I prefer a wrapless cue, but when you have something like what i have you learn to let a little slide to play with the cue of your dreams.
I can play with either and wraps look good on some stuff. but matching the color in the wrap to the theme of the cue, is just as important if not more important than selecting the right combination of woods!
different stokes i suppose..
pun intended...
best,
Justin
Some wrapless cues are absolutely beautiful. It gives the cue maker a larger canvass for showing off wood selections and the combinations of woods really takes an artists eye. But the same can be said of a wrap. The selection of the wrap takes an artists eye IMHO.
Some people have commented on linen being slippery. It really depends on how it is finished. Even saying pressed and polished does not tell the whole story actually, there are several ways to skin that cat and the results can be quite different. Generally it seems each cue maker has his preferred way to finish a wrap but they also usually have more than one trick up their sleeve as well.
How a wrap is finished is a matter of some experience and talent as well. IMHO a good cue maker should be able to tailor the wrap finish to suit the preference of the customer. That really isn't possible with an unwrapped cue.
I have seen some so finely polished and finished it was almost like they had clear shot over them like a Meucci even though they didn't. At the other extreme is the relatively unpressed wrap, very old school, that relies on use to gain its finish and texture. I believe pressing evolved in order to accelerate and or imitate this process.
In between those extremes are a variety of methods and resulting characteristics. The spectrum is very broad and the variety of results almost unlimited between the stated extremes.
It seems that several have posted an opinion on wrapped cues that is based on a limited experience with them. One or two cues and their opinion was soured. But did they ever have a cue maker address the wrap finish to "tune" it to their preferences? Maybe they just thought "this is the way wraps are" and just let it end there.
Never underestimate the talents of the cue makers to accomplish subtle tuning of any part of the cue, especially the parts that interface with the user. People talk a lot about how they like their shaft, especially including how it feels, and they work to get it how they like and keep it that way. For some reason that seems to be more mysterious about wraps.
I would say in some cases the amount of "voodoo" involved by the cue maker in finishing wraps rivals the amount of "voodoo" involved in finishing the shafts. They have their ways, never underestimate them.
You can extend that conversation to cork. There are a variety of ways to finish it and maintain it. Yet people try one and judge all by it. Did they talk to a cue maker about it?
Of course, some people simply prefer no wrap at all, and that's just fine. But if they made the decision that they don't like linen based on one or two cues I would suggest they actually didn't give it much of a chance.
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