snook789 said:
I was going to start a post on 8-ball breaks, till I searched and found this one.
I have a couple questions
I am trying to better my 8-Ball break on a bar box, for league play.
One of the books I have recommends as the best break for making balls, occasional 8 ball, and leaving Q-Ball near the center of the table, by hitting the 2nd ball in.
This break is supposed to bring the QBall to the side rail, and back towards the center.
They have the cue ball starting right at the line, about a ball over from the rail, using a touch of inside & bottom, and hitting the 2nd ball squarly.
I have tried this numerous times, and I can not hold the cue ball to stay on the side/center.
Diagram shows if the Q-Ball is going down table and behind the rack, that the 2nd ball wasn't hit squarely or not enough bottom (which is suppose to be just a touch per diagram) And that is where my Q-Ball is going
Anyone have a comment on this ?
One other question
I own a 9 ft table
If I am practicing Q-Ball placement for bar box tables on my table, will the brake be similar ?
Thanks in advance!
In reference to your 8-ball side break leaving the cueball near the foot rail:
1.) If you're breaking from the right side, use just a touch of RIGHT english, not left. This squirt and curve will make it a little harder to hit the second ball fully, but when the cueball hits the side rail, the side english will help it back toward the center of the table rather than down toward the foot rail. (Do the opposite if breaking from the left side.)
2.) Hit the cueball lower, for basically the same reason.
3.) But, so what if the cueball lands near the foot rail? I actually prefer this as it is, in some sense, a safety break. That is, you'll usually be left with a back cut into one of the foot corners or a cut for a long shot to one of the head rail corners. Practice these shots and when you get them, you'll make them; when your opponents get these difficult shots, they'll tend to miss. This gives you an advantage right off the bat.
4.) Being right handed, I break from the left side. This seems to make the rail bridge more comfortable for me. I think I saw Miz explain this on an old video tape and I have done the same since.
5.) Don't hit it so hard. I think "75% break speed" when I do the 8-ball side break. Your control should improve and you should get a more solid hit on the second ball.
6.) Keep your cuestick level!!!!!!!!!! I learned this after a second cueball jumped the table and hit the same guy in the same leg. He told me if I hit him again, I'd be eating the cueball. So I took a week off and mastered keeping the cuestick level and cueball on the table. (A jacked-up stick makes the cueball jump so it is more likely to hit the rack while it is in the air and ++BOING++ goes the cueball, right off the table.)
re 9-foot table:
If you're practicing these breaks on a 9 foot table but will be playing on a bar box, then you'd be better off setting up the cueball so it is the same as breaking on 7 foot table, relative to the rack. That is, move the cueball past the 9 footer's head string so it is the same angle and distance to the rack as a bar box. This means you'll be making a bridge on the table as opposed to the rail, but your cueball will be approaching the racked balls as it would on a 7 foot table.
Jeff Livingston