physical consequences of cue balance point location

I figure if one hand is on one end of the cue, and one hand is on the other, where the bp is probably won't make a huge difference
but I don't know for sure, and am curious. say if more weight is in back, could that affect a player's stroke in any way?
would that affect stroke speed or anything else? what if the cue is more balanced towards its center? etc.
Haven't gone through the thread yet but this notion does kinda ring true. Long time ago in a book far far away, (the Mosconi book) I was all about correct this and that (4" behind the balance point, firm bridge, yada yada... ) which wasn't actually. For instance house cues would simply float away. So 50 yrs later, grip in the 10" around the butt zone, bridge comfortably crook'd and placed however it lands with my stance.

With the weight bolt in your hand there's still plenty downforce in front
 
some neat stuff from jimmy reid on the subject(s)..
Ha. At least he's entertaining. I def fall into Meucci's camp more than Reid's, but I'm one of those big frame tall guys that he devotes a whole sentence to in the article. Either way, like Jimmy keeps saying and as pretty much everyone who responded in this thread mentioned...this is a personal preference feel thing. No real 'right' answer regarding balance point other than maybe 'it depends what u like'. But it was interesting to see the perspective of a guy that likes something the polar opposite of me. THanks for sharing.
 
I figure if one hand is on one end of the cue, and one hand is on the other, where the bp is probably won't make a huge difference
but I don't know for sure, and am curious. say if more weight is in back, could that affect a player's stroke in any way?
would that affect stroke speed or anything else? what if the cue is more balanced towards its center? etc.
Hand position helps with feel--similar to other stick-and-ball sports even separated hands can work in tandem. In general if your shooting hand chokes up on the cue stick you should use a shorter bridge length and vice versa.
 
Extra weight in the back, to me it feels like the weight is pushing against my grip hand, sometimes sideways.
Weight in front of grip hand, feels like the cue wants to move forward by itself and my hand just follows it.
I used to shoot with a Frank Paradise cue I got from Jerry Orbach. The feel was as if the shaft was ultra-light compared to the dense, heavy butt end. It made a difference in the hit for me for sure. Hard hit.
 
Hand position helps with feel--similar to other stick-and-ball sports even separated hands can work in tandem. In general if your shooting hand chokes up on the cue stick you should use a shorter bridge length and vice versa.
Isn't that just to keep the same distance between the hands (matched to your "wing span")? That would be a stance thing - which I suppose could affect feel.

pj
chgo
 
How did you get Jerry's cue?
Mr. O. wanted to sell some cues to benefit his NYC club. Janine and I were there and we played some games with it first on the gorgeous antique table he'd installed in the club--one game I thought I'd locked him TIGHT but he sent the cue ball four rails to kick in the eight that was lying just off the middle of the short rail to win! We all know he was a terrific player but (!). A very happy memory. I heard the "bom-bom" from Law&Order when the eight ball fell in. Nor had he taken long to measure the shot beforehand, he just walked around the table, humming--probably a tune from 42nd Street. Speaking of clubs, you ever play at the Friars Club table? Another happy NY memory (insert Matt's Jerry Seinfeld impression here). Amazing food and "funny" people, but the Club has had some management issues in recent years.

Jerry Orbach became the second owner of the cue many years ago, and after some time, friends pointed out it was a Paradise. Now my main playing cue is a $30 Asian cue that came with a 20 oz. label I left on it--it weighs 19 oz. Different world.

My fave JO story ends "So, Matt, I wind up playing this guy for hours and hours and I can't get past even with him, and then this other guy tells me, "You are so dumb, Jerry. That's CORNBREAD RED."
 
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Isn't that just to keep the same distance between the hands (matched to your "wing span")? That would be a stance thing - which I suppose could affect feel.

pj
chgo
I think you are right.

Players who stand "half and half" in the port arms position (hands about halfway along the shaft and the butt ends of the cue) tend to slide both hands to this distance we're talking about--unconsciously--as they stand to the shot. I've told students to start half and half and then point out their new balance.
 
Mr. O. wanted to sell some cues to benefit his NYC club. Janine and I were there and we played some games with it first on the gorgeous antique table he'd installed in the club--one game I thought I'd locked him TIGHT but he sent the cue ball four rails to kick in the eight that was lying just off the middle of the short rail to win! We all know he was a terrific player but (!). A very happy memory. I heard the "bom-bom" from Law&Order when the eight ball fell in. Nor had he taken long to measure the shot beforehand, he just walked around the table, humming--probably a tune from 42nd Street. Speaking of clubs, you ever play at the Friars Club table? Another happy NY memory (insert Matt's Jerry Seinfeld impression here). Amazing food and "funny" people, but the Club has had some management issues in recent years.

Jerry Orbach became the second owner of the cue many years ago, and after some time, friends pointed out it was a Paradise. Now my main playing cue is a $30 Asian cue that came with a 20 oz. label I left on it--it weighs 19 oz. Different world.

My fave JO story ends "So, Matt, I wind up playing this guy for hours and hours and I can't get past even with him, and then this other guy tells me, "You are so dumb, Jerry. That's CORNBREAD RED."
Jerry had he own club in NYC? Or was it a club he belonged to and wanted to support? Do you remember the name of the club by any chance? I'm trying to picture it. Maybe if you described the inside of the club, like what it looked like, how many tables, etc...I might be able to figure out which one it was. There were a few private clubs in NYC that these guys belonged to. Yes, I've been to the Friar's club and have played on their table and also refereed their annual tournament a few times.

