haven't seen the whole match, but that was a wild sequence
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Nice post.I think a few players are going to go into modern history as having a lasting impact on the game, as in there is a line before and after they came into it. Efren, Earl, Shaw, SVB and Melling.
He just has this mix of fearless shooting that Shaw brought in and the crazy shots that Efren does where he shoots things no-one else sees or expects. While guys like Hall, Sigel, Archer, even Filler etc.. are super good and consistent, I don't think they added a different element in the game that was over anyone else where you can get overpowered out of situations while playing with them. Filler to me is like a younger bit more accurate Shaw, but nothing really new on his own. A bit like Gorst, he feels like an extension of Buddy Hall with supreme control and even better mechanics if that is possible LOL But again nothing really new like when Shaw came in with his super firepower on hard shots.
I'm always curious what players are measuring with their sticks and/or what system they are using for a bank.
1. I don't know what Chris was doing when he first started measuring by putting his stick over the upper right corner pocket.
2. Then it looked like he walked around the table and did a mirror image from the OB to the rail using the center of the ghost ball to the edge of the rail.
3. Then he measured from the edge of the rail with his cue and sighted down the mirror point at what? Typically, you sight at the CB and where that line crosses the edge-of-the-cushion/line-of-diamonds/rail-groove is your aim point.
4. But then he went to a point on the upper end rail and marked a point with his finger, which doesn't look like it was on a line parallel with the long rail that intersected the OB. How did he choose that spot?
5. Then it looked like he put his cue over the spot in #4 and pointed it at his aim point on the long rail.
6. Then it looked like he did a parallel shift over to the CB.
My question is why the parallel shift? Did he sight at the point in #4 when he did his mirroring? Why didn't he just sight at the CB when he did his mirroring?
Weird. Neither am I but the link worked for me.I am not on facebook
Is there another way to get access to the runout?
He has to compensate for the slide off the cushion which makes the cue ball go long. Notice how much higher/shorter he hit on the rail than for the simple mirror. He seems to have found a method of compensating that works.... My question is why the parallel shift? Did he sight at the point in #4 when he did his mirroring? Why didn't he just sight at the CB when he did his mirroring?
I really enjoy watching Melling's numerous amazing shots. One thing, though, is it seems like he is as often in a predicament due to his own misplay as he is due to someone locking him up. So from that perspective, he gets at least twice as many opportunities for "amazing" shots as most other pros. Watching him, I'm always left wondering how successful he could be if he could just rein in his relative loose cannon approach to position play.