Aiming Systems - The End Justifies the Means

Status
Not open for further replies.
Dave,
Sometimes unique and personal techniques are "simply" the result of constructive hard work at the table and NOT BAD HABITS AT ALL
Nothing beats "constructive hard work at the table." That's one thing we can certainly agree on.

Joey, based on the tone and content of your recent posts, I don't think any further replies would be helpful, so I will stop.

Regards,
Dave
 
Dave:
I would still like to hear about the types of shots for which you or others think the technique is appropriate, helpful, or even necessary.
I would too. Seems like a reasonable question about a technique that so many like but so few understand.

pj
chgo
 
Joey,

I first learned about the wrist twist from Johnny Holiday and then more about the same technique from Don Fenney. And lastly, Truman Hogue put the icing on the cake.

I can not even remotely imagine limiting my stroke through the cue ball in such a way as to stifle my fingers and wrist on certain shots from dancing the tip across the surface of whitey. Pool is such a precision game that one shot resulting in perfect cue ball control can mean the difference in a match or even a tournament victory.
I might say more about this later.

Stan Shuffett

Mr. Shuffett

I agree, especially with the bolded part.

RJ
 
The good news is it's actually simple, RJ....if I listened to this complicated "spin" I wouldn't be able to run a rack...LOL :bash: :groucho:


Really?

The "complicated" stuff is what you play around with during practice. It's no different than learning a shot or position play you're experiencing trouble with or working on a hitch in your PSR. Once it's a "live fire" situation we all go on autopilot.

All of us think about all that technical stuff on the practice table (or we should be) -- whether it's working on a new dance step to get into shooting position or trying to learn the physics so we can deploy the manifestation of different scientific principles to our advantage.

Once again, not that I would expect everyone to understand that.

Lou Figueroa
learning to live
with lowered
expectations
 
Really?

The "complicated" stuff is what you play around with during practice. It's no different than learning a shot or position play you're experiencing trouble with or working on a hitch in your PSR. Once it's a "live fire" situation we all go on autopilot.

All of us think about all that technical stuff on the practice table (or we should be) -- whether it's working on a new dance step to get into shooting position or trying to learn the physics so we can deploy the manifestation of different scientific principles to our advantage.

Once again, not that I would expect everyone to understand that.

Lou Figueroa
learning to live
with lowered
expectations

lol , the above bold made me laugh coming from Lou :grin:
 
dr_dave said:
I would still like to hear about the types of shots for which you or others think the technique is appropriate, helpful, or even necessary. Maybe we can learn from the examples and better understand what (if any) benefits the technique might be offering to the people who use it effectively.

Thanks,
Dave

How about every shot that requires english?

While the academics sweat squirt, fhe, bhe, and whatever other conscious adjustments including different bridge placements/pivot points, etc, some players automate by flipping their wrist.

Some have found that to be more effective than the standard techniques.

I reject the notion great players develop these moves as bad habits. They develop techniques like this because what they read in books didn't work well enough for them.

Sent from my DROID BIONIC using Tapatalk 2
 
How about every shot that requires english?

While the academics sweat squirt, fhe, bhe, and whatever other conscious adjustments including different bridge placements/pivot points, etc, some players automate by flipping their wrist.

Some have found that to be more effective than the standard techniques.


I reject the notion great players develop these moves as bad habits. They develop techniques like this because what they read in books didn't work well enough for them.

Sent from my DROID BIONIC using Tapatalk 2

Look out! I tried to show this in a different thread and was tarred and feathered. Even though I got the info from top players and a US Open champ.

Best,
Mike
 
Major League Player

If one could read a book & learn how to throw a Major League curve ball, the Major League teams would not be paying those type of pitchers the money that they are paying them.

The ball is the same for everyone & the basic physics is the same for everyone but...that's about where it ends. One guy does something a little bit different & his curve is better. Same thing for hitting.

It is the individual ideosyncrasies that sperate the cream from the book readers.

No offense 'book readers'. It's just the way it is.

I'm not a Major Leaguer either.
RJ
 
Yes,

But a straight stroke rules. The wrist twist is a technique, a weapon, that can be used for certain shots. I certainly do not recommend it unless a player is ready for it............

A swipe across the cue ball allows for the tip to remain on the surface of the cue ball a micro-moment longer, creating more spin and less squirt ....as this can happen closer to center cue ball.

Just think about spinning a basketball on your finger. If you poke through the ball it will squirt off your finger. Swipe and you get lots of spin and less chance of poking the ball off your finger.