I'm wondering why Jerry had to sell his cues to support a club. I think he had plenty of money.
 
Jerry had he own club in NYC? Or was it a club he belonged to and wanted to support? Do you remember the name of the club by any chance? I'm trying to picture it. Maybe if you described the inside of the club, like what it looked like, how many tables, etc...I might be able to figure out which one it was. There were a few private clubs in NYC that these guys belonged to. Yes, I've been to the Friar's club and have played on their table and also refereed their annual tournament a few times.

I'm wondering why Jerry had to sell his cues to support a club. I think he had plenty of money.
It was a sixth or seventh floor spot in the upper 40s on the West Side? Janine doesn't remember either. It was one table only, antique, there were semi-precious and even precious inlays and trim on this stunning little eight-footer. He bought that table then had it installed at that club.

When he knew his terminal illness status, he started to sell some cues for his club. I think we gave him $2,000 for the Paradise cue? I have since resold the cue.
 
It was a sixth or seventh floor spot in the upper 40s on the West Side? Janine doesn't remember either. It was one table only, antique, there were semi-precious and even precious inlays and trim on this stunning little eight-footer. He bought that table then had it installed at that club.

When he knew his terminal illness status, he started to sell some cues for his club. I think we gave him $2,000 for the Paradise cue? I have since resold the cue.
8 Ft table? Then Jerry was probably doing someone a favor. He would never spend time on an 8 Ft table other than the occasional social thing. He was an old school 14.1 enthusiast. I really liked his game. I thought he was the best pool player of the film stars. If it was near the end of his life, then it would make sense that he would dispose of things like his cues for good causes. That would be less for his wife to deal with after he passed. He was a good guy. I hated to see him leave us.
 
interesting stuff here, thanks
for me, the back-weighted cue does the opposite- I have to consciously keep it in line
I think that's because I naturally like holding the butt pretty far forward
but it's hard to do that with a lot of weight in the back of the cue
mind if I ask where you grip the cue in the back?
That’s right.
 
I figure if one hand is on one end of the cue, and one hand is on the other, where the bp is probably won't make a huge difference
but I don't know for sure, and am curious. say if more weight is in back, could that affect a player's stroke in any way?
would that affect stroke speed or anything else? what if the cue is more balanced towards its center? etc.
I have a Paul Rubino over at Randy Mobley’s studio getting two new shafts right now. The original shafts were crazy heavy and tipped the balance point too far forward.

Here is what Randy initially said:

”It's front heavy
Play it
It will feel more focused

Imagine a triangle
About a 3foot wide base.
Base above and behind your head,
Pointy end ending at the tip.

So the triangle is above you angled down to the tip.

That is the sensation of a very forward balanced cue.

Butt heavy cues can feel vague at the tip, if you're not a chin on the cue shooter.
Typically chin on the cue means back hand all the way back on the end of the cue.

Your cue probably very good for one pocket”


Attached is a sketch I did to verify I understood what he was saying about the triangle.

I’ve since been playing with a light, but more forward-heavy cue and the difference is huge.
 

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I have a Paul Rubino over at Randy Mobley’s studio getting two new shafts right now. The original shafts were crazy heavy and tipped the balance point too far forward.

Here is what Randy initially said:

”It's front heavy
Play it
It will feel more focused

Imagine a triangle
About a 3foot wide base.
Base above and behind your head,
Pointy end ending at the tip.

So the triangle is above you angled down to the tip.

That is the sensation of a very forward balanced cue.

Butt heavy cues can feel vague at the tip, if you're not a chin on the cue shooter.
Typically chin on the cue means back hand all the way back on the end of the cue.

Your cue probably very good for one pocket”


Attached is a sketch I did to verify I understood what he was saying about the triangle.

I’ve since been playing with a light, but more forward-heavy cue and the difference is huge.
Well, if you stand like the diagram with your weight leaning forward like that, I would imagine that everything would feel heavy in the front. That stance is a formula for left side chronic shoulder pain over time. I've gone through it with players with shoulder pain who came to me for help.

As far as cue balance, I think it's hard to generalize about balance accurately. You need specifics. It seems that what you and Randy Mobley are referring to are drastic shifts in balance. There's a lot in between. The balance can favor the front or favor the back without being drastic.
 
Well, if you stand like the diagram with your weight leaning forward like that, I would imagine that everything would feel heavy in the front. That stance is a formula for left side chronic shoulder pain over time. I've gone through it with players with shoulder pain who came to me for help.

As far as cue balance, I think it's hard to generalize about balance accurately. You need specifics. It seems that what you and Randy Mobley are referring to are drastic shifts in balance. There's a lot in between. The balance can favor the front or favor the back without being drastic.
You can get all caught up the placent of the feet of a 5 second stick figure if you want, it wasn’t about that tho, it was only about the triangle.

And as I mentioned, the cue he was referring to specifically had a balance point of nearly 21 inches from the butt cap.
 
Seems it could be like the weight bolt in the back where if you're holding the bolt area, the weight would provide more axial/concentric resistance or is it less? Probably less than holding the stick forward away from the bolt. Anyway, there should be a perceptible vertical, balance point dependent, swing resistance as well.
 
You can get all caught up the placent of the feet of a 5 second stick figure if you want, it wasn’t about that tho, it was only about the triangle.

And as I mentioned, the cue he was referring to specifically had a balance point of nearly 21 inches from the butt cap.
Do you see the angle of the triangle in that stance? It changes when you change the stance. How can you inform us about cue balance if you don't know the relationship between stance balance and cue balance?
 
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