KMRUNOUT said:One other thing: if you place your cue on the end rail to break, you should get rid of that habit ASAP. There are all kinds of problems with it, but the main one is that you are anywhere from 1-2 feet further from the rack. Why make it any harder. Also, I think it is very difficult to break at full power from this position. Breaking from the side rail is different. Anyone I ahve ever seen with a good break breaks with their hand on the cloth and the cue ball right up on the head string. (Or with the cue resting on the side rail and their bridge firmly around it.) The best recipe for a horrible cue ball on the break is to make your normal bridge up on the end rail!!
Hope this helps,
KMRUNOUT
Just a quick note: I say this with the assumption that you have a good stable closed bridge. If you do not, then this is a much more important issue to resolve than the break. I don't think anyone could overstate how important a rock solid, unmoving, stable bridge is to accurate shooting. This is true for any bridge, open or closed (or mechanical!!)