Who make the finest pool cue case

tikkler said:
I am sticking to my Whitten case.........no explanation...sorry
I just love it.
Steve

And actually you don't need any other reason than YOU like it. The original poster listed specific criteria that he wanted to discuss and that's what we are discussing.

Grampa used to say (or somebody said it) that there is an ass for every chair. That applies quite well to cue cases. What appeals to one person for whatever reason turns another one off.
 
Poolplaya9 said:
Yes. The difference in protection would only be apparent in extreme and very rare circumstances, so it offers little advantage when you consider how often it comes up. I've already said that I prefer the padded tubes though.

This one doesn't look like an Instroke for a change. Nice case, new and unique in design with a different look. I like it.

Looks like an Instroke with slight variations and some unique decoration.

Looks like an Instroke with slight variations and some unique decoration.

Looks like an Instroke with slight variations and some unique decoration.

I never knocked it. It's a great overall design (although it had some flaws that mysteriously took forever to fix and some that were never fixed). I carry one myself often, and often recommend them to others as well. At or near the top in protection and functionality.

I'm not knocking you for copying anyone else. We were debating "latitude of creativity" and "best assortment of variation of design," and I'm just saying you can't really claim creativity with copies of other people's work, that's all. It doesn't mean that they aren't great cases though.

His stuff has quite a few different unique looks, which is a big difference, and is what we were discussing. Until the last few months, you only had one look. Now that you are branching out with truly new designs in the last few months, you may IMO soon be up there in "latitude of creativity" and "best assortment of variation of design."

I was never attacking you or your cases in any way. I think they are great, and overall are among the best. I own several, and would own another. We were only discussing one part of cases, which was the "latitude of creativity" and "best assortment of variation of design," and as of the last few months you have been expanding in that regard. I wish you continued success.

The difference in protection is quite large and affects the cues on a daily basis. Here is one instance. I disagree with Jim about the interior fabric he uses. It is too abrasive for cues. If you took that fabric to any cuemaker at a show and asked him to polish his cues with it he would throw you out of the booth. Jim disagrees with me on this point but I know that I am right because of my experience with all kinds of fabric for the liner.

So let's extrapolate that to daily use. In a Jim Murnak case the cues are not held snugly, they move freely within the tube. When the case is transported the cues inside of it are constantly moving from side to side and up and down the tube depending on the motion and position of the case. So if I am right then the cues are constantly rubbing on this fabric and getting micro-scratches on them. Maybe this doesn't mean anything to the guy who has a $200 cue and could care less about the finish. But to a guy who has a $5000 cue he doesn't want to take it out of the case at some point and polish it only to find hundreds of tiny scratches on the finish. I could be totally wrong about this and the cloth could be completely harmless.

But as the great Burton Spain said, maybe the pet alligator won't eat the family dog but the dog sure feels better if the alligator isn't there. Why not use a cloth that is clearly non-abrasive?

You claim that the instances where the extra protectiveness would be needed are tiny and insignificant. I think that's just a way to trivialize what I do and what I stand for. It's another way of saying "protection doesn't matter" as long as it looks good.

As to the exterior look, I am not going to fall into the trap of comparing on a case by case basis which products "look" like which predecessors were on the market.

Those of us that make cases know what it takes to make the cases I showed you. Jim, Jack, and all the rest can see what it took to make those case. I guess you have to be more intimate with the overall process to appreciate the uniqueness of each case I showed you.

One high end collector who owns all the top cases acquired the Rolls Royce. His comment to me recently was that out of all the cases in his collection that one is the one that all of his visitors go to first and admire.

So even though you don't appreciate what went into that case and where it departs radically from it's predecessors, some do understand it.

I can certainly can claim creativity when I take other people's elements of designs, as Jim has done, and build on it to make a new thing. That's what he has done and what I have done.

Jim, for the most part, stays within his signature style of building a tube case. Sure he has a lot of variation on the outward appearance but it's not the same as being willing to do any style of case, with any interior, and doing it with new elements.

