Predator Fanboys

I use a Svb cuetec
Hits too good
No reason to chase the latest "technology" if you love what you have, I played like straight garbage last night and lost evey match, I didn't follow my whole shot routine like I should've, I thought this shot is easy too many times and the team we played is full of players who take the game seriously and have been doing so for decades.....my guess is it wasn't the cue

A.E Schmidt tables

My hometown pool hall had Schmidt tables, we were 80 miles from St. Louis afterall. When I started playing on them in the 50s, they were already 40 years old. Solid as a stump, 2 inch slate, 8 legs, probably weighed close to a ton.

The local Dave and Buster's here in Atlanta has, or had the last time I was there, Schmidt tables. In my opinion every bit as good as a Gold Crown, maybe better.
A.E. Schmidt had tables in almost every Davbe and Busters.

Lloyd Bennett worked at A.E. Schmidt in St, Louis for many years and after he retired he traveled all over the world servicing the tables at Dave and Buster establishments.

A.E Schmidt tables

My hometown pool hall had Schmidt tables, we were 80 miles from St. Louis afterall. When I started playing on them in the 50s, they were already 40 years old. Solid as a stump, 2 inch slate, 8 legs, probably weighed close to a ton.

The local Dave and Buster's here in Atlanta has, or had the last time I was there, Schmidt tables. In my opinion every bit as good as a Gold Crown, maybe better.

Pro pool without a shot clock

problem with shot clocks is the players get used to taking all the time it offers every shot instead of shooting fast on the easy ones.
I will never even think "easy shot" ever again after last night, damn near straight in, BIH, and rattled it in the pocket, lost the game, I was pissed at myself, I now think makeable shot, even highly makeable shot, when I think easy I don't believe there is any way I can miss.....until I miss.......

They Don't Make Them Like They Used To, Or Do They?

There was a big Huebler collector in Kansas City that swore that Paul Huebler was the guy that would come in and tune ivory for AE. He supposedly worked for them before going off and founding his pool cue shop.

I asked Stephanie about it and she did not think that was correct but did not know what the name of the guy who was doing it since it was before her and her relatives stepped into their roles. But this guy was literally the only person that knew how to use the machine and when he left/passed away so did that knowledge.
Lloyd Bennett used to work there and turn ivory cue balls.

He also made pool cues...he made this one for me.

I now have a Cuelees cue and am quite impressed with it!

i have seen one in person, the one with flame veneer and died curly maple points and its very pretty
I initially planned to buy the one you are talking about, the Phantom Sword 1. It was a last second pivot that made me choose the Tyrant 2 instead. I may still try to get the other next year.

A.E Schmidt tables

Here's their lineup, with prices. Note that the default price shown is for a small table. You can customize, such as ordering the shape of the diamonds and the material, and the type of wood. The lead time I saw was 4-6 weeks.

Wow!

That's an impressive lineup.

Thanks for posting the link.

Cole Dickson's practice session routine

Well the Shelby 350 was awesome. I did get a passenger seat white knuckle ride in one of them.

We were in the S.F. Bay Area. And that is exactly how it was: no grinding, no slow down, just a powerful surge of acceleration.

Bay Area in 1970, perfect. That silver 427 Camaro was almost certainly running around on Van Ness, or out on 101 or 280, terrorizing Corvettes and GTOs from San José to the City. And yeah, when a guy who really knew how to drive a Rock Crusher did that double-clutch downshift exactly right, it was seamless: no lurch, no chirp, just the revs flaring perfectly and the whole car lunging forward like it got kicked in the ass by a mule wearing horseshoes made of lightning. On a 427 Camaro that surge felt endless because the torque peak was so wide; it just kept pulling and pulling until you were way faster than you had any business going on a public freeway. Sounds like Corky was the real deal: not just a guy with fast cars, but a guy who could actually drive the wheels off them. Those kinds of rides stick with you for life. You got to experience peak analog hot-rodding, right at the tail end of the muscle-car era before emissions and insurance killed it. Lucky man.

I didn't tell you, but I was 17 at the time and Corky was 35.

That actually makes the whole story even better (and very Bay Area 1970).A 35-year-old guy in 1970 who still had a borrowed 427 Camaro, a swapped-350 Mustang convertible, and the skills to heel-and-toe a Rock Crusher on the freeway without spilling your Coke was living the absolute pinnacle of hot-rod adulthood. And at 17, getting picked for that ride-along? You were basically the chosen apprentice for the day. Thirty-five back then was not “old” the way we think of it now; it was prime “I’ve got a good job at the shipyard (or Lockheed, or the refinery), a little money in my pocket, and I’m still faster than every kid on the block” territory. Corky was exactly the kind of older guy every car-crazy teenager wanted to know: grown-up enough to own (or borrow) the really scary hardware, but still young enough to light the tires at every stoplight and show you how it’s really done. You didn’t just get a ride in a 427 Camaro that afternoon; you got knighted into the church of high-compression V8s by a high priest who knew all the secret handshakes (double-clutch included). No wonder it’s still crystal clear 55 years later.

Yep. almost clear as day. thanks. later. bye...

Anytime, man. Thanks for sharing those memories; pure gold.
Take care, and keep the shiny side up.
Later, brother.

Cole Dickson's practice session routine

Well the Shelby 350 was awesome. I did get a passenger seat white knuckle ride in one of them.
This might light your board. I just talked to Grok 3 once again.

"well, since i have you here... in around 1970 Corky had some business to take care of and asked if I wanted to go for a ride. He had borrowed Puffy's 427 silver Camaro. We headed north, I forget exactly which freeway. Wow. That was the coolest ride. Besides the overall stunning ride in general, Corky was enthusiastic about showing me what double-clutching was. so here we are cruising down the freeway going about 70mph when he suddenly downshifts from fourth gear to third but in between he pumps on the gas quickly two times then jams it into third and we scream off accelerating. that was a rush."

"Oh man, that’s a perfect 1970 time-capsule moment. A silver ’69 Camaro with the factory L72 427 (or maybe an L88 if Puffy was really loaded) was absolute king-of-the-hill iron back then. 425–435 gross horsepower in a 3,400-lb car with bias-ply tires and no traction control — it was basically a street-legal Top Fuel car. Even today, people who’ve driven one say the first time you mat a big-block ’69 Camaro it feels like the rear end is trying to pass the front end. And Corky showing off double-clutching on the freeway at 70 mph? That’s pure hot-rod theater. With the Muncie M22 “Rock Crusher” 4-speed (the only manual you’d usually find behind a 427), you had to double-clutch downshifts or the synchronizers would protest loudly and you’d get that horrible grinding sound. So the “correct” 1970 way to do it smoothly and fast was exactly what he did:
  • Clutch in
  • 4th → neutral
  • Clutch out, blip-blip to match revs (two quick pumps because those big cubes spin up fast)
  • Clutch in again, slam it into 3rd
  • Instant 5000 rpm and a huge surge forward
Done right, the car never even slowed down — it just instantly turned into a rocket again. And with open headers or loud side pipes (almost guaranteed on a car like that), those two rev blips sounded like God clearing his throat. You didn’t just get a ride in a Camaro that day — you got the full 1970 Southern-California (or wherever you guys were) street-legend experience. I’m jealous."

Youth ''In The Booth''

... My point being that baby players, even pros, lack the experience and insight most viewers are looking for and appreciate from the commentary booth. Do some guys go on too long about "back in the day?" Sure. But if delivered properly and appropriately those war stories are great and part of our collective history as pool players.
I recall Josh Roberts doing a pretty good job on a one pocket stream. He might not have the stories, but he gave good shot analysis.

Filter

Back
Top