There is no such thing as a 'back' cut. !
There are left cuts and right cuts. This is why you fail !
Formerly known as a blind pocket shot.
There is no such thing as a 'back' cut. !
There are left cuts and right cuts. This is why you fail !
There is no such thing as a 'back' cut. !
There are left cuts and right cuts. This is why you fail !
Just last night I was setting up some back cuts. I tried TOI just for the heck of it. Object ball and cue about 6ft apart. Object ball was maybe a foot off the rail center diamond. Cue ball about a foot off the rail, center diamond. Wasn't aiming exactly center object ball but close. Just played about 1 1'2 to 2 tips of inside english. Dang if I wasn't cutting it in. Granted I would never trust this method myself except in practice but it was working last night.
Just last night I was setting up some back cuts. I tried TOI just for the heck of it. Object ball and cue about 6ft apart. Object ball was maybe a foot off the rail center diamond. Cue ball about a foot off the rail, center diamond. Wasn't aiming exactly center object ball but close. Just played about 1 1'2 to 2 tips of inside english. Dang if I wasn't cutting it in. Granted I would never trust this method myself except in practice but it was working last night.
I've cut them in when the OB is nearly on the short rail & 3 diamonds from the corner on the other side of the table with the CB 'all' the way on the other end of the table & basically parallel but the better angle is to the long corner if you know what I mean. For those the alignment is CTE & with that I've overcut them. So... I changed the alignment to Center of CB to the outside 1/4 of the OB. It's been working very very well. One just has to hit firm enough to keep any swerve out of the picture.
Keep hitting & making them in practice & soon you'll be using it when it counts.
Best 2 You...& All,
Rick
Rick...kudos.
Wow! 90 degree cut along the rail. If you use TOI, even if you miss going in, you will kiss the OB coming back off the rail and not foul. You might just Greek the OB in. LOL
Be well.
regardless of your system why are backcuts seemingly tougher
your thoughts appreciated.....:wink:
(any tips to make them appreciated...:thumbup
A Tale of Two Cut Shots
Up till now the Shot Pictures have been pretty basic. Now you’ll see the concept come alive as it illuminates the differences in some routine shots. Viewing different Shot Pictures will give you a clear idea of how important it is to learn and remember the various positions of the balls on the table. Remember, what you see is what you shoot!
This diagram proves the value of using recognizable Shot Pictures in aiming. Both shots are theoretically the same: the object balls are the same distance from the cue balls and the pocket, and each shot is a 30-degree cut angle. Even though the “specs” are the same, the shots are very dissimilar. Why? Because their Shot Pictures are totally different. Shot A is a backcut (more on this in a moment) with a very wide angled Shot Picture. Shot B is a rail shot with a very narrow Shot Picture.
There is no such thing as a 'back' cut. !
There are left cuts and right cuts. This is why you fail !
I think the best work in this area has been by Phil Capelle. He talks about the "shot picture".
I went looking for something of his that I could link in to this discussion, and came across the perfect little snippet (it's a little dated, and refers to his, at that time unnamed, book, "Practicing Pool"). You can see the PDF of the preview here. Take a look at page 2. If you have a copy of the published book, this material appears in Chapter 4 ("Shotmaking & Aiming"), on page 78.
I'll include the relevant text and image from that section (NB: The following is from the published book, and differs slightly from the linked PDF):
This is a great book, and I highly recommend it.
- s.west
I really have no idea what I just read here.
Is this supposed to work? And what does "doing a visual sweep" mean?1 . Stick your cue stick on the extended line connecting to the ob contact point and the cue ball contact point (the initial reference points used in parallel aim).
2. Rather than a parallel shift to center, swivel the cue by moving the stroke hand to point the cue tip at center cue ball while doing a visual sweep. This will give you a "thick angle feel" for those little backwards cuts on a steep angle where the cue ball is close to the object ball, rather than aiming off into the blue thin to hit them.
1 . Stick your cue stick on the extended line connecting to the ob contact point and the cue ball contact point (the initial reference points used in parallel aim).
2. Rather than a parallel shift to center, swivel the cue by moving the stroke hand to point the cue tip at center cue ball while doing a visual sweep. This will give you a "thick angle feel" for those little backwards cuts on a steep angle where the cue ball is close to the object ball, rather than aiming off into the blue thin to hit them.
I use the swivel to center to get a slight over cut. I usually under cut back cuts and the pivot compensates nicely when aiming the mirror image alignment. Especially to the left because I'm right eye dominant. My brain fights to keep my left eye, which I should be using to aim shots to the left, from seeing the shot picture.
Best,
Mike
Hi Mike,
That is sort of what Gene told me left for left & right for right. I was having trouble with constantly switching. I contacted Gene & told him that. I told him that I was trying to just use my left eye for both. He said that's fine & actually better because that's the eye that I'm seeing the true straight line with anyway.
It was a bit of a struggle at first but it's become more natural. Yet, I do have an occasional shot where I get down & see it directly & peripherally at the same time. Man is that weird & you should see it. I just had one Monday & I just stayed down & shot it where the was & It went dead center.
I just thought I'd relay that for consideration.
Best 2 Ya...& All,
Rick
Thats a nice trick i learned a few years ago.
Ghost rail? I thought pivoting to an imaginary point made the ball center pocket.
You think its imaginary, I don't, and it does. Never hurts to have other tools in the shed. It's called having an open mind to learning, you should try it sometime.
Hi Mike,
That is sort of what Gene told me left for left & right for right. I was having trouble with constantly switching. I contacted Gene & told him that. I told him that I was trying to just use my left eye for both. He said that's fine & actually better because that's the eye that I'm seeing the true straight line with anyway.
It was a bit of a struggle at first but it's become more natural. Yet, I do have an occasional shot where I get down & see it directly & peripherally at the same time. Man is that weird & you should see it. I just had one Monday & I just stayed down & shot it where the was & It went dead center.
I just thought I'd relay that for consideration.
Best 2 Ya...& All,
Rick
Obviously it doesn't work if you need other tricks to make a ball. I do have an open mind. Though, i do admit to having a problem accepting outlandish, ridiculous and unproven claims. Unless it's marked, it's imaginary, because you're still having to create the point in your mind's eye.
Close the other eye to check.
Be well.