I feel like I'm in the movie "BIG"
I don't get it....... I don't get it
I why would you pay for a "Da vinci painting" that was painted by "fred"
and pay the same price and wait just as long as if it was really was a
Da vinci.
If you have a 20 year old southwest thats different.
Its fine that they still build a good cue. But asking the same price and 12 year waiting list to boot?
I just don't get it...New Balabushka's are available today but not at the same cost as if the "master" himself had built it
Jerry Franklin was a master craftsman....Call today's company Southwestern... because whatever is being built today isn't a true southwest it didn't come from his hands and they won't hold their value the same
Just because Michael Jackson could sing doesn't mean Latoya or Tito could
sing as well.
I don't mean to offend anyone I just don't get it
I'm glad their keeping the comany alive but how do you justify the same prices and why the same hype and waiting list still today
I mean you don't hype Bob Meucci cues made in china the same as if it was really built by his own hands now do you do you?
Why do you think that Jerry Franklin was the only ingredient in South West cues?
At the time of Jerry's unfortunate death he was quite proud of the fact that he and Laurie had built the shop to the point where he felt that they could produce cues to his specifications without him. He stated that it was his intention to begin traveling the world with Laurie in search of exotic woods to use in their cues.
I would challenge anyone on the planet to take five South West cues built in the last year before Jerry died and five built in the year after and tell them apart. I will bet a $1000 cue case that there is not a single human being including Laurie Franklin herself who could do it without a serial number to guide them.
Earlier this year I was in Roy Malott's shop and he had about 14 South West cues on display. Some were made prior to Jerry's passing and most were made in the past three years. I hit with almost all of them and they were truly finely tuned instruments. I couldn't tell the difference between them except by weight and very slight balance point differences. I was reminded by what makes a South West cue desirable. It's the "hit". And until you experience a true South West hit you won't really get it.
There are many cue makers out there who make South West style cues. Some of them have a hit that is very similar but they can't seem to maintain it consistently, in my opinion. Now granted I have only hit with a small sample of cues from other makers who make a lot of South West-like looking cues so it's a bit unfair for me to say that they are inconsistent. But it's very rare for me to find one that feels like a South West.
At South West they do the cues one way, their way, consistently, every time. That's why their cues all have a great hit and why the waiting list is so long.
Don't do what I did, I waited and when my cue was done I made the mistake of telling Joe Salazar and he bugged me until I sold it to him. I owned a new South West from Laurie for a total of an hour. :-( That is probably my biggest regret when it comes to cues I have owned. I ordered mine in 1993 at the South West shop. Laurie and Jerry graciously gave me the tour and explained in detail why they do each step that they do. Jerry took some time to help me get started in the industry and gave me some design advice that I follow to this day.
So, in conclusion, in my opinion, South West cues deserve the status that they have and the cues made today are as good as the cues made when Jerry was around.