WobblyStroke
Well-known member
First guy I saw it from was Bert Kinister. Personally, I think it is great and his students seem to have had much success with it as well. It does a fine job of lining up the joints for a good straight stroke. The vast majority of people will just end up at or very close to the standard taught 45degree angle anyway, but for people near the extremes of the range of possibilities for a hang, it's not really a viable option when you factor in where the eyes need to be.One "old school" teaching I never understood was the "see where your cue points naturally" concept. As you point out, that forces the body to be turned to a particular "open/closed" rotation that won't work for many people. I wonder where it originated.