The bestest most happiest of endings. I don't suffer from insomnia, bro.Do you get happy endings from it?![]()
The bestest most happiest of endings. I don't suffer from insomnia, bro.Do you get happy endings from it?![]()
Not true. Some have been in competition.Unfortunately pool instructors are not active in competition.
Not true. Some have been in competition.
For a long time good playing amateur, I think their criteria should be who has the instructor taught that is/was a top-ranking amateur player as well as well as pro players. They teach differently to them. It should only take a couple of recognizable names to make the decision quick and easy.
It's a high percentage approach. The odds are a lot better of getting what you want and is needed.That is an elitist approach.
It's a high percentage approach. The odds are a lot better of getting what you want and is needed.
Have you tried to video a straight in shot from behind? A 1/2 cue tip horizontal movement may look like a 2 inch movement from behind. Do this at a variety of speeds. You may find horizontal movement in your elbow, wrist, forearm, etc., or various combinations for these.I’ve come to the conclusion that there is no way I can fix my stroke without some expert help. God knows I’ve tried to fix it myself and the good players watching me can’t fix it either. When I miss, I know why. The problem is how to fix it and who can help me fix it.
I’m sure I have all of those. I’ll accidentally put Rt english on most shots, then I’ll start getting LT english. I’ll raise my shoulder, lift my head. I’ll try to relax my hand but when I stroke the ball I’ll end up clenching my hand and jerk the stroke off line. I’m totally lost on trying to fix it myself. One of the problems is I have a small hand tremor but I feel that’s not my main problem.Have you tried to video a straight in shot from behind? A 1/2 cue tip horizontal movement may look like a 2 inch movement from behind. Do this at a variety of speeds. You may find horizontal movement in your elbow, wrist, forearm, etc., or various combinations for these.
It should if somebody takes the lead up front. The lesson getters should tell the lesson giver "this is what I want and what I'm looking for" as well as "this is what I don't want", especially if they're long-time players in many pool room wars.
In your case, am I correct in saying that your main focus and interest is in one-pocket with 14.1 in second place?
Would you want the fundamentals to be 1/2 of the time which includes grip, stance, posture, alignment, aiming? How about
1/4 of the time? What would be your primary wants and focus outside of that? You don't need to say it because I already know.
Let's just say it AIN'T gonna be any part of the fundamentals which needs to be made clear right up front.
One thing I found supremely helpful is to have a kind of anchor point in my grip hand. @gregcantrall turned me on to using the ring finger as a trigger. The ring finger is stupid. It has no mind of it's own, but this is a good thing. If it feels the same, and you wait until it feels like it's "taking the lead" you can use that as a trigger to know you're holding the cue correctly and consistently. If the ring finger is in the lead, it's tougher to steer a shot. Also feather the cue a bit before you do your practice strokes. It will readily tattle on you if you're not lined up right. If there's wavering in the feather strokes you're not on line.I’m sure I have all of those. I’ll accidentally put Rt english on most shots, then I’ll start getting LT english. I’ll raise my shoulder, lift my head. I’ll try to relax my have but when I stroke the ball I’ll end up clenching my hand and jerk the stroke off line. I’m totally lost on trying to fix it myself. One of the problems is I have a small hand tremor but I feel that’s not my main problem.
It was Barry Stark that led me to the ring finger trigger. He has put some great stuff on youtube and is definitely worth study.One thing I found supremely helpful is to have a kind of anchor point in my grip hand. @gregcantrall turned me on to using the ring finger as a trigger. The ring finger is stupid. It has no mind of it's own, but this is a good thing. If it feels the same, and you wait until it feels like it's "taking the lead" you can use that as a trigger to know you're holding the cue correctly and consistently. If the ring finger is in the lead, it's tougher to steer a shot. Also feather the cue a bit before you do your practice strokes. It will readily tattle on you if you're not lined up right. If there's wavering in the feather strokes you're not on line.
I don't think grip hand is talked about enough, but it really ties directly into your mechanics. If the grip hand is in the wrong places (which varies based on bridge length and shot differences) all other mechanics are not acting in conjunction. You may see the things you are experiencing. Shoulder raising, chicken wings, steering the cue, etc. I am not an instructor but I believe this to be true.
I loved the way he described the trigger too. Barry's full of good infoIt was Barry Stark that led me to the ring finger trigger. He has put some great stuff on youtube and is definitely worth study.
I try to apply the finger dexterity of a goat milker. Slight variations in finger pressures can produce a variety of results.![]()