I guess my "signature" style will never be the exterior of the case. Mine will always be what happens when the owner of the case opens it up and sees how nicely his cues are protected. I will never ever ever ever confine myself to one "look" and will always be willing to do what the customer wants to the best of my ability. In that regard I am quite confident that JB Cases and the body of work that we put out through our shop and through the two factories I run, from $5 cases to $2000 ones are certainly the most varied and broad selection of cue cases from a case maker that exist.

Thanks for the well wishes. I hope that next year I when this topic comes up again that we have come closer to Jim in your mind. We will keep trying :-)

P.S. To address why some of the issues with Instroke seemed to take years to correct. Actually most didn't take years, when a problem was discovered I corrected it immediately as best I could. The thing is that there would have been hundreds or thousands of cases already on the market with the unimproved build. So the overlap causes issues when someone buys a case two years after the improved version is out and they get the old one. It's a crappy part of the manufacturing cycle. The other reason why some issues didn't get resolved sooner was because of the "design by committee" mentality that Instroke adopted where I, as the creator, was forced into a minority position and had to fight to make changes to the product. That's a crappy part of taking on partners.

So now, I have no partners and complete control over the build process from start to finish. It's quite liberating.
 
I like John Bartons cases and Garth from On Q Cases,they both do very nice solid work that is very creative and both make the best in their relative styles.I think John will continue to make more innovations in cue cases,he has some good ideas. :smile:
 
Hands down the best case

I believe that Justice and OnQCases are in a different class than the rest of the case makers. I'm not baising this post because I do know Garth and he is a good friend, but I have to give my opinion on this thread. I will tell you this from what I've seen visiting trade shows and the BCA tournaments, as far as customer service goes Garth Bair is the leader in this category. After speaking with Justice in the BCAs in Vegas for the second time, I was not impressed with his customer service, however he does make a fine case. As anybody who has had the opportunity to speak with Garth from OnQ Cases, he is willing to spend hours on the phone or in person to make sure you get exactly wha you want. As far as pricing, I can't see how someone can say that they can find a better case for the money. Again, I do appreciate the work that Justice puts in but if you are asking me about the best bang for the buck, it is by far OnQ Cases for looks, durability, customer service friendly and all around the best cue cases you can find.
 
John, please stop doing this.

So let's extrapolate that to daily use. In a Jim Murnak case the cues are not held snugly, they move freely within the tube. When the case is transported the cues inside of it are constantly moving from side to side and up and down the tube depending on the motion and position of the case. So if I am right then the cues are constantly rubbing on this fabric and getting micro-scratches on them. Maybe this doesn't mean anything to the guy who has a $200 cue and could care less about the finish. But to a guy who has a $5000 cue he doesn't want to take it out of the case at some point and polish it only to find hundreds of tiny scratches on the finish. I could be totally wrong about this and the cloth could be completely harmless.

I understand that you don't get the attention that you think you deserve for your cases, but this is absolutely outrageous to make up something then talk about it as if it is true. You say yourself that you have no proof that any of what you say is true. So why say it? I guess you think that if you say something enough that isn't true some people will believe it. If you want to do tests, buy a case from me and knock yourself out. Otherwise, stick to things you know about and try not to estrapolate about my work.
Your friend,
Jim
 
My experience

I spent over 400 dollars on a leather Instroke. I thought it was a great case but extremely heavy when full of cues. At first it held up pretty well. then I started to have all the problems previously mentioned. The crumpling at the bottom. The leather holding the lid on basically came apart from use not abuse. the wood piece at the bottom fell out along with my cues:( the latch on the top pocket came apart and the zipper in the bottom pocket came unstitched. All of this happened after about 18-24 months of moderate use. For that kind of money I expected it to hold up better than that.

By comparison my first case, an el cheapo vinyl Porper knockoff is still together and going stong after about 10 years ( I paid a whopping 40 bucks for that one)

However, when it was time for a "nice" new case, and after much thought and research, I went with a Whitten 2x4. Man what a gorgeous case and built like a tank. Not TOOOOO heavy but it feels substantial. I love the clean lines and attention to detail. It feels like it will last a loooooooong time. And based on the ones I've seen in various pool halls and tournaments, it will.

