Musings on "To Quit or Not To, Like, Quit"

Dan White

AzB Silver Member
Silver Member
Over the last day or so I’ve been reading various posts in this room about the highs and lows of shooting pool. Stuff like, “I’m selling all my equipment and moving back in with my mother,” “I’m never playing again… except maybe that tournament next week,” “Heaven can wait ‘till I run a six pack,” and so on. God knows there’s been many a time when I’ve slumped over the table with my head on the cloth, fist pounding the slate, begging the ghost of Willie to tell me what the @#$% I have to do to make that @#$*&^& shot!

It got me thinking about how I try to cope with the ups and downs of learning this game, and just a few other perspectives I’ve found helpful along the way. Closing in on 48 years of age, I’m not quite an old-timer yet, but at the same time I’ve got enough mileage on me to have made, I think, some time-tested observations. For me, these perspectives have allowed me to have fewer fist-pounding days, and more satisfying playing sessions. In no particular order:

1. Respect the difficulty of the game. If progress came easily, then everybody would be a pro. Real pro’s have spent their youth playing this game, and quite often it is really the only thing they know. When I was studying to get into a good college, the budding pro was shooting balls. When I was away at college, he was still shooting balls. When I began a career and worked toward moving up the ladder, again, he was still shooting balls. Now I watch that guy shooting balls on TV and my subconscious says, “Hey, I’ve been playing off and on since I was a kid. I could be almost as good as that guy if I just played a little more.” It is an unrealistic standard for someone who hasn’t actually put in the thousands of hours it takes to get really good. So realize this is a very difficult game to master, and give yourself the right to do it wrong… a lot.

2. I think this is an important point: You hear people often say it’s not enough just to shoot balls. You have to work on your weaknesses and do some drills to get better. But I think there is something even beyond the recognition that drills will make you a better player. I think the real benefit of shooting a lot of balls, and doing a lot of drills is that it helps you find the correct way to play the game. Let me explain better with an example. Let’s pretend Willie Mosconi is able to possess your body – you’re still in there, but he’s doing all the pool playing using your body. If you could experience first-hand the way he delivers the cue and controls the table, you’d immediately jump years in ability. (Who knows, you might even find out once and for all if he used a slip stroke). :)


I’ve mentioned this before, but when I was first learning to ski out west a friend brought a camcorder and taped me coming down a hill. Before looking at the video I thought I was making it down pretty nicely. After seeing the video I was so embarrassed at how bad I looked! I made the beginner’s mistake of turning my entire body while making turns across the fall line, instead of keeping my torso straight down the hill and turning with my hips and legs instead. On my very next run I was able to experience the correct way to do it, and suddenly skiing became fun. Before watching the video I was practicing how to keep my weight forward and plant my poles and so on, but I was clueless that the entire thing was just wrong.

Beyond a certain level of ability, there are just so many subtleties to the game of billiards that ultimately nobody can observe enough to be able to teach you how to deliver a perfect stroke. We are doomed to learn through trial and error what works and what doesn’t. And guess what? The stroke that got you good enough to run 10 balls ain’t nearly good enough to get you to run 50 balls. If you tell a beginner to relax his shooting hand, that means something different to him than it does to a 100 ball runner. So, yes, practice is important so that your body gets the “muscle memory” so to speak, but I believe it is helpful to recognize the ultimate goal: all the practice is a way to help you find that perfect stroke that nobody can teach you.

3. The journey is the fun part. If you could run 1000 balls every time on command, you’d probably never pick up a cue again. When I find a weakness in my game, I really enjoy working on that weakness because when I master it, I know it will lead to higher runs. Also, when working on a particular problem I will often notice something else unexpectedly that helps my game even more. For instance, let’s say I’m working on a drill where the cue ball is coming off the bottom rail for position up table. I might shoot the same shot from both sides of the table and find that I get different results from each side. This tells me I’m seeing things differently when cutting to the left vs the right, or maybe my body is getting in the way and causing me to stroke differently. In any case, I’ve uncovered something that might even be more important than the problem I was originally trying to fix.

