Picking apart my mechanics

BWTadpole

The Nitcracker
Silver Member
Here's a video of my stroke from the side, mostly the right arm. Since I started doing this a few months ago, I've managed to slow down my backstroke (although it's still a little quick), raise my head off of the cue (I aim better when I'm not chin-to-the-cue), start isolating my upper arm (it used to be quite the windmill), and stop slip-stroking (both on the backstroke and on the follow through).

It's such a useful tool to use.

http://www.youtube.com/watch?v=nQ568m1SpdA
 
I just took a look... looks pretty good but I wish the video were better lit. You also have to do one from the front or back just to make sure there's no major side to side swoop.
 
The actual movement of your arm is not bad at all. I'm not quite sure what is going on with all the preliminary strokes. What information are you gathering as you do them? You may want to incorporate a stop at your set position to verify your contact point, and allow your eyes to move and lock in on your target. A smooth somewhat slower backstroke with a pause at the end might also be of benefit to you.

Seems to work pretty good, but could use a little more fine tuning.

I don't see any major problems.

Steve
 
Hmmm

The actual movement of your arm is not bad at all. I'm not quite sure what is going on with all the preliminary strokes. What information are you gathering as you do them? You may want to incorporate a stop at your set position to verify your contact point, and allow your eyes to move and lock in on your target. A smooth somewhat slower backstroke with a pause at the end might also be of benefit to you.

Seems to work pretty good, but could use a little more fine tuning.

I don't see any major problems.

Steve

Good points Steve. The only thing I could possibly add is that you are already into your practice stroke before you get completely in your stance. Thus, you are moving your cue before the rest of your body is ready for you to sink your shot. So, like Steve advised, get your set position (tip to cue ball) and this will slow you down a tad. Currently, I'm sure it is not affecting much of your game, but when you get the long green shot, not so sure then. Just a thought, try and see if you like it and if it helps, if not, didn't cost you a penny. Good luck.
 
Here's a video of my stroke from the side, mostly the right arm. Since I started doing this a few months ago, I've managed to slow down my backstroke (although it's still a little quick), raise my head off of the cue (I aim better when I'm not chin-to-the-cue), start isolating my upper arm (it used to be quite the windmill), and stop slip-stroking (both on the backstroke and on the follow through).

It's such a useful tool to use.

http://www.youtube.com/watch?v=nQ568m1SpdA

Tadpole,

Your stroke looks good but there is a certain dynamic motion missing from your stroke that needs to be developed. Just cut it loose. Pool players are not machines and none are picture perfect. Find your stroke and perfect it. Put down the cue and watch a couple hours of videos of Shane or Earl or Efren or Bustamante - you'll immediately see what I'm talking about.

Chris
 
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Thanks everyone for the feedback.

Steve, I read everything while I was at Red Shoes tonight, so I was able to give some thought to your answer. My practice strokes are helping me establish a straight stroke plane, locating and consistently cueing to the appropriate spot on the cue ball, and feeling the speed I need to strike the cue ball. I know what I want to happen on the table and where I'm going to hit the cue ball, but going from that path in my mind to stroking with the right speed from the first practice stroke is difficult for me. After a few practice strokes, I get a better feel for the pace I need. I seemed to take well to a longer set and a more controlled backstroke, but a pause in the backstroke seemed disruptive to my accuracy. I felt that I was neither striking the cue ball in the right spot nor keeping a straight line of delivery with my cue. Could this be an indicator of another problem, or could it be just the way I am and have been "programmed" to play?

ChicagoRJ, when I get down on my shot, I do something that I know some people have deemed an inconsistency: I slide my bridge hand forward into a comfortable distance. As my bridge hand slides forward, the practice strokes I'm taking there aren't giving me any actual information about the shot, but I am moving my back hand into a comfortable position, trying to get as close to 90 degrees to the floor as I can by feel. The distance of one affects the other in order to keep this perpendicular to the ground, so that's what's happening as I get down for the shot.

Chris, believe it or not, that shot was probably as natural as it gets for me. The video was taken at the tail end of a longer night for me when I was tired and slightly frustrated with my practice at the time. I asked my friend to hold the camera, and I told myself that despite knowing that I'm being filmed, I'm going to shoot naturally without over thinking what I'm doing. You should see me when I actually try to be mechanical with my stroke. It's nasty.
 
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