Remembering Abe Rich

Rich cues

Just want to keep the flame alive and straighten out some misunderstandings.

Issy "The Professor" made cues under the names New York Billiard Table Company and Bowery Billiards. Fred Astaire was among his celebrity customers.

His son, Saul, began on the Bowery but moved to Long Island. Although the Blue Book and other sources list the company, Rich Cue (Rich Q), as operating in Freeport, I have not been able to confirm that. The company was in Valley Stream near the Queens border in the Sixties. It was sold to Ike Algaze and later Imperial.

Abe and his brother Morris were survivors of the Kovno Ghetto and Dachau. After the war Abe went to Israel and Morris came to the US, where he established Richwood Turning in Miami. Abe joined him in the late Fifties.

Abe went north to "apprentice" with his nephew Saul for a number of years. Impressed by what he perceived as the profitability of the concern post The Hustler, he convinced Morris to let him use part of the Miami shop to make Florida cues.

When the brothers fell out, Morris' son Howard assisted his uncle in moving to a shop in the now fashionable South Beach section of Miami Beach, where he continued until his death to make Star cues.

Purchasing and collecting Rich family cues, as I do, can be quite tricky. The "mass production" Rich products come in considerable variety, with some models achieving Level 5 intricacy. Rich cues were often labeled or identified with stickers, "Rich Q" logos on the forearm or butt or within a window. Some models have -RICH-on the butt cap.

Abe tended to make simple cues without points, many resembling the cues he had made in New York, particularly in their use of plastics and colorful wraps. These designs recall similar contemporary trends from Frank Paradise, Eugene Balner (Palmer), and Doc Fry. Some of his cues also incorporated windows, but usually not in tandem with colored plastics and wraps. White Cortland linen is used instead. He also made Titlelist conversions from time to time. What generally distinguishes his work is the use of exotic woods, of which he kept a great supply at his alleyway shop at 428 Jefferson Avenue. Abe did not sign or label his cues with the exception of the Miami era, when there was a Florida Cue label.

Many cues offered on eBay as Abe Rich cues are their Long Island cousins. Original Florida and Star cues from remaining inventory are sometimes sold by Abe's nephew, Howard Rich. Blue Book values do not generally distinguish between the two.

Issy Rich cues? I've never seen a picture of one, let alone heard of one on sale.

I've owned several Rich Qs and they played nicely. Sold them. I still have three cues that may be Abe Rich cues. One I'm pretty sure of, the others not so much. You can see them in the Cue Gallery at
http://sites.google.com/site/donnylutzpool/

I'd appreciate your opinion, if you have time to take a peek!
 
A few Abe Rich Cues I had

Once someone found out I had them, it didn't take long for all to vanish. A couple of them really hit super nice.
 

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Good decision Chris

Good decision Chris nice tovisit the keys but not tooo long.
I once called Abe and he had two cues from the 70's that he built then, but just reworked. I asked him to ship me one and he refused. He told me the only way I could get one of his cues was to come down. I lived 700 miles away, but it made no difference to him. Well I asked the wife how she would like to visit the Keys and off to Florida we went. I bought one of the two cues and as a cuemaker myself walking into his shop was like stepping back in history 40 years. He had a single wood turning lathe and a few pieces of wood working equipment. Yet he had thousands of pieces of wood that he had hand turned round over the years. Although he was rarely building any cues at the time, he still did not want to sell any cue parts or wood because he was afraid it would help his competition. He would not sell the inventory without me buying the whole shop with a promise to keep the business going right where it was. He felt a loyalty to his repair customers and did not want them to have to go to the suburbs to get repair work done. If I had wanted to live in Miami Beach I might have bought it. But I am a country living type of guy and would never have wanted to live there very long.
 
Just want to keep the flame alive and straighten out some misunderstandings.

Issy "The Professor" made cues under the names New York Billiard Table Company and Bowery Billiards. Fred Astaire was among his celebrity customers.

