Stroke Shot

Well guys I'm going to step in here and give my opinion.

Everything talked about here is a drill to TEST your stroke not to develop a stroke.

The stop, skid, slide or replacement is a test of your stroke and knowledge of Angle, Speed & Spin.

There are quite a few drills available to develop your stroke but none of the above.
randyg

I think i might agree with you on this Randy. But there comes a time when you have to test that stroke and actually hit a ball. And to me, this is a good shot to do so. I mean, one can only roll so many balls down the table.

Mike
 
Well guys I'm going to step in here and give my opinion.

Everything talked about here is a drill to TEST your stroke not to develop a stroke.

The stop, skid, slide or replacement is a test of your stroke and knowledge of Angle, Speed & Spin.

There are quite a few drills available to develop your stroke but none of the above.
randyg

You know I love ya :) but I respectfully disagree. To say a replacement shot doesn't build your stroke is being an extremist (I just don't know which direction).

Looking forward to hanging again and getting the low-down from pops ;)
 
You know I love ya :) but I respectfully disagree. To say a replacement shot doesn't build your stroke is being an extremist (I just don't know which direction).

Looking forward to hanging again and getting the low-down from pops ;)

I'm with Randy.. the replacement shot and it's cousin the 2 inch draw are an exercise in exposing your mastery of speed and spin..

you cannot even attempt to master speed and spin until after you have a quality stroke:embarrassed2:
 
The best stroke shot is the replacement shot --- not stop, follow or draw... based on the setup.

I couldn't agree more.

This shot will develop feel. To get the cue ball to turn over 1/2 turn after impact is difficult to master. It will tell you if you are not striking the OB correctly and if you are stroking the QB correctly. Its really a nice exercise

I shoot this shot just about everyday using all 15 balls lined up across the number 3 diamond line and the cue ball along the number 6 diamond line.

John
 
I don't think you practice it the same way I do. When I practice stop shots, that cb has to stop DEAD. NO movement at all. You can only do that on a dead on hit. The replacement shot teaches you where the end zone of the sliding cb is. That is all. You can't even really tell if you were off-center a hair, because the cb is still moving after contact. You can tell if you were very close, but hard to tell if you were dead on.

And, as I previously mentioned, it trains your mind for the wrong thing. Practice should be developed around actual game situations when controlling the cb, IMHO.


Agree Neill,

a stop shot HAS NO TOLERANCE. Some students gettin crazy if some shots *don t count*. A stop-shot has to be perfect without any tolerance.
The replacement shot is in my opinion for sure one of the most difficult shots- especially if you re dealing with new or just bad materials. Then a replacement shot is not a thing i would choose for sure.

lg
Ingo
 
Not true, Dave. The stop shot, when done with a measurable result, can show many imperfections in your stroke. I agree with Neil, that the replacement shot is nowhere near as valuable as the stop shot. It is also 10x more difficult, even at 1 diamond away...let alone 4 diamonds, as Kinister suggests. Next time I see you, let me SHOW you what the stop shot can demonstrate. :thumbup:

Scott Lee
www.poolknowledge.com

Because there's only one solution. Stop, follow and draw mitigate stoke imperfections to some degree. Especially stop... that doesn't show anything.
 
Well, I'd think if the CB went left/right with no side spin, you need to adjust your alignment. If the CB stayed pat while spinning in any direction, it shows the player that his/her tip placement is off. I'd guess some players could have a combination of the two, showing the teacher that a few things need to be adjusted.

Nevertheless, getting feedback from the above will not build a stroke. Stopping a CB dead in it's tracks doesn't mean you have a "developed" stroke... it just means you stopped the ball dead in its tracks. That's what I meant as far as it not showing you anything. I'll agree to disagree that stopping a ball perfectly means nothing as far has "having a stroke." I can execute PERFECT stop shots 1-handed... does that mean I have a pro-tour stroke? Um, nope.

I think you'll find that those who can execute a replacement shot successfully on a 9'er more often than not compared to the next person who really can't --- the person who can't is likely the underdog in most pool games.

Why -- because the person who can has a more refined, developed stroke.

I think that's all I have to say on the topic -- but I totally respect everyone's views on here. For once, DCP started a healthy conversation. :)
 
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Dave...Without outright disagreeing with you, I'll post this as a compromise. UNTIL you can shoot a PERFECT stop shot (which, as Randy pointed out, is a 'stroke development' shot...as opposed to a 'stroke test' shot), trying to make the replacement shot will be a hit or miss proposition, for almost anybody.

Scott Lee
www.poolknowledge.com

Well, I'd think if the CB went left/right with no side spin, you need to adjust your alignment. If the CB stayed pat while spinning in any direction, it shows the player that his/her tip placement is off. I'd guess some players could have a combination of the two, showing the teacher that a few things need to be adjusted.

Nevertheless, getting feedback from the above will not build a stroke. Stopping a CB dead in it's tracks doesn't mean you have a "developed" stroke... it just means you stopped the ball dead in its tracks. That's what I meant as far as it not showing you anything. I'll agree to disagree that stopping a ball perfectly means nothing as far has "having a stroke." I can execute PERFECT stop shots 1-handed... does that mean I have a pro-tour stroke? Um, nope.

I think you'll find that those who can execute a replacement shot successfully on a 9'er more often than not compared to the next person who really can't --- the person who can't is likely the underdog in most pool games.

Why -- because the person who can has a more refined, developed stroke.

I think that's all I have to say on the topic -- but I totally respect everyone's views on here. For once, DCP started a healthy conversation. :)
 
Randy,
i might - Might - MIGHT - be headed to the Dallas area next saturday, July 30th. If so i will be in Dallas on that Monday, 1 August.

Mike



Mike

That's great news. I will be here, teaching every day.

Here is my cell number...214 908-2908

randyg
 
What's your definition of a refined, developed stroke?

I don't include speed control in mine. Do you?

I think so, because speed affects straightness. Like a golfer, you should swing straight while swinging lightly or firmly. Because you can stroke well at a lighter speed doesn't mean you can at a firmer (and vice-versa). I think the most refined stroke is straight at all speeds.

As far as speed control specifically vs stroke speed, that's separate. Stroke speed, in general, should be.

Sent from my SPH-M910 using Tapatalk
 
I really believe this shot here is outstanding to help groove your stroke. Whether it be follow, stun, or draw. Especially draw. Thats the one i have the most trouble with. I think i am going to make this shot a routine part of my practice regimen.

What do you instructors think?

Mike
Mike, I think that shot is a good shot to practice so that you are prepared for when shots along the rail come up. I think they must be approached a little differently because the pockets on those shots are small. But I also think you should practice shooting shots where you have a full pocket as well, because there are different things you can do with those types of shots that you can't do with shots along the rail.
 
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