The feel, especially as a sense of whether the subconscious has 'got it right' (so you're ready to go) ties in with 'my' idea of the subconscious working in this manner. I accept your point about the visual component.
I suppose part of the answer is in the work of the psychologist you mentioned, and part is in your explanation of your own stroke.
It makes me dubious of the value of, for example, Lee Bret's 'switch cue'. The idea that you immediately stop the conscious brain activity (not conscious thoughts, but neural activity) and start the subconscious ones.
There is no switch that turns off one sensory mode and turns on another.
Just because we are right handed or left eyed doesn’t mean the other hand or eye aren’t in use.
The right/left example has that digital analogically sense to it, and that’s where it’s analogy is flawed.
Sensory preference has more than two senses in play.
Which one is drawn into the foreground is a matter of selective attention.
The other sensory information isn’t turned off, it just becomes the background and part of peripheral awareness.
My description of my experience and Lee of his are missing all that backdrop, but it’s there, and available resources, just not front and center in awareness.
This is about finding the natural ebb and flow of sensory awareness that triggers
your best game.
I struggle to accept this one, TBH. The idea that physical sensory input and emotion inherently have to be connected in this way. Why would they be? I do suspect two distinct styles (at least) that have just been wrapped up together in diagnosis and theory, thus far. But then, what do I really know? It just seems fishy.
The separation of mind and body is an old one, more on a computer model, digital, input from the mind running the machinery, the body.
The modern take is more integrated, in what they call embodied cognition.
Neurons exist throughout the body and form integrated functional clusters, needing no connection to the brain in the head.
There is an enteric nervous system that in spite of severed nerve connections to the brain in paraplegics functions to keep them alive.
Heart/lung transplant patients function locally despite severed connections, making the transplants possible.
Further research shows that when connected most of the information flow is one way, from the body to the brain.
Seretonin from the gut is instrumental in mood.
An emotion only crosses the awareness threshold into consciousness, more an after the moment reporting to “head”quarters.
The ability to break things down into parts and arrange them into timelines explains the role of the conscious mind
An emotion involves a collage of physiological responses, presented on a timeline, telling a story, instantaneously.
It is set in the present, pulling together a history and also a suggested future response, an impulse reaction, based on a present time orientation, in some cases, more a “I wish I could” inner reaction.
By the time it is in our awareness, we had no conscious decision making input.
Much of this happens below the threshold of awareness, but when it crosses that liminal boundary we gives the clusters names.
We wear our physiology, in smiles, frown and underlying postures.
Change the parts and the whole takes on a new persona.
Vision has a part of the brain we call the visual cortex, other parts specialize in other sensory functions.
The consciousness aspect of mind seems to be such a specialist, having the ability to veto impulses and change the context narrative enough to generate different functional responses.
The labels we give emotions are based on the cluster of physiological responses involved and reactive impulses involved, how we feel.
Fear triggers adrenaline, increasing heart rate, sweat, and a myriad of other stress triggers, shutting down digestion, sexual function and triggering elimination functions.
Emotions being experienced separate from their physiological effects causes cognitive dissonance on my end.