His son, Saul, began on the Bowery but moved to Long Island. Although the Blue Book and other sources list the company, Rich Cue (Rich Q), as operating in Freeport, I have not been able to confirm that. The company was in Valley Stream near the Queens border in the Sixties. It was sold to Ike Algaze and later Imperial.

Abe and his brother Morris were survivors of the Kovno Ghetto and Dachau. After the war Abe went to Israel and Morris came to the US, where he established Richwood Turning in Miami. Abe joined him in the late Fifties.

Abe went north to "apprentice" with his nephew Saul for a number of years. Impressed by what he perceived as the profitability of the concern post The Hustler, he convinced Morris to let him use part of the Miami shop to make Florida cues.

When the brothers fell out, Morris' son Howard assisted his uncle in moving to a shop in the now fashionable South Beach section of Miami Beach, where he continued until his death to make Star cues.

Purchasing and collecting Rich family cues, as I do, can be quite tricky. The "mass production" Rich products come in considerable variety, with some models achieving Level 5 intricacy. Rich cues were often labeled or identified with stickers, "Rich Q" logos on the forearm or butt or within a window. Some models have -RICH-on the butt cap.

Abe tended to make simple cues without points, many resembling the cues he had made in New York, particularly in their use of plastics and colorful wraps. These designs recall similar contemporary trends from Frank Paradise, Eugene Balner (Palmer), and Doc Fry. Some of his cues also incorporated windows, but usually not in tandem with colored plastics and wraps. White Cortland linen is used instead. He also made Titlelist conversions from time to time. What generally distinguishes his work is the use of exotic woods, of which he kept a great supply at his alleyway shop at 428 Jefferson Avenue. Abe did not sign or label his cues with the exception of the Miami era, when there was a Florida Cue label.

Many cues offered on eBay as Abe Rich cues are their Long Island cousins. Original Florida and Star cues from remaining inventory are sometimes sold by Abe's nephew, Howard Rich. Blue Book values do not generally distinguish between the two.

Issy Rich cues? I've never seen a picture of one, let alone heard of one on sale.


You seem to know a lot about it.

What can you say about the surprising flow into the market of brand new Abe Rich cues from a seller in Florida? Is this a family member? I hear that a substantial number of completed cues were found "hidden" in his hop under wood.

I am amazed at the flow of new cues to market from that seller. There was even an Abe Rich Titlist conversion recently. Brand new.

They do seem to be letting them hit the market slowly to prevent depressing their own market any more than it already is, at least that's how it looks to me.

What do you know of all this?



.
 
Rich cues on the market

A vendor recently offered twelve Saul Rich cues at once which seemed unusual. The Abe Rich cues which appear on the market are sold by a relative, Howard Rich, as I indicated in my post. Howard always sends interesting documentation-photos, etc.-with a purchase.
 
A vendor recently offered twelve Saul Rich cues at once which seemed unusual. The Abe Rich cues which appear on the market are sold by a relative, Howard Rich, as I indicated in my post. Howard always sends interesting documentation-photos, etc.-with a purchase.


Ah, so these are still the cues sold by Howard Rich. I remember reading that now. I didn't go back and read everything in the thread when I posted my question.

The documentation is really cool. I think it's a nice way to get into such cues and/or they would make nice gifts for cue people.

What really blew me away was when I saw the Titlist. I should have pulled the trigger and snagged that one but I was trying to conserve cash for Christmas.


.



.
 
You seem to know a lot about it.

What can you say about the surprising flow into the market of brand new Abe Rich cues from a seller in Florida? Is this a family member? I hear that a substantial number of completed cues were found "hidden" in his hop under wood.



.

Someone may have answered, but after Abe's passing, a slew of completed cues from every era of Abe's Star Cues and Florida Cues were found underneath all the massive supplies of cues.

Howard Rich (nephew) has been selling the cues on ebay. There are also some large amount of like Irish Linen that is new, untouched and as of my understanding and discussions with Howard are for sale. They aren't exactly traditional colors, but then again, that was Abe. Lucky got the bulk of the raw materials.