I’ve also learned that not everything can be fixed in one or two or ten practice sessions. We can’t all have Willie possess our body, so we have to struggle along with different arm angles and grip positions and on and on and on until we find something that really works. But, eventually you will figure it out if are patient and realize that item #2 above is at play.

Another example: Earlier this year I was typically running 30-40 balls a day, sometimes more, but I started writing down what had caused my run to end. A pattern showed up that often when I had to hit a longish shot at a small angle hard, I would miss. So I set out to see how to hit balls hard and not miss. This led to a good 6 months’ worth of fooling around with every variable you could imagine. It took me away from my game and lowered my playing ability, but eventually I found the right combination (I think), and my stroke is now better for it. I’m just at the point of really starting to try and run balls again, but I couldn’t have gotten through this process without believing in the bullet items I’ve gone over here.

I think that’s mostly what I had on my mind. I hope something I’ve written will help somebody to keep motivated. Two pages of text is kind of short for me, but I hope you’ll understand. :rolleyes:
 
Over the last day or so I’ve been reading various posts in this room about the highs and lows of shooting pool. Stuff like, “I’m selling all my equipment and moving back in with my mother,” “I’m never playing again… except maybe that tournament next week,” “Heaven can wait ‘till I run a six pack,” and so on. God knows there’s been many a time when I’ve slumped over the table with my head on the cloth, fist pounding the slate, begging the ghost of Willie to tell me what the @#$% I have to do to make that @#$*&^& shot!

It got me thinking about how I try to cope with the ups and downs of learning this game, and just a few other perspectives I’ve found helpful along the way. Closing in on 48 years of age, I’m not quite an old-timer yet, but at the same time I’ve got enough mileage on me to have made, I think, some time-tested observations. For me, these perspectives have allowed me to have fewer fist-pounding days, and more satisfying playing sessions. In no particular order:

1. Respect the difficulty of the game. If progress came easily, then everybody would be a pro. Real pro’s have spent their youth playing this game, and quite often it is really the only thing they know. When I was studying to get into a good college, the budding pro was shooting balls. When I was away at college, he was still shooting balls. When I began a career and worked toward moving up the ladder, again, he was still shooting balls. Now I watch that guy shooting balls on TV and my subconscious says, “Hey, I’ve been playing off and on since I was a kid. I could be almost as good as that guy if I just played a little more.” It is an unrealistic standard for someone who hasn’t actually put in the thousands of hours it takes to get really good. So realize this is a very difficult game to master, and give yourself the right to do it wrong… a lot.

2. I think this is an important point: You hear people often say it’s not enough just to shoot balls. You have to work on your weaknesses and do some drills to get better. But I think there is something even beyond the recognition that drills will make you a better player. I think the real benefit of shooting a lot of balls, and doing a lot of drills is that it helps you find the correct way to play the game. Let me explain better with an example. Let’s pretend Willie Mosconi is able to possess your body – you’re still in there, but he’s doing all the pool playing using your body. If you could experience first-hand the way he delivers the cue and controls the table, you’d immediately jump years in ability. (Who knows, you might even find out once and for all if he used a slip stroke). :)


I’ve mentioned this before, but when I was first learning to ski out west a friend brought a camcorder and taped me coming down a hill. Before looking at the video I thought I was making it down pretty nicely. After seeing the video I was so embarrassed at how bad I looked! I made the beginner’s mistake of turning my entire body while making turns across the fall line, instead of keeping my torso straight down the hill and turning with my hips and legs instead. On my very next run I was able to experience the correct way to do it, and suddenly skiing became fun. Before watching the video I was practicing how to keep my weight forward and plant my poles and so on, but I was clueless that the entire thing was just wrong.

Beyond a certain level of ability, there are just so many subtleties to the game of billiards that ultimately nobody can observe enough to be able to teach you how to deliver a perfect stroke. We are doomed to learn through trial and error what works and what doesn’t. And guess what? The stroke that got you good enough to run 10 balls ain’t nearly good enough to get you to run 50 balls. If you tell a beginner to relax his shooting hand, that means something different to him than it does to a 100 ball runner. So, yes, practice is important so that your body gets the “muscle memory” so to speak, but I believe it is helpful to recognize the ultimate goal: all the practice is a way to help you find that perfect stroke that nobody can teach you.

