JAM said:
Though not as realistic as "The Hustler," the movie in which I think the younger Paul Newman was excellent as Eddie, the plot of TCOM was actually reflective of pool in the '80s, a combination of high-profile tournaments such as the one at the Resorts in Atlantic City and action rooms sprinkled across the land and frequented by a variety of player types.
Bingo! Whether The Color of Money is a realistic as The Hustler makes no difference at all.
Using a very contrived character as a vehicle to offer a panoramic view of an aspect of his society was not beneath the dignity of Charles Dickens and in no way detracted from the quality of the pictures of society that Dickens painted through the written word. I believe that The Color of Money's use of the admittedly implausible Vincent is similarly effective.
In The Color of Money, through the eyes of Vincent, we get to see:
small time barbox betting
bigtime barbox betting
players good enough to make it on the road
players not good enough to make it on the road
the hustling scene and its underlying morality
trashtalking and gamesmanship
dumping and its implications
mentor/student tension
the pre-tournament scene
the tournament scene
the tournament side action scene
and much, much more. Guess what I'm saying is that I don't feel that Vincent's implausibility as a character in any way detracts from the film, which offers far more insight into the pool scene than The Hustler.
I doubt any pool player will ever give a stronger performance in a pool-reated movie than Keith gave as Grady Seasons. He was, quite simply, superb.
The Color of Money will always be my favorite pool movie. If it reenforced some of the game's more seedy stereotypes as some suggest, it doens't matter, because it was honest and objective in its inspection of life around the glorious green felt. A classic that will endure!