Here's a cute ditty about Tom Cruise's role as Vincent in "The Color of Money." Apparently, this one snippet of the flick made YouTube Hall of Fame. Out of all of Tom Cruise's roles, I think it's kind of cool that this is the one chosen.
In 1986, Tom Cruise went supernova. In May, he pulled a 4G negative dive as Pete "Maverick" Mitchell in Top Gun. This may be an act of rewriting movie history, but I feel like Top Gun gave Cruise a license to print money as a box-office draw. The movie he released that October, The Color of Money, made him a movie star.
I remember seeing this movie when I was pretty young on VHS. It's still one of my favorite Scorsese movies, one of my favorite Richard Price scripts, one of my favorite Newman performances, one of my favorite John Turturro supporting roles, and maybe the best movie ever made about the joys and frustrations of both teaching and gambling. But it's not for everybody. It's moody, it has a serious tonal shift in the third act, and it's basically about some adult shit that you don't fully grasp until you've, at least once in your life, truly succeeded and truly screwed up that success.
The "Werewolves of London" scene almost never was. In Price's shooting script, Cruise's Vincent character hustles Moselle to a soundtrack of James Brown. This is frankly unfathomable. It would be like Robert Duvall air-raiding the beach in Apocalypse Now to the sounds of James Taylor instead of "Ride of the Valkyries." Thankfully, Scorsese or his composer/de facto music supervisor, Robbie Robertson (of The Band fame), made the call to go with Warren Zevon.
This scene served as a cinematic awakening for me. Yes, that sounds completely pretentious. But I still remember, like it was yesterday, watching this and becoming aware of two things: what a director did, and what a movie star did.
Read more ---> YouTube HOF: Cruise It or Lose It
Check it out: The Color of Money YouTube HOF Winner
In 1986, Tom Cruise went supernova. In May, he pulled a 4G negative dive as Pete "Maverick" Mitchell in Top Gun. This may be an act of rewriting movie history, but I feel like Top Gun gave Cruise a license to print money as a box-office draw. The movie he released that October, The Color of Money, made him a movie star.
I remember seeing this movie when I was pretty young on VHS. It's still one of my favorite Scorsese movies, one of my favorite Richard Price scripts, one of my favorite Newman performances, one of my favorite John Turturro supporting roles, and maybe the best movie ever made about the joys and frustrations of both teaching and gambling. But it's not for everybody. It's moody, it has a serious tonal shift in the third act, and it's basically about some adult shit that you don't fully grasp until you've, at least once in your life, truly succeeded and truly screwed up that success.
The "Werewolves of London" scene almost never was. In Price's shooting script, Cruise's Vincent character hustles Moselle to a soundtrack of James Brown. This is frankly unfathomable. It would be like Robert Duvall air-raiding the beach in Apocalypse Now to the sounds of James Taylor instead of "Ride of the Valkyries." Thankfully, Scorsese or his composer/de facto music supervisor, Robbie Robertson (of The Band fame), made the call to go with Warren Zevon.
This scene served as a cinematic awakening for me. Yes, that sounds completely pretentious. But I still remember, like it was yesterday, watching this and becoming aware of two things: what a director did, and what a movie star did.
Read more ---> YouTube HOF: Cruise It or Lose It
Check it out: The Color of Money YouTube HOF Winner