3. The journey is the fun part. If you could run 1000 balls every time on command, you’d probably never pick up a cue again. When I find a weakness in my game, I really enjoy working on that weakness because when I master it, I know it will lead to higher runs. Also, when working on a particular problem I will often notice something else unexpectedly that helps my game even more. For instance, let’s say I’m working on a drill where the cue ball is coming off the bottom rail for position up table. I might shoot the same shot from both sides of the table and find that I get different results from each side. This tells me I’m seeing things differently when cutting to the left vs the right, or maybe my body is getting in the way and causing me to stroke differently. In any case, I’ve uncovered something that might even be more important than the problem I was originally trying to fix.

I’ve also learned that not everything can be fixed in one or two or ten practice sessions. We can’t all have Willie possess our body, so we have to struggle along with different arm angles and grip positions and on and on and on until we find something that really works. But, eventually you will figure it out if are patient and realize that item #2 above is at play.

Another example: Earlier this year I was typically running 30-40 balls a day, sometimes more, but I started writing down what had caused my run to end. A pattern showed up that often when I had to hit a longish shot at a small angle hard, I would miss. So I set out to see how to hit balls hard and not miss. This led to a good 6 months’ worth of fooling around with every variable you could imagine. It took me away from my game and lowered my playing ability, but eventually I found the right combination (I think), and my stroke is now better for it. I’m just at the point of really starting to try and run balls again, but I couldn’t have gotten through this process without believing in the bullet items I’ve gone over here.

I think that’s mostly what I had on my mind. I hope something I’ve written will help somebody to keep motivated. Two pages of text is kind of short for me, but I hope you’ll understand. :rolleyes:


To enjoy your table time helps a lot- to be serious about yourself, too.
But to really have fun is a big key- and this also in competition. You need to develope for yourself kind of a *competition fun*.
Then you ll be able to love this game for a very long time :-)
The right attitude will guide you easier.
 
Thumbs up

Very good Dan. I really like point #1 that you made.
That is so true. I always tell myself & others (who want to listen to me)....LOL That is a pro players life. Do you think that pro player can do your job as well as you? My answer to that, is of course: "No",.... no way. Everyone takes a certain path and enters into a special occupation, as they (the pros) chose to play pool. Feel good about yourself for what we accomplished as a part time players. That is so important and it is a fact that if we can make every ball, the sport would be no fun & no challenge. Think about there are many players who are not pros but a level or two below it. Those players also live in pool rooms. Think about the time that you spend with your family..... do you think those players spend as much time with theirs? There are many good points to think about so that one does not get down on themselves but need to hold their heads high.
 
Wow....this is a fantastic post, truly inspirational and motivational !!!


You nailed it perfectly, nothing to add !!!

-Steve
 
Over the last day or so I’ve been reading various posts in this room about the highs and lows of shooting pool. Stuff like, “I’m selling all my equipment and moving back in with my mother,” “I’m never playing again… except maybe that tournament next week,” “Heaven can wait ‘till I run a six pack,” and so on. God knows there’s been many a time when I’ve slumped over the table with my head on the cloth, fist pounding the slate, begging the ghost of Willie to tell me what the @#$% I have to do to make that @#$*&^& shot!

It got me thinking about how I try to cope with the ups and downs of learning this game, and just a few other perspectives I’ve found helpful along the way. Closing in on 48 years of age, I’m not quite an old-timer yet, but at the same time I’ve got enough mileage on me to have made, I think, some time-tested observations. For me, these perspectives have allowed me to have fewer fist-pounding days, and more satisfying playing sessions. In no particular order:

1. Respect the difficulty of the game. If progress came easily, then everybody would be a pro. Real pro’s have spent their youth playing this game, and quite often it is really the only thing they know. When I was studying to get into a good college, the budding pro was shooting balls. When I was away at college, he was still shooting balls. When I began a career and worked toward moving up the ladder, again, he was still shooting balls. Now I watch that guy shooting balls on TV and my subconscious says, “Hey, I’ve been playing off and on since I was a kid. I could be almost as good as that guy if I just played a little more.” It is an unrealistic standard for someone who hasn’t actually put in the thousands of hours it takes to get really good. So realize this is a very difficult game to master, and give yourself the right to do it wrong… a lot.

