all this talk about process, but everyone is forgetting about design. there's the ticket!
the basic design of a cue, "handmade" or cnc, is still the same,,,,points and windows. i see NOTHING new. flowery doilies,,,feathery hairs on the ends of points,,,all based around a basic point/window design. that''s just not true. tell jerry mcworter, thomas wayne, bob manzino, richard black, richard chudy, paul drexler, joe gold, bill stroud, bruce kuhn and of course keith josey as well as many others and that and they will say so also. the newer types of cues being made today colud have been made years ago but with time design is seen through different eyes. cue makers from the mid 80's back didn't think the way some cue makers think today. even if they did to try to execute this type of design work would have been a disaster. when joe gold made his first fancier floating point cues these were cues that almost nobody ever saw or thought of makeing before. these did not come from "traditional" thoughts. and i think i heard someone say his first fancy point was designed by mike benders wife. i don't know if he was the first but he definately won't be the last. the use of cnc has made it more possible to execute some of our new thought design work. have you ever heard the old addage: "it's not who makes it who but thought it". if we've learned anything from japan it's that anything can be copied. i always give props to the one who first has and executes the new idea. thats why your first comment was right on the money.
if cnc is going to make good use of its technology, do something magnificent, don't bore us. at least we can be dazzled if not enamoured. there are many examples out there but with the "dazzling" one's come the extreme prices.
the scaling on these fancy cues suck. the designs are intricate, but clunky and thick. i'm sure there are machinists here who can attest, with what can be done with today's technology, cnc is merely dumbing down to create cue designs. yes,,,there's little difference between pantograph and cnc.....so what does that say about cnc imagination. sounds like cnc is offering a chance to take design to a different level and all that's being done is the same as pantograph,,,only more. if you know something about milling you would know that just about the smallest mill cutter used in cue making today is .010 (10 thousanths end mill really used only for small parts that can't be inlayed much more than 50 thousanths deep). and in my designs i use .020 and .03125 which are awefuly small and can get about .56" wide on a part with out washing out unless you do "3d" inlays and pockets. as far as the difference between panto and cnc panto takes patterns which can cost allot of money for allot of cue designs. with the "hands on" time at the machine being so great, and it's result is close to the same as cnc, cnc has become a usefull tool to produce the constant new thoughts of cuemakers.
but imagination is bound by cnc. can i interpret this in cnc,,,will cnc let me do this or that. cnc is just embellishment, nothing more. the basic design of cues remains simple and cohesive. cnc hasn't changed this, and it's ironic, but cnc is shackled by the old ways. no one has really been able to break free. it's a mistake to think that cuemakers are artists, 3 to 4% are, the rest are machinists. most people who don't like cnc feels there was at least a sense of artistic merit to come out of the industry when things were done "by hand". cnc has industrialized all that. what's wrong with using a tool to do the things that would be just about imposible to do otherwise?
if there is nothing extraordinary, if there is nothing magnificent, then what a waste of technology. it is technology used to create a commodity,,,not art.