To help understand how the location of the balls on the table will control the stance needed because of the shooting position, I did this point to point of just the upper body.
The points are joints, where the bridge hand contacts the table, where cue contacts the bridge hand and where the cue contacts the grip hand.
In order to get the cue where yo need, requires being able to move all these points into a comfortable position in order to stroke straight.
The drawing is what I call the standard training stance. The type of stance shown in most pool books.
Now, considered the jacked up shooting over a ball I described earlier and the post pic.
Those points need to move around and they are not and can not be in the same position as the drawing showing the standard training stance.
From this, I came to realize a overlooked distance that can matter in stroke delivery. The distance between the bridge/cue point and the cue/grip distance. Look at Mosconi's stroke and he has a short distance hereas other are longer.
A short distance comes distance comes into play shooting jacked up in order to be in a comfortable position to stroke. Also this allows you to be a little higher with your head postion, which if you wear glasses, or your neck get tired and hurts helps.
Which leads to the location of the cue/grip point in relation to if it is past or before the shooting side hip joint when first getting into shooting position.
Jacked up, it can't be. So if it doesn't need to be shooting jacked up, does it need to be when not shooting jacked up?
In short, there is more to alignment than just what is normally discussed and greatly overlooked. Now added those that I didn't included......neck, hips, knees, ankles, foot, and even toes. Ever have to lock a knee against the table to shoot? Yet this shooting position is never discussed.
To help understand how the location of the balls on the table will control the stance needed because of the shooting position, I did this point to point of just the upper body.
The points are joints, where the bridge hand contacts the table, where cue contacts the bridge hand and where the cue contacts the grip hand.
In order to get the cue where yo need, requires being able to move all these points into a comfortable position in order to stroke straight.
The drawing is what I call the standard training stance. The type of stance shown in most pool books.
Now, considered the jacked up shooting over a ball I described earlier and the post pic.
Those points need to move around and they are not and can not be in the same position as the drawing showing the standard training stance.
From this, I came to realize a overlooked distance that can matter in stroke delivery. The distance between the bridge/cue point and the cue/grip distance. Look at Mosconi's stroke and he has a short distance hereas other are longer.
A short distance comes distance comes into play shooting jacked up in order to be in a comfortable position to stroke. Also this allows you to be a little higher with your head postion, which if you wear glasses, or your neck get tired and hurts helps.
Which leads to the location of the cue/grip point in relation to if it is past or before the shooting side hip joint when first getting into shooting position.
Jacked up, it can't be. So if it doesn't need to be shooting jacked up, does it need to be when not shooting jacked up?
In short, there is more to alignment than just what is normally discussed and greatly overlooked. Now added those that I didn't included......neck, hips, knees, ankles, foot, and even toes. Ever have to lock a knee against the table to shoot? Yet this shooting position is never discussed.
ARE YOU SERIOUSLY USING THAT PICTURE TO MAKE YOUR POINT (WHATEVER THAT MAY BE) ABOUT STANCE? If I had that shot on the 4, do you know what I would do? Not spend time worrying about the position of my body. No, I'd rather just keep it simple and shoot the shot opposite handed. Yeah, us good players can do that. Hacks like you, maybe not. In that case, just grab the bridge and make the easy shot.
I don't know of any regular in my poolhall who would have any sort of trouble with that shot. Not even sure what he was going for here? Put the entire rest of the stack between the camera and the cueball, then maybe someone could possibly screw it up. Not the good players though...
Or how about this. Instead of getting all worked up over the position of your body when the CB is in awkward spots, maybe you could use that amazing CB control you like to brag about, and actually get the CB in ideal areas.
Lol, not touching this one...
You should be banished from this and all other pool related forums to prevent the constant cancerous venom you spew in all of your posts.
Very harsh. Just use ignore...
I might not agree with a majority of the stuff CJ says here, but at least he can run more than 3 balls.
Well, i should think so..
I don't really understand what Duckie was trying to get at? If someone can be fooled by simple means like he described, they do not know the game. Daring a good player to shoot is mostly a recipe for disaster. A good 9 or 10ball player will know how to shoot over balls, you know. And try to pull this on someone even remotely good at snooker or 14.1 and see what happens then... Even if he doesn't have a shot he'll have standard responses that have been honed within an inch of their lives..You'll end up in a LOT of trouble! If a player can be tricked as easily as he says, then what is the accomplishment in doing it? They'd have to be C or maybe even D players... Duckie desperately needs someone to run 60's and 80's on him a couple of times, then we'll see what he says...
Didn't you make a post a number of months ago about playing in a 14.1 league where you had to play a local guy getting 70 balls to 100?When I read some of how to do this or that, I wonder if I'm playing the same game as others.
Consider having to shoot jacked up over a ball to stroke the CB. I mean the ball you are shooting over is close to the CB.
Oh and the ball position is in the center of the table.
Or when the CB is on the rail.
In others words, all theses so called how to do this or that do not take into consideration of all the possible shooting positions.
One thing I like to do with new 14.1 players is to bury the CB in the rack for a safety. It's just plain fun to watch them try to figure out what to do and then get into shooting position.
At times, I play a really short guy. When doing safety battles one of my goals is to leave the CB in the center of the table.......makes a uncomfortable shooting position for him.
The games they play.......mostly 9 ball......this don't happen nor do a lot of shooting positions that come up when using all 15 balls.
So next time you want to say use this pivot length or bridge length or foot position, consider doing the jacked up shot in the center of the table or better, set it up and see if you can use what you are explaining.
To help understand how the location of the balls on the table will control the stance needed because of the shooting position, I did this point to point of just the upper body.
The points are joints, where the bridge hand contacts the table, where cue contacts the bridge hand and where the cue contacts the grip hand.
In order to get the cue where yo need, requires being able to move all these points into a comfortable position in order to stroke straight.
The drawing is what I call the standard training stance. The type of stance shown in most pool books.
Now, considered the jacked up shooting over a ball I described earlier and the post pic.
Those points need to move around and they are not and can not be in the same position as the drawing showing the standard training stance.
From this, I came to realize a overlooked distance that can matter in stroke delivery. The distance between the bridge/cue point and the cue/grip distance. Look at Mosconi's stroke and he has a short distance hereas other are longer.
A short distance comes distance comes into play shooting jacked up in order to be in a comfortable position to stroke. Also this allows you to be a little higher with your head postion, which if you wear glasses, or your neck get tired and hurts helps.
Which leads to the location of the cue/grip point in relation to if it is past or before the shooting side hip joint when first getting into shooting position.
Jacked up, it can't be. So if it doesn't need to be shooting jacked up, does it need to be when not shooting jacked up?
In short, there is more to alignment than just what is normally discussed and greatly overlooked. Now added those that I didn't included......neck, hips, knees, ankles, foot, and even toes. Ever have to lock a knee against the table to shoot? Yet this shooting position is never discussed.