You're welcome. We aim to swerve. :grin-square:Thanks Dave and company for the informative video
I'm glad to hear it.Seems my "nip" draw question was properly addressed.
Does a closed bridge actually stop the cue from moving around?
You can actually get the same effective offset from center with any cue elevation.
Some people who are afraid to aim low on the ball might actually get more spin when they elevate. For more info, see the following illustration from the cue elevation effects resource page.
Regards,
Dave
Does a closed bridge actually stop the cue from moving around? Obviously it can stop the cue from lifting up, but it surely doesn’t do anything for side to side. It’s still a single pivot point. And lifting up after contact isn’t necessarily detrimental to the stroke, particularly in the case of power draw. You see a lot of snooker players lifting the cue up on the their follow through on full length of the table screw shots, particularly when getting the cue ball back to balk is more important than accuracy.
You'd have to do something pretty weird with your stroke for that to happen before hitting the CB.You can drive a car with or without doors just the same.
However, if you make a fast turn you may fall out the door.
The same goes for a closed bridge on power draw shots. You don't necessarily need one, but it is a "safety" factor. It keeps your cue from flying "up/around" should you do something wrong when you are delivering your stroke.
Well stated. FYI, I've added a partial quote of your post on the advantages of an open bridge resource page.I'd say no. I played open bridge most of my life, and closed for about the last 2 years, and I think I may switch back.Does a closed bridge actually stop the cue from moving around? Obviously it can stop the cue from lifting up, but it surely doesn’t do anything for side to side. It’s still a single pivot point. And lifting up after contact isn’t necessarily detrimental to the stroke, particularly in the case of power draw. You see a lot of snooker players lifting the cue up on the their follow through on full length of the table screw shots, particularly when getting the cue ball back to balk is more important than accuracy.
The reason why is that there are more variables with your finger/hand position involved in making a closed bridge. If your index finger is not in the exact same place or moves at all during the stroke, then the shaft will shift.
The shaft is riding on/against more surfaces on a closed bridge, so that means more surfaces have to get in and remain in perfect alignment for consistency.
I think moving forward I'm going to use open except: getting very low on the ball and rail shots. I did a bunch of experimenting last night for a couple of hours, and this is what I've decided is going to work best for me moving forward.
That is my experience as well; although, I think the open bridge is slightly better since there is less friction.Power draw has 0% to do with the bridge for me. It's all follow through and acceleration on the stroke, in my experience. I get exactly the same amount of draw on those shots open or closed, as I tested last night.
The diagram of the elevated cue shows a contact point at maximum draw.Your diagram is for just below center.
A closed bridge can definitely help somebody who tends to lift the cue up before the hit (e.g., by tightening the grip firmly during the stroke). In this case, the "closed bridge will work better for draw" (but not for the reasons they might think).You'd have to do something pretty weird with your stroke for that to happen before hitting the CB.You can drive a car with or without doors just the same.
However, if you make a fast turn you may fall out the door.
The same goes for a closed bridge on power draw shots. You don't necessarily need one, but it is a "safety" factor. It keeps your cue from flying "up/around" should you do something wrong when you are delivering your stroke.
I don't think a closed bridge fixes any common stroke flaw - "closed bridge works better for draw" is a myth.
PJ,The diagram of the elevated cue shows a contact point at maximum draw.Your diagram is for just below center.You can actually get the same effective offset from center with any cue elevation.
Some people who are afraid to aim low on the ball might actually get more spin when they elevate. For more info, see the following illustration from the cue elevation effects resource page.
Dave's right that you can hit just as far above or below center with either stroke. As shown, centerball (and the maximum draw contact point) is elevated when the cue is elevated.
The diagram of the elevated cue shows a contact point at maximum draw.
Dave's right that you can hit just as far above or below center with either stroke. As shown, centerball (and the maximum draw contact point) is elevated when the cue is elevated.
pj
chgo
Ugh, relative to center ball based on the angle of the cue. Really? That’s not at all practical and basically irrelevant with regards to actually playing a draw shot.
What Patrick has stated is true.
You'd have to do something pretty weird with your stroke for that to happen before hitting the CB.
I don't think a closed bridge fixes any common stroke flaw - "closed bridge works better for draw" is a myth.
chgo
Which, of course, is irrelevant to how much draw you can get....with a more horizontal cue you are able to contact the cueball closer to the cloth than with an elevated cue.
Which, of course, is irrelevant to how much draw you can get.
pj
chgo
The amount of spin you get on the cue ball is determined by how far off center you hit and the speed of the stick at the time of impact. Or at least that's what I believe. Do you believe something else?You’re joking right? You’re telling me the ability to cue parallel to the table has no impact on how much draw you can get?
...with a more horizontal cue you are able to contact the cueball closer to the cloth than with an elevated cue.
Which, of course, is irrelevant to how much draw you can get.
No, I'm telling you how close to the cloth you can hit is irrelevant when comparing the effectiveness of different cue elevations.You’re telling me the ability to cue parallel to the table has no impact on how much draw you can get?
Again, the following illustration from the cue elevation effects resource page might be helpful.how close to the cloth you can hit is irrelevant when comparing the effectiveness of different cue elevations.