Yea, the 1/8 thing got me as well.
AtLarge, I think you mentioned one time that it was 1/8 to 1/8, which would be the same as C or 1/4 ball overlap. I was not as successful on these really thin shots so I figured I was doing it wrong. Emailed Stan to be sure, and he set me straight (as above), that it's really a 1/8 or 12.5% overlap. In practice, I find it easier to visualize the line of the 1/8 spot on the cue ball pointing at the edge of the OB, that seems to set up the correct initial thickness, not sure if this changes the visuals slightly versus a true overlap but seems to work.
I'm much more successful now on very thin shots. I can set up what looks like a dead bank in the side with the OB 1 or 2 balls off the rail and cut it up in the far corner using the 1/8 overlap probably 6 or 7 out of 10 times, and the times I miss it's just barely. Certainly better than I would have done by guessing before. I've also set up some pretty long, thin cuts down the length of the table and even with the distance and preciseness needed I'm making 3 or 4 out of 10 of these impossible looking cuts. Certainly helps to have a frame of reference instead of just imagining hitting the ball ultra thin. Hitting center ball instead of trying to use outside to spin it or inside to allow deflection to help with a thinner hit helps with the consistency as well.
As to the other poster with the diagrams of gradually changing shots in a line or arc around a constant object ball - I did something similar, posted it in one of these threads… For me, exercises like that helped me firm up when to transition from one aim point or pivot to another, and also reaffirmed that the various lines and pivots were indeed working to make the object ball. I also used the Cuetable Aim calculator to approximate the angles, although in practice I find that the specific angle of the shot is not necessarily a definitive line that tells you when to change pivots or aim points and it can be somewhat dependent on the visual angle instead.
Scott