It happens all the time......a seller wants a little more for their cue than a buyer wants to offer.
Everyone wants to believe they have a cue for sale that's......pretty, plays great and the cue-maker is adored.
Then they find out the cue is average looking in the looks department, doesn't play any better than other high-end cues
and the cue-maker isn't rated in the top 20 cue-makers by their peers or the public.
You buy a cue because you like the way it looks and how it plays. The cue-maker is only important for deciding how much you'll pay for the cue.
Look, there's a beautiful full splice, ivory joint Tad Kohara cue on Cornerstone right now and it's listed for $6700. It's a lot more than I'd pay for that cue but 6 months ago,
it wasn't selling for that price. But Mr. Kohara sadly recently passed away and Voila...the cue went up in value by $1500 and someone will pay for it.....not me but someone will.
There's a ivory joint Danny Tibbits cue available right now that's haunting me and priced well under $5k.......based on looks, the cue is maybe......$1500-800......but because it's by Danny,
the cue is being offered in the $4k range.....I have never hit with a Tibbits cue because I can't find any.......the guy's made like less than 150 cues in his total cue-making career......it's the
cue-maker status and reputation that decides the demand for a cue and Skip Weston is very under-rated in my opinion.
It comes down to this.....you pay what the market says a cue is worth and if you pay more than that, you either wanted that specific cue very badly or you've overpaid.....there's no in between IMO.
Matt B.