7-9 mths. and up to a year for a large number of top quality cue-makers........some designs even faster.
While that's true, it's also a bit off base.. His cue is not just a standard Cuetec. It does prove he doesn't need a ton of inlay work.A high end cue is not required to play elite level pool, period. We all know that Shane beats the world with a basic Cuetec. That's about all that needs be said of the subject imo.
Thanks to all who added their strong opinions and insults.
About a few things that have been brought up...
1) Schon: They have been around for a while. Folks have come and gone, this company has changed as a result in terms of product offered, customer service, ect.
I have no beef with Schon - never have. They have made great cues and still do today - as long as you don't desire a screw-in extension.
2) Mezz: Absolutely top quality in a production cue. I would rate their quality in a cue you can buy off the shelf in a neighborhood only lived in by Jacoby and Schon.
I play with one of their breakers. Best breaker I have owned. Knew it for sure after only a dozen or so breaks.
It just worked for me .. It was just my size ... You can get lucky this way with a player.
What I am saying is don't spend too much on something that is a compromise to what you know you really want in a cue. If you can find everything you want off the shelf all the more power to you!
Cues to me are like tools, not works of art. I have never bought one because of it's intricate beauty for one reason - it cost more. Merry Widow is me - cost effective and you can spend your money where playability is concerned.
I know this will bore many but might be new ground for some...
There are three balance points in a butt - three different places where a cue smith can weight a butt. They can weight it once forward in the forearm, in the wrap area and further aft in the sleeve.
If you know and demand a cue to balance correctly at any specific weight these variables have to be taken into consideration. You do not have to play with a heavy cue that is butt heavy, and you do not have to play with a light cue that is shaft heavy.
That has nothing to do with inlays and beauty but it's what I want and am willing to pay for in a cue.
I might even spent a dime on it if I like the way the smith talks. ;-)
One more thing before I go -- Who ever it was that first put any kind of wrap on a cue is an asshole.
Good rolls.
Glad to hear you are still just as flexible and sensible as ever.
A well done wrap is one of the great improvements for a cue.
Dale
I like wraps. There are some cues that have unique woods or designs and look beautiful wrapless, but I have sweaty hands and prefer wrapped cues.
I like wraps. There are some cues that have unique woods or designs and look beautiful wrapless, but I have sweaty hands and prefer wrapped cues.
Agreed, I love linen wraps.
I think wrapless cues can look great but I have sweaty hands and I don't like the feel after shooting for a while.
Smooth black leather looks really nice and I like the feel better than wrapless, but again once my hands get really sweaty it isn't my favorite.
Other types of textured or exotic leathers I can do without...almost always dislike the look of it on a cue except for a very few rare cases where a lizard wrap looks really good on a fancy cue (thinking of Black Boar and the like). Have never seen an elephant wrap that I think looks good...but others seem to like it.
But linen...oh linen....always feels just right for me and helps with my sweaty hands. And I just like the look too, very classic. I prefer white/green but others look good too, especially all black which I think is a nice clean look if you don't like white based wraps.
The only leather wrapped cue I ever owned felt alright to me, but it never had the same feel as linen. It was a cue that Richard Black made for me back in 1981 and it was pig leather.
I love Cortland ......passionately.......but it's so hard to get and so few choices.......eventually it will disappear.