2. I think this is an important point: You hear people often say it’s not enough just to shoot balls. You have to work on your weaknesses and do some drills to get better. But I think there is something even beyond the recognition that drills will make you a better player. I think the real benefit of shooting a lot of balls, and doing a lot of drills is that it helps you find the correct way to play the game. Let me explain better with an example. Let’s pretend Willie Mosconi is able to possess your body – you’re still in there, but he’s doing all the pool playing using your body. If you could experience first-hand the way he delivers the cue and controls the table, you’d immediately jump years in ability. (Who knows, you might even find out once and for all if he used a slip stroke). :)


I’ve mentioned this before, but when I was first learning to ski out west a friend brought a camcorder and taped me coming down a hill. Before looking at the video I thought I was making it down pretty nicely. After seeing the video I was so embarrassed at how bad I looked! I made the beginner’s mistake of turning my entire body while making turns across the fall line, instead of keeping my torso straight down the hill and turning with my hips and legs instead. On my very next run I was able to experience the correct way to do it, and suddenly skiing became fun. Before watching the video I was practicing how to keep my weight forward and plant my poles and so on, but I was clueless that the entire thing was just wrong.

Beyond a certain level of ability, there are just so many subtleties to the game of billiards that ultimately nobody can observe enough to be able to teach you how to deliver a perfect stroke. We are doomed to learn through trial and error what works and what doesn’t. And guess what? The stroke that got you good enough to run 10 balls ain’t nearly good enough to get you to run 50 balls. If you tell a beginner to relax his shooting hand, that means something different to him than it does to a 100 ball runner. So, yes, practice is important so that your body gets the “muscle memory” so to speak, but I believe it is helpful to recognize the ultimate goal: all the practice is a way to help you find that perfect stroke that nobody can teach you.

3. The journey is the fun part. If you could run 1000 balls every time on command, you’d probably never pick up a cue again. When I find a weakness in my game, I really enjoy working on that weakness because when I master it, I know it will lead to higher runs. Also, when working on a particular problem I will often notice something else unexpectedly that helps my game even more. For instance, let’s say I’m working on a drill where the cue ball is coming off the bottom rail for position up table. I might shoot the same shot from both sides of the table and find that I get different results from each side. This tells me I’m seeing things differently when cutting to the left vs the right, or maybe my body is getting in the way and causing me to stroke differently. In any case, I’ve uncovered something that might even be more important than the problem I was originally trying to fix.

I’ve also learned that not everything can be fixed in one or two or ten practice sessions. We can’t all have Willie possess our body, so we have to struggle along with different arm angles and grip positions and on and on and on until we find something that really works. But, eventually you will figure it out if are patient and realize that item #2 above is at play.

Another example: Earlier this year I was typically running 30-40 balls a day, sometimes more, but I started writing down what had caused my run to end. A pattern showed up that often when I had to hit a longish shot at a small angle hard, I would miss. So I set out to see how to hit balls hard and not miss. This led to a good 6 months’ worth of fooling around with every variable you could imagine. It took me away from my game and lowered my playing ability, but eventually I found the right combination (I think), and my stroke is now better for it. I’m just at the point of really starting to try and run balls again, but I couldn’t have gotten through this process without believing in the bullet items I’ve gone over here.

I think that’s mostly what I had on my mind. I hope something I’ve written will help somebody to keep motivated. Two pages of text is kind of short for me, but I hope you’ll understand. :rolleyes:


Great post, Dan.

Like you, I'm always retooling, looking for the better setup and stroke, knowing that subsequently the game will fall into place as a result. Every time I read or hear about Tiger Woods re-engineering his swing I feel a twinge of kinship and inspiration. He's willing to take his mechanics apart and suffer through the process to become a greater player.

As I've written before, it is the journey up the mountain that's important. Sometimes you suffer and huddle overnight on any outcrop available, while other times you encounter wonderful vistas as the fruits of your endeavors.

