Controlling the break = winning!

HawaiianEye

AzB Silver Member
Silver Member
I've been watching a lot of pool when I get the time and notion and I still can't believe how MANY pro players have, what I consider, a "sub par" break.

I think a lot of players DON'T realize just how IMPORTANT the break is and, therefore, NEVER practice it EXCLUSIVELY until they get it down. The ONLY American I know of who EXCELS at the break also PRACTICES it for hours and hours...SVB

ANY top-level pro can run ball after ball, over and over, but what SEPARATES them on a lot of occasions is the BREAK. Since most pros can compete shot for shot in a lot of cases, the only discriminators are the break and cueball control.

As everyone KNOWS, luck is a big FACTOR in the break, but there are PARTS of the break that are somewhat "controllable"...the angle, the speed, the English, etc.

The KEY is "controlling" the "controllable" aspects and then letting "luck" take over because it is out of your hands after that. If you DON'T have a GOOD break, you AIN'T going to run 11 or 12 packs. You can only get LUCKY on so many breaks and run the few racks that happen to open up with a good first shot...after that number, the breaker has to have some sort of "control" of the situation to continue really long runs. The same principle applies to most pool games...you don't think Willie Mosconi could have ran 526 in 14-1 without "controlling" the break do you? Earl's break in the Million Dollar win wasn't the best in the world, but it was good enough to keep him in it until he was able to get a string going and take the cash.

I was EMBARRASSED by the breaking in the Mosconi Cup..embarrassed by BOTH teams. It seems that nobody put in the effort to "control" one of the most "critical" shots of the game.

One of the things that I do best is break (even in my old broken down state now). Everybody that watches me break always comments on it. I am FAR from being the world's best breaker, but I would put my 9-ball break up with almost anyone I see playing in the pool hall where I play. I've never counted the number of balls I make on the break or the number of times I make a ball, but the couple of years I played league long ago in ND I had the highest percentage in the league for two consecutive years...most balls pocketed on the break, most breaks making a ball, and most wins from the break (making game ball on the break), and most break and runs. Those would never have happened if my break wasn't a lot better than the majority of the others.

I learned that the break was a "key element" MANY years ago and I always practiced it when I was in my playing and gambling days.

The KEY to the break is hitting the ball SOLID. If you can't hit the one ball solid, you aren't going to be able to control the cueball. If you cant control the cueball, then you are at the mercy of the luck gods when it comes to hopefully coming up with a makeable first shot after the break.

PRACTICE THE BREAK IF YOU WANT TO RUN RACKS!

I guess being a "rack mechanic" might help also, but I never was one for "purposely" putting a slug rack on my opponent. I prefer an "equal" playing field where the "WINNER" is decided by who has played the best and put in the most time and effort to achieve that level of playing.

Complain about the Magic Ball Rack if you will, but I still say it is the "fairest" rack for consistency for both players. If you CAN'T break using the Magic Rack, then you obviously haven't put any time and effort into practicing the break with it.

FWIW, I haven't been able to find my Magic Rack for a couple months and have been using the OLD wooden racks at the table. Looking for anothe rone if the price is right.
 
You're right of course about how important the break is.
In some conditions there's virtually no luck to it (magic rack with 9 ball)
and in other conditions there's quite a bit (wooden rack with 8 ball).
But all players should understand it, i.e. watch Joe Tucker's videos.

But the reason for the poor break results at the Mosconi cup was not due to players failing to understand
its importance and failing to practice.

It was because both players had a gentleman's agreement to abandon any attempt at a skilled break,
and just hit the rack square and hard and let luck take over.
Mika Immonen tweeted some criticism of Shane for breaking this unwritten rule by trying a soft cut break.
Later, I believe Shane went back to hitting hard.

Between that and the rule requiring a break from near-center, Matchroom successfully injected
some randomness and excitement into the break.
With the downside being that it adds a lot of luck to the game.

I will repeat some advice two different pro instructors said to me:
Basically - If you're not at a level where you can run out consistently with an open rack,
you probably should focus on that instead of working on your break.

Between top pros, the break might be the only thing separating one guy from the other
and may decide who wins a tournament. But for regular B and A players, there are other
things you need to work on, you need the runout skills (not to mention safes, kicks, jumps etc)
before you worry about trying to outbreak the other guy.
 
I totally agree! The magic rack,(which I love) is a great tool if you know how to use it! Due to the ignorance of most players, they seem to think it sucks because "you always make a ball"! Well, both players are using it just the same, Sooooo?!?!??! Whatever!
My new minor dilemma is figuring speed out! I got into a 9-ball match and because he didnt like the magic rack, we had to use a wooden rack! I'm cool with it! But he wanted to "soft breaks" and break from the spot! He complained to me that I was soft breaking! I was hitting them 21-22mph! Now, I know that's not very hard, but that's my best break controlling the cue ball! My question to this is, what's a hard break considered speed wise? I always thought under 17mph is soft! And above 20 is hard! But I guess because of my weak break, I can only break soft! He was just pissed I was squatting the white pellet in the middle of the table!;)
 
I will repeat some advice two different pro instructors said to me:
Basically - If you're not at a level where you can run out consistently with an open rack, you probably should focus on that instead of working on your break.

