Ok Guys, the joke is over.
I couldn't sleep the other night when I first posted this so I thought I would have a little fun with you guys. I'm glad it sparked a healthy debate and gave us all a laugh.
I hope it also made some of you reflect on the art that goes into cuemaking and an insight to some of the new and exciting tools that are becoming available. Per usual, Paul is at the forefront of the cue building technology.
For those of you who guessed it was a lazer.... you were correct! Although it was NOT the lazer cutting the Ivory that made the bottom black. After the lazer made the "cut" Paul used a black ink to highlight the design. The detail in this piece is nothing short of amazing. Yes Vasilios, it IS that small. You are correct that the whole piece is about 3" but the details are very, very tiny.
In rsponse to scdiveteam's post....
I'm not sure what you're trying to imply and maybe I misunderstood the post but I wouldn't say Paul is laughing all the way to the bank. There are a few other cuemakers I feel that statement would apply better to. There is one member here who thinks he's god's gift to the planet and can chage $1200+ for a plain jane wrapless cue because of "the beauty of the wood". If ther was every a time to call BS, it would be on this. That being said, I have never owned one of his cues mostly because I think he's grossly overpriced. I'm sure they play good but so do a lot of other cuemaker's cues and they are not this expenisve. Some of you should consider giving Paul a call before you place the order for your next cue. I think you'll find that his prices are very realistic.
Honestly I know some of you here think I spend a good amount of time "marketing" Paul's cues. And although I wouldn't use that term, you are correct to some extent. I do spend some time showing off Paul's work and with what I feel is a very good reason. Well, two reasons actually. First, Paul and I are friends. And I'm not referring to a customer/cuemaker type of friend. Yes, it began that way but it has crossed that boundry a while ago. I had a cookout this past summer and Paul and Ellen were invited and they drove an hour and 15 minutes to get here. Last weekend I was invited to a very personal event for their son Austin, and I attended. I challenge anyone to admit they wouldn't go the extra mile to help "market" a friend's product. Especially one that they personally use and believe is one of the best made.
That brings me to the second reason why I "market" Paul's cues. I believe they are one of the best values in the market today. Paul's creative talent is almost without equal and his execution is top notch. Forget about the fact that he has the best quality wood in the industry or that he is a Hall of Fame cuemaker and has been doing it for over 20 years. What you get with Paul is a great product at a very fair price. That is more than I can say for a lot of the other cuemakers in the industry.
I couldn't sleep the other night when I first posted this so I thought I would have a little fun with you guys. I'm glad it sparked a healthy debate and gave us all a laugh.
I hope it also made some of you reflect on the art that goes into cuemaking and an insight to some of the new and exciting tools that are becoming available. Per usual, Paul is at the forefront of the cue building technology.
For those of you who guessed it was a lazer.... you were correct! Although it was NOT the lazer cutting the Ivory that made the bottom black. After the lazer made the "cut" Paul used a black ink to highlight the design. The detail in this piece is nothing short of amazing. Yes Vasilios, it IS that small. You are correct that the whole piece is about 3" but the details are very, very tiny.
In rsponse to scdiveteam's post....
I'm not sure what you're trying to imply and maybe I misunderstood the post but I wouldn't say Paul is laughing all the way to the bank. There are a few other cuemakers I feel that statement would apply better to. There is one member here who thinks he's god's gift to the planet and can chage $1200+ for a plain jane wrapless cue because of "the beauty of the wood". If ther was every a time to call BS, it would be on this. That being said, I have never owned one of his cues mostly because I think he's grossly overpriced. I'm sure they play good but so do a lot of other cuemaker's cues and they are not this expenisve. Some of you should consider giving Paul a call before you place the order for your next cue. I think you'll find that his prices are very realistic.
Honestly I know some of you here think I spend a good amount of time "marketing" Paul's cues. And although I wouldn't use that term, you are correct to some extent. I do spend some time showing off Paul's work and with what I feel is a very good reason. Well, two reasons actually. First, Paul and I are friends. And I'm not referring to a customer/cuemaker type of friend. Yes, it began that way but it has crossed that boundry a while ago. I had a cookout this past summer and Paul and Ellen were invited and they drove an hour and 15 minutes to get here. Last weekend I was invited to a very personal event for their son Austin, and I attended. I challenge anyone to admit they wouldn't go the extra mile to help "market" a friend's product. Especially one that they personally use and believe is one of the best made.
That brings me to the second reason why I "market" Paul's cues. I believe they are one of the best values in the market today. Paul's creative talent is almost without equal and his execution is top notch. Forget about the fact that he has the best quality wood in the industry or that he is a Hall of Fame cuemaker and has been doing it for over 20 years. What you get with Paul is a great product at a very fair price. That is more than I can say for a lot of the other cuemakers in the industry.