For me, the key to what makes a custom cue is just that- it's custom. Talking to the cuemaker, telling him exactly what you want, from inlays and specific woods all the way down to taper, balance point, and the feel of the hit. Some players like the feel of a specific maker's cues from the get go, then work with them to "dial it in" to specifically what they want from a cue.
The way I see it, if it's not made to a specific customer's specifications, it's simply handmade, but still not necessarily any better or worse.
To me, Southwest are production cues.
Several of Ernie's cues are production cues.
A custom cue for me, is custom made cue where the buyer can specify inlays, weight, design, materials.
Gina cues you can call and ask for a G18 (or whatever the number is) and he will make that cue.
Southwest, you tell the wood, veneers, rings, and otherwise everything is selected for you.
So I guess that would be my definition of a handmade production cue.
Ken
To me, Southwest are production cues.
Several of Ernie's cues are production cues.
A custom cue for me, is custom made cue where the buyer can specify inlays, weight, design, materials.
Gina cues you can call and ask for a G18 (or whatever the number is) and he will make that cue.
Southwest, you tell the wood, veneers, rings, and otherwise everything is selected for you.
So I guess that would be my definition of a handmade production cue.
Ken