Lou Figueroa
 
Thanks for the comments. I wasn't sure I had made my points clearly, but I guess it came across OK.

Per what Lou said on retooling your stroke: I've come to notice in recent years that if you can get your stroke really straight, a lot of problems tend to disappear. Balls open up better, position play becomes easier, pocketing is easier and so on. I think that means if you're not playing quite right for some reason, it's probably something cockeyed going on with your stroke. When I want to test what's going on, I shoot the corner to corner shot (cue ball near corner pocket, object ball in center of table) and try to follow the cue ball into the same pocket the ob goes into. Usually in a short time I can figure out what's going on and get things straightened out.
 
Dan:

This is a really good thread. Along the lines of Lou's (and your) idea of "retooling," one of the biggest problems with pool -- as compared to more regimented cueing sports, like snooker -- is that it's too "mongrel," to use another poster's words in another thread.

Compared to snooker -- where no matter what instructor you go to, e.g. Del Hill, Frank Callan, etc., you get the same standardized syllabus that covers everything -- pool is all over the map. Sure, you have some start into regimentation/standardization (e.g. BCA certification, the SPF family of instructors that specialize in stroke mechanics), but it's nowhere near complete. There are a lot of "holes" in the instruction, where, e.g. aiming systems and correct head/eye placement (a la genomachino) attempt to fill the gaps -- most of the times unsuccessfully, because a complete and proper foundation wasn't built at the get-go.

Many times, students will go to pool instructors "looking for a certain something," but many times, the "problem" is actually the mechanics, leading to inconsistency.

And, sadly, the lack of "regimentation" also leads to bad practice habits, where the student isn't exercising the very drills designed to help him/her. (That, of course, is also partly the student's fault.)

L-o-n-g down the road, a pool player will ultimately "congeal" all the good things and filter out the bad (i.e. "found" his/her fundamentals, PSR, etc.), but this is an example of the "swiss cheese" approach to learning pool I'm talking about.

Pool players (and pool instructors, obviously) don't like to hear this, but it's the nasty truth.

-Sean
 
I don't mind hearing it at this point. I've been a victim of (a contributor to?) this problem.

I'd love a real international governing body of pool as the IOC will require such if pool is to become an Olympic sport.

Great post, Dan.
 
Dan:

This is a really good thread. Along the lines of Lou's (and your) idea of "retooling," one of the biggest problems with pool -- as compared to more regimented cueing sports, like snooker -- is that it's too "mongrel," to use another poster's words in another thread.

Compared to snooker -- where no matter what instructor you go to, e.g. Del Hill, Frank Callan, etc., you get the same standardized syllabus that covers everything -- pool is all over the map.

Sounds like a good point. I'm curious about snooker instruction. Do they "force" everybody into the same box? For instance I'm a little more familiar with tennis instruction. Some instructors will teach the textbook swing, which often will mimic that instructor's own swing. Other instructors will take what they see from the student and tweak it into proper position, without necessarily changing what comes natural to that student. Does snooker allow for that, or is it "this one way is the best"?
 
Sounds like a good point. I'm curious about snooker instruction. Do they "force" everybody into the same box? For instance I'm a little more familiar with tennis instruction. Some instructors will teach the textbook swing, which often will mimic that instructor's own swing. Other instructors will take what they see from the student and tweak it into proper position, without necessarily changing what comes natural to that student. Does snooker allow for that, or is it "this one way is the best"?

Hi Dan:

Snooker instruction is not a "one size fits all" as pool enthusiasts like to black-mark snooker instruction as, but it defines what are some core fundamentals:
1. Proper alignment into/onto the shot line (i.e. the alignment of the arm, trunk, hips, leg joints [knees, ankles] and feet).
2. Proper balance between the legs to allow for a sturdy "derrick" platform from which the stroke arm locks onto "railroad tracks" to travel back and forth on.
3. Head/eye alignment to the shot line
4. Grip
5. Bridge
6. Cueing action -- mostly they teach the piston stroke, but as you know from players like Allison Fisher and Karen Corr (who are shown as "classic examples" of a snooker background), the pendulum stroke is acceptable.
7. ...etc.

