Here is a well done video about getting your head right.
Here is a well done video about getting your head right.
To my understanding:I’ve watched this video a few times and played and replayed the sections describing the three axes. I do not understand the y and z axes. The animation seems to show turning the head left and right defines both y and z but I must be dense cuz I don’t get the distinction. Can you take a stab at elaborating?
Ok got it thanks.To my understanding:
The X axis is vertical up and down (Head/chin rotating up or down).
The Y axis is horizontal left and right (head rotating left and right with eyes maintaining the same level, but one eye closer to and one eye further from the cue ball).
The Z axis is head tilt (one eye rotated higher or lower than the other).
Nick Varner and Joshua Filler appear to be the best examples of two great players setting up with a slight head tilt (one eye higher than the other) and a slight head turn (one eye closer to the cue ball than the other). I believe Willie Mosconi was another example.
Just goes to prove that every great player doesn’t have to have a perfectly aligned head like Steve Davis.
The x, y and z axes Bob is talking about are three lines that are mutually perpendicular. They are oriented in the absolutely standard way they are used in engineering and physics and to graph things. Stand at the center of the head of the table as if to break from the spot. The headstring runs left and right in front of you. It is like the x-axis. A line down the middle of the table (technically called the long string) is the y-axis. The z-axis is a line running straight up and down between the floor and the ceiling.I’ve watched this video a few times and played and replayed the sections describing the three axes. I do not understand the y and z axes. The animation seems to show turning the head left and right defines both y and z but I must be dense cuz I don’t get the distinction. Can you take a stab at elaborating?
After many hours experimenting with marksmanship - good eye on line or not etc... I now stare blankly and squarely at the cueball and use the double vision for alignment. I've also discovered that the Filler head tilt works to level my shot plane and takes the skew out of power draw (my remedial version) and sticking the cue ball or feathering an object ball. I find pre alignment of the stick to have higher priority than eye dominance.To my understanding:
The X axis is vertical up and down (Head/chin rotating up or down).
The Y axis is horizontal left and right (head rotating left and right with eyes maintaining the same level, but one eye closer to and one eye further from the cue ball).
The Z axis is head tilt (one eye rotated higher or lower than the other).
Nick Varner and Joshua Filler appear to be two examples of two great players setting up with a slight head tilt (one eye higher than the other) and a slight head turn (one eye closer to the cue ball than the other). Willie Mosconi was an example of a player with a significant head turn (Y axis) but his head did appear aligned perfectly level (the Z axis).
Just goes to prove that every great player doesn’t have to have a perfectly aligned head like Steve Davis.
According to Bob, although I have a clear understanding of all three planes, I may have gotten the X Y and Z axis’s mixed up!The x, y and z axes Bob is talking about are three lines that are mutually perpendicular. They are oriented in the absolutely standard way they are used in engineering and physics and to graph things. Stand at the center of the head of the table as if to break from the spot. The headstring runs left and right in front of you. It is like the x-axis. A line down the middle of the table (technically called the long string) is the y-axis. The z-axis is a line running straight up and down between the floor and the ceiling.
To "rotate your head about the x-axis" means something like this: imagine a rod parallel to head string and going through your head like an axle. If someone rotates this rod, your head will nod up and down. If you rotate your head "about the z-axis", imagine a vertical rod through your head as an axle. If it is rotated, you will shake your head like for "no". And rotation around the y-axis is tilting side-to-side and will cause your eyes to be non-level and most people's necks can't take too much of that rotation.
Hi Bob, I love your "In other words" explanations, I like the way you explain concepts. Makes sense to me. Thank you for the knowledge.The x, y and z axes Bob is talking about are three lines that are mutually perpendicular. They are oriented in the absolutely standard way they are used in engineering and physics and to graph things. Stand at the center of the head of the table as if to break from the spot. The headstring runs left and right in front of you. It is like the x-axis. A line down the middle of the table (technically called the long string) is the y-axis. The z-axis is a line running straight up and down between the floor and the ceiling.
To "rotate your head about the x-axis" means something like this: imagine a rod parallel to head string and going through your head like an axle. If someone rotates this rod, your head will nod up and down. If you rotate your head "about the z-axis", imagine a vertical rod through your head as an axle. If it is rotated, you will shake your head like for "no". And rotation around the y-axis is tilting side-to-side and will cause your eyes to be non-level and most people's necks can't take too much of that rotation.
OK, question about his pool ball method of finding the vision center (6:45 in the video): Is there any advantage in using a row of pool balls over looking down any straight line, like the edge of a rail, tape measure, etc.? Thanks.
No, I don’t think so. I actually think it makes it seem more complex than needed. The key is just to align multiple objects (2+) that are different distances from you, but not use just any straight line. The goal being to have your both eyes working together to resolve near & far optical focal fields into a “stereo” 3D image. But, doing it as shown on a pool table - is a nice way to do it, since it makes it easy to use a phone/mirror or a buddy on the other end of the table to easily/accurately ID the result.OK, question about his pool ball method of finding the vision center (6:45 in the video): Is there any advantage in using a row of pool balls over looking down any straight line, like the edge of a rail, tape measure, etc.? Thanks.
Hi Dave, i’m by no means qualified to make this comment, but I think a potential problem with this approach is that for many of us, that can incorporate already ingrained bad habits - the very ones we may be seeking to improve upon. Just a thought. Thx for all you do for the sport!Personally, I think it is better to be looking down your cue at the CB and OB for a long straight shot, in your actual stance, with your body and head as they are while shooting, like this:
Other approaches and helpful advice can be found on the "vision center" resource page.
Hi Dave, i’m by no means qualified to make this comment, but I think a potential problem with this approach is that for many of us, that can incorporate already ingrained bad habits - the very ones we may be seeking to improve upon. Just a thought.
Thx for all you do for the sport!