That is very true! Back when I was playing for the cash, MOST of my oppenents could get out from the break the MAJORITY of the time on OPEN racks, yet THEY still didn't work on their break. They just "wham bam, thank you ma'am" slammed the balls and prayed to the Pool God for a lucky roll.

It seems that MOST people consider the break just a "LUCK SHOT" that ISN'T worth the effort to practice.

I see numerous "A-level", or higher, players all the time and I NEVER see ANYONE practicing just the break.

Aloha.
 
But the reason for the poor break results at the Mosconi cup was not due to players failing to understand its importance and failing to practice. It was because both players had a gentleman's agreement to abandon any attempt at a skilled break,and just hit the rack square and hard and let luck take over.

Thanks for that tidbit.

I was wondering why the heck they weren't pocketing the one in the side, which is almost a wired shot from where they were racking. I figured there must have been a ban on the cut break or something.
 
Ironically, this single most important and most difficult shot to control,
happens to be the most tedious and boring to practice.
ack2.gif
 
Ironically, this single most important and most difficult shot to control,
happens to be the most tedious and boring to practice.
ack2.gif

I don't think it is boring to PRACTICE breaking, I think it is boring retreiving the balls and racking.

I used to rack, break, observe the layout and then do it again...over and over...for an hour or more every practice day...WITHOUT ever shooting a ball from the layout.

You can't figure out the break unless you get it down and then tune it to the table you are playing on. Sometimes there doesn't seem to be anywhere on the table that will work the way you want it to, but a PRACTICED break shot is ALWAYS better than just SLAM them willy-nilly, IMHO.
 
Here's a little tip/trick for controlling the CB that I use...

Just imagine the other 8 balls aren't there.
 
liakos;4486243 My question to this is said:
I honestly don't know how fast my break speed is, but I know I hit the balls SOLID (or try to). When you hit the ball SOLID, it sounds HARD...even if the speed isn't that fast.

Most people can hit the rack with a LOT of speed, but the cueball ISN'T hitting the head ball SOLID on most occasions..

When I break it sounds like I am hitting the balls REALLY hard, but I'm not putting anywhere near the speed on the ball that I could if I wanted to play "Popeye the Sailor Man" and SLAM them. I'm trying to hit them "as hard as I can with a somewhat controlled" result. It DOESN'T matter how hard you hit them...what matters is "are you making balls and controlling the outcome"?

If you are breaking 100 MPH and sinking multiple balls every time, it does you NO GOOD if you are constantly "kicking" at the one ball because you screwed up the first shot of the game with your UNCONTROLLED break.

The downside to a controlled break is that if you DON'T make a ball, you leave your opponent with what may be a perfect runout layout. In my experience, I have outrun the break...I make balls on the break more times than I don't. If I don't have a shot on the one, I still have the same option of pushing out if I don't leave myself an opening to get anything going or I can still play a safety.
 
... Mika Immonen tweeted some criticism of Shane for breaking this unwritten rule by trying a soft cut break.
Later, I believe Shane went back to hitting hard. ...

CreeDo -- Was that tweet after Day 1? I just went back and looked at all 6 of Shane's breaks on Day 1 (5 of which were against Mika). For all 6 breaks, he placed the CB at the left corner of the break box and hit with power -- nothing remotely like a soft break. On 3 of the breaks the CB came back and hit the head rail, so those were not cut breaks. On the other 3 breaks the CB did hit a side rail (twice it was the right side rail about one diamond off the head rail and once it was the left side rail about 3+ diamonds off the head rail), but I think it was only because he missed hitting the 1-ball squarely by a little bit, not that he was attempting a cut break.
 
Here's a little tip/trick for controlling the CB that I use...

Just imagine the other 8 balls aren't there.

I do this...SORT OF. It depends upon the angle I am coming in from. My NORMAL break is a tangent line from the one ball to whatever ball is in the next to the last row, before the last ball.

EXAMPLE (as you are looking at the rack from the head string - 3 is the back ball):

3
5 8
2 9 7
6 4
1

If the balls were racked in the order above and I was breaking from the left side of the table, I would aim THROUGH the one and try to (imaginary) hit the 8 ball as flush as I could. If I break from the right side, I would aim for the 5 ball (through the 1 ball).

This break won't work for everybody, but I think I have it down to where I can make a ball more often than not without letting the cueball go flying around.

I go for the "controlled" break to make a ball and get some sort of "position" on the 1 ball. If nothing happens, then it WON'T be because I haven't experimented and tried to come up with what works best for me.

In ALL cases, I TRY to hit the 1 ball as SOLID as I can (even though I am aiming through it to a ball further behind in the rack). It is sort of like you are aiming into a perfect combo between the 1 and the back aiming ball.

FWIW, I have had people come up out of the blue from another table and ask me how I break because I usually seem to get better results than they are getting. One of the BETTER league players had me show him how to break and he CONSISTENTLY follows my style and he does better than he did before.
 
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