How to develop a relaxed, loopy, wavy and figure 8-like stroke such as Efron, Bustamante and to some degree, SVB.

QShark

Suspected Scammer
I can't explain this well, but hope you'll understand what I mean. I've noticed Efren, Bustamante and SVB to a degree, have loopy, up-down wavy and almost figure 8-like stroke on their prep strokes. It almost appears as though their prep strokes are aiming low on the cue ball. I've heard it described here as a "see-saw" motion too.

Can someone explain to me how this is achieved? It's a thing of beauty to see. Someone told me that they all raise the elbow and use their shoulder a tad on their final stroke.

This, while others have a level and straight back and forth stroke with a frozen elbow position. It makes their stroke look shorter and "punchier".

Any insight is greatly appreciated!
 

skiergd011013

Well-known member
Its nice to watch, but for most of us, if we tried to copy a stroke like bustamantes, our games would go down the drain. My opinion is......we aint bustamante. Just appreciate his style from the sidelines😁 Sorry for the lack of advice, but heres a bump for your post
 

Patrick Johnson

Fish of the Day
Silver Member
I agree it's not a stroke for everybody. In particular, you probably don't want to copy this.

pj
chgo

busty.png
busty2.png
 
Last edited:

FranCrimi

AzB Silver Member
Silver Member
I can't explain this well, but hope you'll understand what I mean. I've noticed Efren, Bustamante and SVB to a degree, have loopy, up-down wavy and almost figure 8-like stroke on their prep strokes. It almost appears as though their prep strokes are aiming low on the cue ball. I've heard it described here as a "see-saw" motion too.

Can someone explain to me how this is achieved? It's a thing of beauty to see. Someone told me that they all raise the elbow and use their shoulder a tad on their final stroke.

This, while others have a level and straight back and forth stroke with a frozen elbow position. It makes their stroke look shorter and "punchier".

Any insight is greatly appreciated!
Well, you just explained pretty well how it's achieved. Have you tried it?
 

BC21

https://www.playpoolbetter.com
Gold Member
Silver Member
Good artists copy. Great artists steal.

(unknown, yet credited to Picasso)

Instead of trying to copy all the parts of a great players unique stroke, steal the parts that work best for you, the parts that feel natural, free-flowing, effortless.

Incorporating those parts could help you find your own unique stroke, as long as you're not trying something so wonky that you'll never be able to develop any consistency with it. That's typically why it's best to learn the traditional textbook stroke, where the cue doesn't whirl around like a magician's wand. Trying to copy a particular stroke that another player has spent years developing is usually not a good idea, unless you've got a few extra thousand hours to work with it.
 

Bob Jewett

AZB Osmium Member
Staff member
Gold Member
Silver Member
... Any insight is greatly appreciated!
There are goofy, unorthodox things that a few very strong players do. You could probably make a list of a few dozen.

I think it would be a mistake to work on any of those things until you are quite sure that an orthodox approach will not work for you.
 

FranCrimi

AzB Silver Member
Silver Member
Back in the early 2000's Gene Nagy became fascinated with the Filippino stroke and did extensive research on it, including discussions with players who had inside info about their playing style. What Gene found out was that it was fashioned after a martial arts form. I don't know which one, as he never said, but it involves a philosophy of 'least resistance lending towards highest degree of accuracy.' So I think the stop and start of ending the backstroke and starting the forward motion is considered resistance. Every aspect of the movement has some kind of purpose, apparently.

It's an interesting philosophy but it sounds like something you'd have to be raised with.
 

WobblyStroke

Well-known member
I play this style and go into detail on it in my upcoming book. No freebies in here though and Im not taking any new students atm so I hope u can wait. Book should be out next year and by then I should be taking students again so I can walk u through it.

fwiw I learned a version of this at 20 and then a very exotic counterintuitive version I play now in my 30s so it isn't someghing u need to be doing from childhood....as long as u have a good guide.
 
Last edited:

WobblyStroke

Well-known member
what is the benefit of being wobbly ...
touch and speed control are better for me with this style. effortless power is nice too but i have that with a conventional approach as well.

tbh i dont think most ppl would choose to play this way even if they could learn it. it doesnt mesh with most personalities, especially for shots under pressure. Lisowski said something interesting along these lines when he said pretty much every snooker pro can play like ronnie...what makes him special is playong like that under the heigst levels of pressure. they can all do it on a practice table.
 

FranCrimi

AzB Silver Member
Silver Member
What's silly about being curious?
You're saying that the OP's questions are silly, since you didn't quote anyone's post, therefore you are addressing the OP. I'm saying to you, what's silly about being curious and asking questions? Are you saying it's silly to ask questions in the ask the instructor forum? Should he just shut up and not ask, because you decided that it's not worth it to even inquire?
 
  • Like
Reactions: bbb

jason

Unprofessional everything
Silver Member
Rodolfo Luat was the first player I ever saw live to have that stroke. I guess he changed my game years ago by watching him. I think I have a pretty fluid stroke. My good friend said it looks like their elbows are gears. The elbow basically moves in a circle pattern. For what it is worth, I have a winning record against Busty...2-1! Now if I never play him ever again! :)
 
Top