You need to describe what this cursed Szamboti looked like!In Detroit back in the late 70’s there was a Gus Szamboti that had at least a half dozen owners in a month that I know of personally, myself being one.
No one could play with it at all. It was a jinxy cue to say the least. Weirdest shit anyone ever saw. Nice looking cue, no one made money on it, it just kept getting sold and sold and sold. It was like there was a Gypsy curse on it.![]()
A Verl Horn back in 1997 - it was beautiful, I went to Mooreland and bought it from Verl. The cue was full tuxedo cue like he is famous for. The cue literally played terrible. I ended up trading it away to a collector in Dallas a year or 2 later.
Dean took it off your hands.A Verl Horn back in 1997 - it was beautiful, I went to Mooreland and bought it from Verl. The cue was full tuxedo cue like he is famous for. The cue literally played terrible. I ended up trading it away to a collector in Dallas a year or 2 later.
I would have just epoxied the weight bolt in, and called it a day.Hell if I know. I never investigated beyond trying to tighten it more. I paid $100 for it so, if it was a more expensive brand I probably would have, but I just chalked it up to being a cheaper label and the quality stuff associated with that. I still have the cue in a case so I guess there's still a chance to dig deeper.
Earl Strickland -series?
I would contact Shuriken and request a replacement. Given their circumstances over the last three years, it does not surprise me that some things might have gotten by them. But even at $100, I think they intended to supply good cues and not turds. Mine plays fine. I find adjusting to the 60" length to be a challenge, but that's on me.My Shuriken Butterfly cue is kind of a turd. Not only is the pin drilled off-center, but the shaft has warped so badly the tip comes off the table around an inch when rolled...It is not longer even usable for a break cue. But for $100, what can you expect.
Still have it. Still can.I would have just epoxied the weight bolt in, and called it a day.
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Skip Weston custom for me. The guy made beautiful cues, but I absolutely hated the way it played.
Sold it, had Mike Webb make me a cue, and I still have it. Along with a twin he made me a few years later.
Same experience, brother. Guy was fantastic to deal with. Cue just hit like mud.Had the exact same experience with a Skip Weston cue. Great guy, and built a stunning cue for me...but it was an absolute dud. Couldn't sell it fast enough.
Good to "see" you're still around, Koop.
Don't forget the cloth ....and the chalkMaybe it's your table?
I had two Olney cues, both hit completely dead, no feel at all. Sold both of them. Also had a beautiful Purple Heart and Ebony Capone cue with ivory inlays. Had the same dead hit.Trying to keep it relative but letting fly too...had a Jeff Olney cue which had almost no tone to the hit, cue looked great and the shafts were top grade, but I think it had a cheap handle.
Have had a few other customs by good makers with a super pingy, metallic sound. I like some ping but those were just too much for my ears.
My Shuriken Butterfly cue is kind of a turd. Not only is the pin drilled off-center, but the shaft has warped so badly the tip comes off the table around an inch when rolled...It is not longer even usable for a break cue. But for $100, what can you expect.
I suppose my second Meucci Cue in the early 90’s is in contention. Inlays popped, points popped, and the butt cap fell off. I played with that cue for about 10 years and won about 50 tournaments.
I also had a Maximum by Meucci that the shaft warped. You could actually see the minor knot in the shaft that caused the warp
I got a cheap cue from Bert Kinnister, and I believe he said he made it. In restrospect, it was meant to be cheap… and it succeded. I suppose it would’ve been OK if I re-wrapped with real Irish linen and re-tapered the shaft.