The typical Lance Perkins school of thought on the pool stance -- where it's taught the hips and feet should be at 45 degrees to the shot line -- will fail aspect #1. That's the only thing that is really regimented, because the idea is for a SOLID, unmovable stance, not a loosey-goosey one. (See here: http://youtube.com/watch?v=gSK4w_9S_x0)

The rest (items 2,3,4,etc.) are relaxed -- they tend to allow leeway for a particular player's idiosyncracies (as long as they're not considered "bad" ones) to be realized and leveraged. And you'll see plenty of snooker players who have varying head/eye alignments (i.e. preference for dominant eyes), or grips (i.e. wrists turned inwards or outwards), or bridges, or cueing action (some piston, some pendulum, some a mixture), etc. But they all align the same onto the shot line, building that "derrick" foundation to traintrack the stroke onto.

Getting back to the topic at hand (of a regimented syllabus), all aspects are covered and explored comprehensively, and fundamentals are only a portion of the syllabus. Frank Callan's "Tips" center -- which only scratches the surface of what's in the syllabus -- gives you an idea of just how comprehensive it is:

http://fcsnooker.co.uk/quick_links/fcsnooker_quick_links.htm
(Scroll down to the last section at the bottom of the page, entitled, "fcsnooker - Improve Your Game with...")

-Sean
 
Thanks for the comments. I wasn't sure I had made my points clearly, but I guess it came across OK.

Per what Lou said on retooling your stroke: I've come to notice in recent years that if you can get your stroke really straight, a lot of problems tend to disappear. Balls open up better, position play becomes easier, pocketing is easier and so on. I think that means if you're not playing quite right for some reason, it's probably something cockeyed going on with your stroke. When I want to test what's going on, I shoot the corner to corner shot (cue ball near corner pocket, object ball in center of table) and try to follow the cue ball into the same pocket the ob goes into. Usually in a short time I can figure out what's going on and get things straightened out.


Yeah -- if you get the setup and stroke right everything else falls into place.

I often think that all the peripheral crap, like aiming systems, are for guys that can't shoot straight (I am in the right forum to get away with that, right?). If you set up consistently and your stroke is true all the other stuff goes away and you just make balls and all the puzzle pieces start to fall into place.

Don't get me wrong: it still takes practice and work to learn it all but the whole starts to make some kind of sense and you can finally build on what you're doing. It's like laying down a brick wall -- if the foundation if off, the higher up you go the more the flaws in the first line get magnified until things just topple over. If everything is straight and true to begin with your build is solid and everything you learn is just one more brick in the wall.

Lou Figueroa
with apologies
to Pink Floyd
 
Hi Dan:

Snooker instruction is not a "one size fits all" as pool enthusiasts like to black-mark snooker instruction as, but it defines what are some core fundamentals:
1. Proper alignment into/onto the shot line (i.e. the alignment of the arm, trunk, hips, leg joints [knees, ankles] and feet).
2. Proper balance between the legs to allow for a sturdy "derrick" platform from which the stroke arm locks onto "railroad tracks" to travel back and forth on.
3. Head/eye alignment to the shot line
4. Grip
5. Bridge
6. Cueing action -- mostly they teach the piston stroke, but as you know from players like Allison Fisher and Karen Corr (who are shown as "classic examples" of a snooker background), the pendulum stroke is acceptable.
7. ...etc.

The typical Lance Perkins school of thought on the pool stance -- where it's taught the hips and feet should be at 45 degrees to the shot line -- will fail aspect #1. That's the only thing that is really regimented, because the idea is for a SOLID, unmovable stance, not a loosey-goosey one. (See here: http://youtube.com/watch?v=gSK4w_9S_x0)

The rest (items 2,3,4,etc.) are relaxed -- they tend to allow leeway for a particular player's idiosyncracies (as long as they're not considered "bad" ones) to be realized and leveraged. And you'll see plenty of snooker players who have varying head/eye alignments (i.e. preference for dominant eyes), or grips (i.e. wrists turned inwards or outwards), or bridges, or cueing action (some piston, some pendulum, some a mixture), etc. But they all align the same onto the shot line, building that "derrick" foundation to traintrack the stroke onto.

