easy-e said:

What's the mystery about shootout and finals?

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what is open?
what is shootout?
is it first round /second round?

or is it simply thurs/fri
sat/sun?

are there race changes and rule changes?
what are they and when?
what is winner/ runner up/ etc. payout?

also- why can bergman move the white ball with his cue tip while positioning the ball for the break shot but other players cannot?

maybe it depends on the mood of the ref?

Poolplayer09 said:

Pretty cue

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Thank you brother

straightline said:

You mean like a penpal?

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I berate my mail guy. He's a real a-hole.

[emoji249][emoji249]


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cueball2010 said:

I mean they look pretty close. Do u have any ideas for any true sneaky pete butt with a uniloc joint?

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Lucasi makes a SP with uni-loc joint.
I'm sure you can find a custom cue maker that will make you one.
Why does it have to be Uni-Loc?

[emoji3478][emoji249][emoji3478]


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I just watched the opening episode of The Pitt and the head surgeon character quickly established his alphaness in a variety of ways. What was clear was the "relevance" in the guy's output. So yeah, pool machines probably aren't airhead naturals. Still, I find the errors that punctuate pool innings very disappointing and unbecoming of pool craft - or good PSR.

Bing, bang, boom... looks like an open and shut case here gents

SBC said:

With a bunch of inside, you can cut it under 90 degrees towards you

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I doubt it, especially if you follow Agent 99's advice to "use extreme inside spin and a very firm stroke". With a very firm stroke any swerve is likely eliminated, so you have to make a 90-degree cut with anti-helping spin. Good luck with that.

pj
chgo

There’s one on eBay right now

Inside or outside can both make razor thin cuts. I do think people are underestimating how thin the cut shot to the side is in DCP's diagram. I'd give a 1975 Efren odds on that, and I don't care what spin he uses.

Patrick Johnson said:

Got a theory for how that helps?

pj <- inquiring mind
chgo

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Couple things about inside; you can aim at the contact point and the deflection can help tune a cut you can't visually resolve.