Like if a ball is frozen to a rail on my right and I try to make it in with bottom left, the ball comes off track and misses every time. It has to be something I'm doing, surely this shot has to be possible.
Like if a ball is frozen to a rail on my right and I try to make it in with bottom left, the ball comes off track and misses every time. It has to be something I'm doing, surely this shot has to be possible.
oops, misread it.![]()
Am I to understand that you're attempting to pocket an object ball frozen to the rail with outside? Very difficult but one tip i can give you is to aim the shot the way you would normally do as if it weren't frozen. In other words, try to visualize the rail "not being there".
For me, I have tendencies to miss balls frozen to the rail when another object ball is blocking the path to the pocket. :grin:
This is really weird. The ones you typed in caps, I can actually hear the words.WRONG. Inside. Outside is when you use english that is on the OUTSIDE of the angle.
No, I can easily make it in with outside, unless I have them mixed up. Say you put the cueball behind the left side of the headstring and put a ball on the rail to the right of the rack if you were facing the first ball. If you hit it with bottom left, wouldn't that be inside english or no?
Like if a ball is frozen to a rail on my right and I try to make it in with bottom left, the ball comes off track and misses every time. It has to be something I'm doing, surely this shot has to be possible.
He said cutting to the RIGHT...your pictures illustrate cutting a ball to the LEFT...that might explain your confusionClean balls and a dry environment help.
Just curious, why use bottom left at all when cutting down the rail to the right? I can barely think of a scenario where that would be necessary. The two forces counteract each other. Just center left or high left (running english) should do what you want and makes the shot a lot easier.
Which one are you trying to do? Shot A is made with center left or high left. Shot B is about what you would get with low left. Shot B is better made with just right center or slightly low right.
NOt to muddy things up too badly, but Shot A can also be low left. I've had that "holy $hit" moment when a pro swore to me that low left gets Shot A pattern much easier.Clean balls and a dry environment help.
Just curious, why use bottom left at all when cutting down the rail to the right? I can barely think of a scenario where that would be necessary. The two forces counteract each other. Just center left or high left (running english) should do what you want and makes the shot a lot easier.
Which one are you trying to do? Shot A is made with center left or high left. Shot B is about what you would get with low left. Shot B is better made with just right center or slightly low right.
Like if a ball is frozen to a rail on my right and I try to make it in with bottom left, the ball comes off track and misses every time. It has to be something I'm doing, surely this shot has to be possible.
frozen to the rail is a gimme :wink: Hit the rail first and the ob will pick up spin of the cb and hug the rail all the way down to the pocket.