Getting back to the topic at hand (of a regimented syllabus), all aspects are covered and explored comprehensively, and fundamentals are only a portion of the syllabus. Frank Callan's "Tips" center -- which only scratches the surface of what's in the syllabus -- gives you an idea of just how comprehensive it is:

http://fcsnooker.co.uk/quick_links/fcsnooker_quick_links.htm
(Scroll down to the last section at the bottom of the page, entitled, "fcsnooker - Improve Your Game with...")

-Sean

Exactly!
I m following these kind of instructions a bit longer- for 90 % of my students it works fine- and anyway: you have to find a individual way for everyone. There is always something that doesn t work for this or that person.
But the results are just showing how important perfect alignment is- this one of the points where spend very much time with students.

well written Sean-like always!

lg
Ingo
 
Yeah -- if you get the setup and stroke right everything else falls into place.

I often think that all the peripheral crap, like aiming systems, are for guys that can't shoot straight (I am in the right forum to get away with that, right?). If you set up consistently and your stroke is true all the other stuff goes away and you just make balls and all the puzzle pieces start to fall into place.

I'm always open for something that works, but I think once you've put in enough hours, you just know where to hit the ball to make it go in. If it doesn't then you did something wrong with your stroke 99% of the time. So, if an aiming system helps you find the correct spot until you've played enough to just "know" it, then I'm all for it. On the other hand, as you are saying, if you could magically have a perfect stroke, then it wouldn't take very long for you to learn where the correct aim point is.
 
Getting back to the topic at hand (of a regimented syllabus), all aspects are covered and explored comprehensively, and fundamentals are only a portion of the syllabus. Frank Callan's "Tips" center -- which only scratches the surface of what's in the syllabus -- gives you an idea of just how comprehensive it is:

I guess it's all about the money in a way. I used to know the guys at this company and always thought how great this technology would be for pool. There's not enough money in pool to justify the expense, and barely enough even for golf, but it's extremely cool:

http://www.motiongolf.com/SitePages/About.aspx
 
The trick to enjoying pool for a lifetime is to love it.

If you only love it when you're playing well, you don't love it the way I love it.

The joy is in facing the challenge, not necessarily in meeting it.

I recall golfing once with a very fine golfer. He had a "Tin Cup" moment in which he repeatedly tried to carry a water hazard but failed on lost three balls. In the end, he made an eleven on the par five hole, and, just after holing out, he looked at me and said "it still beats the hell out of working," which, I could tell from his expression and his subsequent demeanor, was just another way of saying "I love to play golf and this is right where I want to be."

Once you feel about pool the way my friend felt that day about golf, you'll never tire of the game.

Learn to embrace the challenge that playing pool presents, but, just as in life, some challenges go unmet and it shouldn't demoralize you.
 
The trick to enjoying pool for a lifetime is to love it.

If you only love it when you're playing well, you don't love it the way I love it.

The joy is in facing the challenge, not necessarily in meeting it.

I recall golfing once with a very fine golfer. He had a "Tin Cup" moment in which he repeatedly tried to carry a water hazard but failed on lost three balls. In the end, he made an eleven on the par five hole, and, just after holing out, he looked at me and said "it still beats the hell out of working," which, I could tell from his expression and his subsequent demeanor, was just another way of saying "I love to play golf and this is right where I want to be."

Once you feel about pool the way my friend felt that day about golf, you'll never tire of the game.

Learn to embrace the challenge that playing pool presents, but, just as in life, some challenges go unmet and it shouldn't demoralize you.


Man, is this not the truth, or what. You have to love just playing the game.

Personally, I love hitting pool balls. There has always been something about the geometric purity of the game that got me by the vitals right when I started playing all those years ago. People often ask me how I can practice for three or four hours at a time (I used to be able to go longer, but my back doesn't like it as much). And I can honestly tell them I just love hitting pool balls and trying to make them do my bidding. And on those rare days when the balls are mostly going into the pockets and the cue ball is, by-and-large, obedient it is a wonderful high. But even on the worst days, when the balls hit rubber and the cue ball acts like a bratty child, I still love it.

Lou Figueroa
 
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