Stan Shuffett

Three things,

The CB is not spinning at time of contact.

The CB is on a table not the point of a finger.

The follow through doesn't not matter as stated by qualified instructors.

Can you prove the time difference in contact or is it just your opinion?
 
Really?

The "complicated" stuff is what you play around with during practice. It's no different than learning a shot or position play you're experiencing trouble with or working on a hitch in your PSR. Once it's a "live fire" situation we all go on autopilot.

All of us think about all that technical stuff on the practice table (or we should be) -- whether it's working on a new dance step to get into shooting position or trying to learn the physics so we can deploy the manifestation of different scientific principles to our advantage.

Once again, not that I would expect everyone to understand that.

Lou Figueroa
learning to live
with lowered
expectations

So does "deploy the manifestation of different scientific principles to your our advantage" really help your dancing?
 
If one could read a book & learn how to throw a Major League curve ball, the Major League teams would not be paying those type of pitchers the money that they are paying them.

The ball is the same for everyone & the basic physics is the same for everyone but...that's about where it ends. One guy does something a little bit different & his curve is better. Same thing for hitting.

It is the individual ideosyncrasies that sperate the cream from the book readers.

No offense 'book readers'. It's just the way it is.

I'm not a Major Leaguer either.
RJ

?

There is not a single person on this forum that would take the position that reading a book on pool theory will make you shoot like Allison Fisher... but you seem to be saying that, if you want to shoot like Allison Fisher, you better not read any books!
 
RJ:
If one could read a book & learn how to throw a Major League curve ball, the Major League teams would not be paying those type of pitchers the money that they are paying them.
Major league pitchers have been intensively coached from their high school days to the present in standard techniques, including the aerodynamics ("physics") of thrown balls. They wouldn't be making the money they make without that education.

pj
chgo
 
Last edited:
I think twisting isn't rotating the cue along it's long axis, it's merely the turning of the wrist. It's just another way to pivot the cue without moving your upper arm/elbow or your upper body (hip pivot). ...

I certainly agree that the type of twisting you describe could be used to shift the direction in which the shaft is pointing and, therefore, have a definite effect on the shot -- a way of applying spin, for example.

But hasn't CJ essentially told us that he and others can, in fact, rotate a cue on its long axis as it strikes the CB, without changing the direction the stick is pointing, and, by so doing, create or accentuate spin?

So I ask -- is that actually possible? Would the rotation of a cue stick around its center axis as it strikes dead straight through the center of a CB create enough friction to impart side spin to the CB (clockwise rotation for right spin, counter-clockwise rotation for left spin)?
 
AtLarge:
So I ask -- is that actually possible? Would the rotation of a cue stick around its center axis as it strikes dead straight through the center of a CB create enough friction to impart side spin to the CB (clockwise rotation for right spin, counter-clockwise rotation for left spin)?
Multiply the size of 1/4 of the circumference of a 1/2" tip (the arc that would contact the CB during a wrist twist) times the amount of manual rotation that can occur during 1/1000th of a second of tip/ball contact.

How much sideways force do you think that can transmit to the CB?

Please. You can produce more sidespin telekinetically.

pj <- there I go obsessing over reality again
chgo
 
Last edited:
Multiply the size of a quarter of the circumference of a 1/2" tip times the amount of manual rotation that can occur during 1/1000th of a second of tip/ball contact.

How much sideways force do you think that can transmit to the CB?

Please. You can produce more sidespin telekinetically.

pj <- there I go obsessing over reality again
chgo

But I keep failing at telekinesis and need another way.
 
Major league pitchers have been intensively coached from their high school days to the present in standard techniques, including the aerodynamics ("physics") of thrown balls. They wouldn't be making the money they make without that education.

pj
chgo

PJ,

I've coached two(2) pitchers at the middle school level that were drafted by the majors . One made it to the show & the other played in the minors. I guarantee you neither one of them knows anything about the aerodynamics of their curve ball. Simple as that explanation is, they don't know it, but they can throw it and they could throw it before they got to college or high school. They were throwing it when they were 10 years old.

One might tell us that he really pushes his fingers through the threads on the ball just right of center. Is a pitching coach going say, 'well no, your fingers are not actually going through, what is actually happening is...

Do that & his curve ball could be gone forever.

What ever his perception is that gets him to throw it, that's what it is, reality or not.

The physics is there & it is undeniable. But so is his perception & it is real too.

Just 'food' for thought.
RJ
 
Status
Not open for further replies.
Back
Top