Sept 2009 InsidePool Magazine featured Abe Rich.

Freddie <~~~ photo courtesy of John Showman
 

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Wow- That's an amazing pic!


It's interesting to think of what treasures lie in there....




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Here is an article and podcast http://wlrnunderthesun.org/2009/01/the-pool-cue-maker/

Don't know if it's the one El Beau is referring to but it's what I found.

that article and the pics bring back some great memories for me
i moved to miami in the early 1980s and lived on miami beach near abes shop
there was no "south beach" then
i wish i could post pics to show my abe rich star cue
not fancy but hits solid
i used to go to his shop
if he wasnt at the lathe working he would sit at a desk to the left as you walked in and we would just talk
Rest in Peace ABE
you are missed
 
if he wasnt at the lathe working he would sit at a desk to the left as you walked in and we would just talk
Rest in Peace ABE
you are missed

Like this:

Freddie <~~~ photo courtesy of John Showman
 

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Laughing Abe

Thanks for the great picture.

And I agree
"Is maith an t-anlan an t-ocras."
 
Remembering Abe

Let's keep the flame going by each posting a cue or cues each week..aberichcue2.jpg

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Abe Rich and the Rich Family Part One

Abe Rich and the Rich Family

The Rich family of wood craftsmen has traditions stretching back generations from Lithuania to the United States and Israel. The literal survival of the family has depended on superb woodturning skills, particularly in the Kovno Ghetto and at Dachau. The family’s talents have been expressed in wood and latterly PVC from everything to beer bungs and chess sets to architectural details on restored mansions in the American South. The Rich name is most famous, however, in the world of billiards. Izzy*, Sol* ( *Variously Issy and Saul), Morris, and most notably Cuemakers Hall of Famer Abe, created works of art which are still avidly pursued by collectors.

==The Holocaust==

Chaim Rutzisky (sometimes rendered as Rutzaisky) was descended from a long line of wood turners in Lithuania. He was employed as a Spundturner, making bungs for beer kegs. A secular Jew, he was well-educated and spoke Lithuanian and Polish . His two older brothers, Louis and Isadore, went to the United States in the ‘Teens ([[Rich]]). After the invasion of Lithuania by the Nazis on June 22, 1941. The Germans were provided by auxiliary police Tautinio Darbo Apsaugos Batalionas (TDA) (German: Litvaker Hilfspolitzei). This unit was responsible for the murder of 26,000 Jews between July and December 1941.

Of the 37,000 Jews in Kovno before the invasion, approximately 3,000-500 hiding in forests and 2,500 in German concentration camps-survived the war. Of Lithuania's 235,000 Jews, 95% were exterminated ([[Klein 212]]).

Chaim was recruited by partisans because of his non-Jewish appearance, education and language skills with the promise of assistance in getting his family away from danger. When it seemed that he himself was about to escape, he was recognized by a TDA member from his neighborhood and denounced as a Jew. When his trousers were pulled down, the accusation was confirmed and he was shot, perhaps at the infamous Ninth Fort.

Chaim’s (youngest) son, two year old Shlomo, and wife Hodel were killed during the war. His daughters survive: Faye Salzman, now in assisted living in Aventura, FL and Miriam Fuchs, who lives in Haifa, Israel. His sons, Morris (Howard’s father) and Abe, were assigned as woodturners in the shops established in the Kovno Ghetto (July–October 1941). The ghetto housed about 29,000, most of whom were in labor brigades. Skilled children, women, and the elderly-about 6,000 in total-were employed in these workshops. These were the recipients of the infamous Jordan passes, ''Jordan-Scheine'', imprinted "''Ausweis fuer Juedische Handwerker''" and named after the ghetto’s S.A. ''Hauptsturmfuehrer'' Fritz Jordan, of which 5000 were issued to "useful Jews" ([[Klein 22]]). The brothers were seen as valuable for their ability to make chess pieces and toys for the children of SS men. Ironically, the tools for their shop had originally been in their father’s. One day, an SS officer, came in, asking to have an broken ivory cigarette holder, a present from his father, duplicated. He was confused by the “Aryan” appearance of the two blue-eyed boys, one blond, one sandy haired. That these could be Jews threw his entire racist indoctrination into doubt. Outraged, this officer struck Abe in the back with his rifle butt and held his gun to the boy’s head, telling Morris that he would shoot Abe if the job were not done well. Through his tears Morris created a perfect replica out of cow bone. Overwhelmed by the perfection of the finished object, the officer declared, “Hitler lied.” This same SS man smuggled food to the boys until his transfer, which is an important element in their eventual survival ([[Obituary]]).

