cuetechasaurus said:
Here are a few tips I've learned over the years.
1. Learn to play position lines where the cueball is going towards the next object ball, or towards the proper angle you want. Crossing the line requires very precise cueball control, and is often the main cause of getting out of line.
2. Don't just glance at your next ball and send the cueball 'somewhere in that area'. Try to visualize the exact path the cueball will travel and exactly the spot where it will stop. You will start out being wrong most of the time, and gradually you will get closer and closer to being right.
3. Be careful of playing positon for the side pockets when a ball is not close to them. Many times I see runouts come to an end because the player falls on the wrong side of the ball, and has to go around the table with alot of traffic. Even when a ball is close to the side pocket, sometimes playing position for the corner is better.
4. Another key problem that causes people's runouts to come to an end is leaving themselves on the rail. Not only does pocketing the ball become more difficult, but you are very limited in what you can do with the cueball. This is almost always caused by poor judgement or a lapse in concentration. Play your angles into the cushion shorter or longer so that when the cueball comes off the rail, you will have some type of angle (unless you want to be straight in)
5. Pick spots on the table you can send the cueball to for position, and walk around the table and see which spot can get you where for the next ball, then the next, etc. If you get out of line, rethink your pattern over.
6. Be careful when breaking out clusters. There is always a right spot of the cluster to hit for a better percentage of getting a shot. Going into clusters the wrong way, you will often hook yourself.
7. Learn to play the percentages. This is one of the keys to playing top-notch pool.
8. If you can't run out because of problems later in the rack, try playing position for a safety.
Great list! Here are things I'm working on aside from continual effort to refine my routine/rhythm and stroke further and further (if Allison Fisher works on her fundamentals during practice, so can I!):
1) I take a minute after the break to visualize the ENTIRE rack (not just the immediate 3 ball pattern). That way I've been getting the feeling that I "own" that rack, and it's only a matter of playing each individual shot correctly;
2) I notice each rack has a particular moment when I should step back and take a second look. I don't know how many racks I blew because I didn't react instantly to a feeling that "hmmm, am I completely sure of what I'm doing here?" and shot the shot anyway. It could be the keyshot, it could be a recovery route, it could be a distraction, it could also be the little guy inside my head talking myself out of a shot. I am working on GETTING UP, surveying the table a little more and only shoot the shot when all question knocking about my head are put to rest;
3) There's no such thing as running a rack. There's only a sequence of individual shots. In fact, when my level of focus is really intense, I might run a rack without noticing it. That's because I brought my full concentration to the shot in front of me, and that shot only (make the ball, get position). Oh, and visualization, vizualization!;
4) I won't let different elements of your pre-shot interfere with one another; if they do, I'll start over. If I pick my line of aim while standing, I won't be aiming while in my stance; if I haven't identified precisely my position zone with the angle I need, I won't be lining up the shot; if I don't know what to do with the 5 because it's tied up, I ain't shooting the 3; if I'm shooting the ball in, I won't worry about the cueball (because that would have been decided beforehand). I think you get my drift...
5) I'm working to play patterns that are simple, with minimal cueball movement, and that minimize risk. One great thing is to always think whether to go long or short;
I hope to encorporate those things into my game to a point when they are completely automatic.