Not knocking anyone here, but you CANNOT go wrong with a Whitten. Not to mention the fact that the "Instroke" style is EVERYWHERE and copied by EVERYONE!

IMO
 
jimM said:
So let's extrapolate that to daily use. In a Jim Murnak case the cues are not held snugly, they move freely within the tube. When the case is transported the cues inside of it are constantly moving from side to side and up and down the tube depending on the motion and position of the case. So if I am right then the cues are constantly rubbing on this fabric and getting micro-scratches on them. Maybe this doesn't mean anything to the guy who has a $200 cue and could care less about the finish. But to a guy who has a $5000 cue he doesn't want to take it out of the case at some point and polish it only to find hundreds of tiny scratches on the finish. I could be totally wrong about this and the cloth could be completely harmless.

I understand that you don't get the attention that you think you deserve for your cases, but this is absolutely outrageous to make up something then talk about it as if it is true. You say yourself that you have no proof that any of what you say is true. So why say it? I guess you think that if you say something enough that isn't true some people will believe it. If you want to do tests, buy a case from me and knock yourself out. Otherwise, stick to things you know about and try not to estrapolate about my work.
Your friend,
Jim

Ok. Where do I order it? I was being facetious when I said it. I will say it like this, it is my experience that the fabric I have seen on your cases is too rough for the finish on pool cues.

I have expressed this to you and you disagree.

So, I agree that in order for me to continue to say this I should order one. You guarantee that the case I receive will have the same liner in it that you have been using for your tube cases. If the one I receive is better than what I have seen I will note that and congratulate you.

I will take the liner out and do an abrasiveness test using new cues. If I am right then it will be here for all to see and will lead to a improvement on your already great products. If I am wrong then It will also be here for all to see and you will receive an extremely heartfelt apology along with a full retraction through editing of my posts.

I will place the order now through your website if I can. I am a cheap ass so I am going to order this one http://www.jimmurnakcuecases.com/cases/1902.htm - in a 1x1 version for $199.

If I cannot order through your website then may I send you the money through PayPal?

I think it's fair that if I say something in public then I should back it up.

That's how strongly I feel about cue protection Jim. You build one of the world's finest cases and I am in awe of your other leather work but in my opinion your interiors are lacking.

As I told another famous case maker many times, my approach to cue case making starts with the cue and puts layers of protection around it. If I feel that something isn't right about another case maker's protectiveness then I speak up about it. I have said similar things about Whitten, Guiseppe, Flowers, Swift, Justis, and others.

I could really care less about exterior design. I mean I enjoy making the pretty cases and I enjoy the customer's reactions to them. I care that the exterior reflects quality and that all handles and straps and latches are as tough as I can make them. But at the end of the day I'd be sick if something happened to a customer's cue that I could have prevented. You tell me to stick to what I do know about. Well, as one who has spent days combing fabric markets for just the right blend and one who is very meticulous about how the interior of a case is constructed I think I know about this subject fairly well.

I am not a leather worker. You will never find a JB case where John Barton did the carving and made it look great. You will see some where John did the work on Corel Draw and lasered the design. You will also never find a John Barton case that I did from start to finish all by myself.

What you will find about John Barton cases is that a lot of thought goes into each one starting with the best way to protect the cue. So that's my platform and if it takes side by side comparisons to get that message across then so be it.

The case has been ordered.
 

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I'm certain no one cares, but my pick would be New York Case (now defunct) ... I have them in 2x4 and 3x6 and couldn't be happier ... I also own, or have owned, several Instroke, Justis, Whitten, Flowers, and other Hand-made Leather Cases in all type configurations and materials.

I'll take the New York's every time ...
 
That's not the way you do it John.

You don't take the lining out and try to change reality. You carry your cues in it for 4 years like I and many others have, and then check your cues for these imaginary scratches.

I can take your material and with enough pressure I'm sure I can rub the finish off any cue. I will refund your money. With good luck, I will talk to you in 4 years, although I have to get your credit card number to return your money. When you buy over the internet, we don't get the card number.
 
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