Abe never recovered from this injury. Infection and years of pain lay ahead. He was henceforward a deformed hunchback, 5’ 3’’ in height in his adulthood. His appearance somewhat accounts for the fact that he never married. Having nearly starved to death, he suffered from chronic gastritis ([[Martinez]]).

The Kovno Ghetto was destroyed in October 1941, with 10,000 Jews being shot dead at the Ninth Fort on October 29, 1941 by the TDA in what the Germans called “the Great Action.” (There was a very high resignation and suicide rate among the members of this unit. Many were executed by the Soviets for their war crimes, the latest execution being in 1979.)

After the liquidation of the Ghetto the boys were send to the Dachau concentration camp in Bavaria. Their woodworking skills again proved invaluable to survival through usefulness: they made clogs and canteens, and later internal scaffolding for the hangars the Germans were erected to shield their aircraft from Allied reconnaissance and attack. Survival was by the barest of margins: Morris weighed 68 lbs and Abe 61 at liberation in April 1945. They were sent to the Benedictine St. Ottilien Archabbey in Landsberg to recuperate. Morris, because of his photographic memory and the fact that the brothers had been in the camp for so long, was an invaluable witness in the Dachau War Crimes trial, which had to be delayed until he was well enough to testify. Morris personally identified the former commandant Martin Gottfried Weiss, who was hanged on May 29, 1946.

(The Dachau Camp Trials: 40 officials were tried; 36 of the defendants were sentenced to death on 13 December 1945. Of these, 23 were hanged on the 28 May and 29 May 1946, including the former commandant Martin Gottfried Weiss *and the camp doctor Claus Schilling. Smaller groups of Dachau camp officials and guards were included in several subsequent trials by the U.S. court. On 21 November 1946 it was announced that, up to that date, 116 defendants of this category had been convicted and sentenced to terms of imprisonment.)

By the time the proceedings ended, the window for Jewish refugees provided by the Truman Declaration had shut.

==The Rich Family in America==


Morris was sponsored for US immigration by his uncle Izzy in 1949. He worked from 1949 to 1952 for Swetke’s (?) Woodturning, going to Florida in 1952 to start his own business-unsuccessfully. He returned to New York, but on his return to Florida he established Richwood Turning in 1957, a still-extant business, operating at 5626 NW 161st Street, Miami Gardens Florida 33014, no longer in family hands. Among the projects of the company included the Texas state capitol and Gloria and Emilio Estefan's Star Island mansion ([[Martinez]]).

Morris’s son, Howard, continues the family tradition as a skilled turner, which is evidenced by a series of videos he made for Bracey Lumber of Thomasville, Georgia, which can be viewed on YouTube, e.g., (http://www.youtube.com/watch?v=ziSjADV9BrU).

At this point, a word on family businesses: Abe’s oldest uncle, Louis, came to the US in perhaps 1912, and applied his skills to turning billiard table legs. He was joined in 1917 by Isadore. Their company, the Bowery Billiards and Table Supply Company, despite its name, concentrated more on cue and ivory [[billiard ball]] manufacture than table construction because the risk of spoiling an expensive piece of material under piecework terms was much less. It was located on the Bowery, first at Number 332 and then at Number 198 ([[Stewart]]).

