see improvements.
My rhythm, when I'm playing my best is a 1 & 2 & 3... count.
1 (two short practice strokes, eyes on CB)
& (backswing, eyes on OB)
2 (two short practice strokes, eyes on CB)
& (backswing, eyes on OB)
3 (two short practice strokes, eyes on CB)
& (backswing, eyes on OB, slight pause)
Shoot (eyes remain on OB's original location, they don't follow it to the pocket or intended location)