WilleeCue said:
Life sure is a funny thing.
Back in the late 70's a Palmer or Adams cue was like the Lucase's today.
A decent cue but not considered to be anything more than production quality.
What made them worth so much now?
Just the fact they are not made any more?
Last time I checked, neither Lucasi or Adam had...
- Burton Spain blanks
- Titlist blanks
- Gus Szamboti blanks
- introduced numerous innovations such as pearlized butts and rings and wavy veneers such as on the model M, first to design, order and distribute colored irish linen, first to use a "v" splice in the handle ala Burton Spain.
- every inlay hand laid out and cut
- Not one, but two ACA Hall of Fame cuemakers, Eugene and Ilona Balner
- First to produce a custom line catalog, complete with individual options for wrap, weight, ferrule type, shafts, etc.
- First to produce their own genuine pearl shapes in thicknesses appropriate for cue making.
- First to use foils for the name customization of cues.
- Supplied parts to many cue makers including Gus szamboti and George Balabushka.
Yes, they produced an affordable custom cue. The first three main catalog Palmer's are not production cues. They were a "line" of custom cues made to each individual order. It wasn't until the PB and PM cues came in that Palmers were production cues.
While you may think Palmers are overpriced, in the last 10 years or so, Palmers have had one of the greatest $$$ value appreciation according to my research.
Chris