Izzy’s employee for part of that time was Samuel Blatt, who went on to create the very successful Blatt Billiards, which eventually found its present location at 809 Broadway. Saul, variously Sol, Izzy’s son, founded Rich Q, also on the Bowery, in 1960. At some point the company moved to Long Island. Although conventionally described as being in Freeport ([[Simpson]]), there is no record of such a business in that village during the Sixties. Rich Cue is listed in the Nassau County phone book as being at 145th Avenue and Hook Creek Boulevard, on the city line. There is a small industrial park at that location today.The business was sold to Ike Algaze in 1970, who sold to Imperial Billiards in the mid-70s. Imperial ceased production of Rich Cues in 1982 ([[Simpson]]). The Rich by Imperial cues were made in Rutherford, New Jersey; they were not ever imported products ([[Helfgott]]).

Back to Abe... Abe went to Israel, where he worked in the Negev from 1948-1960 on road construction. He finally came to the US in 1960.

Abe worked at the Rich Q company from 1962-1965. Impressed with the apparent success of the enterprise, as evidenced by the acquisition of sophisticated machinery from Germany’s Hempel and exotic woods from the William H. Marshall Lumber Company, he interested his brother Morris in a similar venture. In 1965 they founded Florida Cues at 98 North West 29th Street in Miami. The 4000 square foot facility, 800 feet of it for a showroom, was principally dedicated to Richwood Turning.

Misunderstandings developed between the brother-partners and in 1973 Abe started a new business, Star Cues, at 428 Jefferson Avenue at an original rental rate of $120 a month, which Abe thought a much better deal than the outright purchase of the property for $11,000 which his nephew Howard advocated. Two years later the asking price was $18,000; Abe again refused to buy as his rent went up to $200. Eventually the building changed hands for $250,000. Abe’s rent went up to $900 and he was forced to surrender half the building to a florist.

Abe’s building became frankly an eyesore next to the architectural splendors of such neighbors as Estefan Enterprises. At one point he was facing eviction, but an article in the New Times forestalled the emergency, quoting nephew Howard: "It's a shame. "He's caught up in the whole SoBe thing, the SoBe boom. He's really stuck. And he and my dad have a big thing with displacement. Their designation after the war was DP, displaced person. Their need to set roots is incredible. Psychologically speaking, to be displaced again is a tremendous burden ([[Martinez]])."

"Every day I don't have to move, I'm a winner. I don't know for how long. I'm a survivor ([[Abe Rich qtd. in Martinez]])."

Abe’s rent was frozen until his death although the landlord Schiff of Mar Bay Real Estate, a renowned philanthropist for Jewish causes, never came to meet him ([[Rich]]).
 

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Abe Rich and the Rich Family Part Two

==The Cues==

"The Professor," Isidore (variously, Isadore), despite incorporating the term "Billiard Table" into his businesses, actually abandoned the manufacture of table legs qite early as being too risky and costly a project. His lifelong forte was the turning of billiard balls from Zanzibar ivory and the making of cues. His favored materials were Brazilian rosewood for the forearms and East Indian deer buckhorn for the ferrules, which he made himself. His celebrity customers included Fred Astaire, who sent director Richard Quine, who in turn sent Jack Lemmon and Tony Curtis. Milton Berle and Sammy Davis were also patrons ([[Fields]]).


Rich Cues also favored Brazilian rosewood as a forearm material. Over the course of production Rich Cues reflected many of the innovative trends of the time, including the use of marbleized plastic rings and clear plastic windows. These are sometimes reminiscent of the contemporary work of Doc Fry, Eugene Balner of Palmer Cues, and Frank Paradise. Although many of the cues did not bear identification, others had "Rich Q" in gold on the forearm or butt sleeve or within the plastic window.


The majority of cues were simple Merry Widows, but Rich Cue did produce cues with 4, 6, and 8 points, MOP inlays, pearlized trim rings, intricate wood block patterns in the butt sleeve, etc. There were even carved handled models in emulation of Portuguese Sampaio cues including the signature MOP shield-some of them with clear plastic windows with the Rich Q label.


