The question was about Cues, not tips, or televisions, or, um, Cases? As far as Kamui tips, I sell em, cheap, but I also sell Everest, Tiger, Moori, Lepro, Samsara, and Talisman. I've also sold Predator shafts, but I never played with one I liked. My answer was about Cues. I didn't imply what I thought everyone else should do. I just gave my opinion,,,,,,,,fwiw, I wouldn't buy a chinese case either!
Since this is getting off topic I apologize to the OP for not answering his question correctly!
E
Asia doesn't include Mezz? Kaz Miki has shown cues at the past two ICCS shows and they have been phenomenal cues worth more than $5k
Keith Andy in Japan is also making rocking cues.
Edwin Reyes made fantastic cues when he was alive, doing things far beyond what most cue makers could do at the time.
Rayes Chin in Taiwan builds some great cues.
Or do you mean "asian" production cues?
This cue is from the Philippines made by Joel Dadivas, they are popping up in the classifieds now but a year ago when I got it they were not. This cue is the best playing cue I have every owned, I have owned some very good and expensive cues also. It plays better than Phillippis I have owned, Rauenzahn, Espiritu just to name a few and looks killer also. Price was around $350. :smile:
I own a JD as well and yes, it is a beautiful cue and a great player too. But, the majority of his cues are below $500 (mine was right at $400). I wouldn't call these cues "high end" by any means just relating to price. DDesign and execution/quality are a different story.
I wouldn't say that there aren't some great cues that do come out of Asia from some really tallented makers. I just probably wouldn't pay thousands of dollars for them.
r,
Greg
I guess I was talking about all of the "asian" cues flooding the market nowadays. You hardly ever see a cue from the makers you mentioned. If there stuff was priced accordingly to the value like another poster said...then I'd pay pretty much whatever. And Mezz does make a fine cue. No arguements from me. I've just seen a lot of people have bad experiences with MANY an Asian cue.
I remember one time R. Phillippi was refinishing a "medium level" philippino cue. He took off the clear coat and the veneers came off with the clear coat. Turned out, all of the black veneers and gaps between the inlays and the wood were painted on with a magic marker. It was things and stories like that that have turned me off from many Asian makers. I've lived in Asia for years...I've seen how they do some things. Jury rigging is a way of life here and for all of the amazing things they make (technology/cars), they do a shitty job on a lot of things. They are just good at keeping it hidden.
I just can't see how any one of those cue makers you mentioned will ever compete with Black Boar, Bender, Carmelli, Scruggs, Phillippi, Searing or Showman (to name a few). But, that doesn't mean I won't give one a whirl.
JM2$.
I always respect your opinion JB, no disrespect intended. :smile:
Greg
I guess
...can't see how any one of those cue makers you mentioned will ever compete with Black Boar, Bender, Carmelli, Scruggs, Phillippi, Searing or Showman (to name a few). But, that doesn't mean I won't give one a whirl.
JM2$.
I always respect your opinion JB, no disrespect intended. :smile:
Greg
Not fair to compare the low end imports with top-shelf domestic offerrings.