Abe, having worked at Rich Cue for three years, produced many cues at Florida and Star which bear a familial resemblance to his cousin's output. He favored Merry Widow forearms, and Brazilian Rosewood was often used although he was also fond of more exotic materials. In an 8' wide, 12' high bin of his Jefferson Avenue shop he stored hundreds of blanks of Goncalo Alves, Kingwood, Canadian Maple, Zebrawood and Macassar Ebony which dried year after year under the tarpaper roof.

"The wood must be dry. The harder the wood, the better the cue ([[Abe Rich qtd. in Martinez]])."

Merry Widows formed the basis of his production, although Abe did a number of Titleist conversions. He was particularly fond of Delrin trim rings and Ivorine-3 ferrules, assembling his cues with his own, top secret epoxy blend ([[Martinez]]).

Like his New York relatives, Abe did not lack for star customers at Star cues; Minnesota Fats, Willie Mosconi, and Jackie Gleason all bought cues from him ([[Howard Rich qtd. in Martinez]]).

________________________________________________________________________________________________________________________________________________________________________

==Sources==

“Abe Rich Passes Away.” Forums.AZBilliards.com. ''AZ Billiards.'' 2 Dec. 2008. Web. 29 November 2011.

Agnir, Fred. “Abe Rich: The Ultimate Survivor.”'' InsidePool.'' September 2009: 37-9. Print.

Fields, Sidney. “The Man Who Cued Many a Star.” ''New York Daily Mirror.'' 27 May 1963: 18. Print.

Helfgott, Stuart (Imperial USA). E-mail. 5 January 2012.

International Cuemakers Association. ''International Cuemakers Association.'' ICA. 20112. Web. 29 November 2011.

Klein, Dennis B., editor, and the United States Holocaust Memorial Museum. ''Hidden History of the Kovno Ghetto.'' Boston, MA: Little, Brown, 1997. Print.

''Kovno Ghetto: A Buried History .'' New York: The History Channel, 1997. VHS.

Martinez, Ray. “Shooting Straight: For master craftsman Abe Rich, making world-class cues is more than a job--it’s a way of life.” MiamiNewTimes.com. ''Miami New Times.'' 25 Jul. 1996. Web. 29 November 2011.

“Miami AZers-WTB Abe Rich Cue.” Forums.AZBilliards.com. ''AZ Billiards.'' 5 May 2008. Web. 29 November 2011.

Mishell, William W. ''Kaddish for Kovno: Life and Death in a Lithuanian Ghetto.'' Chicago: Chicago Review Press, 1988.

“Obituary: Abe Rich.” Legacy.com. ''The Miami Herald.'' 3–18 December 2008. Web. 29 November 2011.

Rich, Howard, Telephone interview. 20 July 2011.

Simpson, Brad. ''The Blue Book of Pool Cues.'' 3rd ed. Minneapolis: Blue Book Publications, 2005.

Stewart, Paul. “A Man Could Wind Up On The Bowery For The Love Of A Two-piece Billiard Cue,” ''Sports Illustrated.'' 3 May 1965. 5. Print.

“A True Old World Craftsman.” Narr. Tristram Korten. ''Under the Sun.'' Under the Sun. 19 Jan. 2009. Web. 29 November 2011.
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that article and the pics bring back some great memories for me
i moved to miami in the early 1980s and lived on miami beach near abes shop
there was no "south beach" then
i wish i could post pics to show my abe rich star cue
not fancy but hits solid
i used to go to his shop
if he wasnt at the lathe working he would sit at a desk to the left as you walked in and we would just talk
Rest in Peace ABE
you are missed


Wow, what a great thread to wake up with, and read, brings back great memory's! I used too go down to his shop, get a tip fixed, or what ever reason, i could could muster up! And just as said by others, you got to watch him turn wood, or he would sit in that chair, and talk your ear off.

With a huge amount of bullshit people around pool these days, memory's like this person keep's one wanting to remain around pool.

O' and case your reading and don't know about him, there is no pool cue maker alive today that can turn wood like he did.....
 
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