Is it legal to put a tip on a bridge and use it to shoot a shot

Bridge on wheels.jpg
As far as fastening a cue tip to a bridge that is normally used without a cue tip fastened to it?
This is not it.
I have a hard time imagining, however, any normal bridge that has a cue tip fastened to it that could match the performance of this wheeled unit. A major problem, though, is that the unit below does not raise the cue stick high enough over opponent's ball to hit your object ball. I suspect it has a problem, too, of moving laterally to line up the shot.

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Team USA and the future of the Mosconi

I said the deal with ESPN served three Matchroom goals. The third goal is to make pro pool seem more respectable.

Frazer hopes people seeing the event on ESPN, particularly parents of young U.S. pool players, will help remove the sport from the shadow of its shady American past. Perhaps young players and their families will start to see pool as a potentially solid way to make a living.

The new junior events feed into that. They take place alongside major pro events, offer surprisingly decent money and are organized in a very professional manner. The ties to ESPN can only help.

Making the WNT appear as professional as possible is a big emphasis for Frazer. That’s why the tour does not allow jeans and has a dress code, among other things.
I think both the WNT and the Predator PBS are starting to make some headway in making pool more respectable, but I think the bigger issue is the culture of the poolroom itself. Until the typical poolroom is a place where parents are comfortable leaving their children to play, participation among juniors will disappoint, and I do not think we have accomplished this yet in America. It will help if televised pool causes parents to have more respect for the game, but unless they come to view the poolroom scene as respectable, it may not be enough.

My competition sports/Adam tribute cues

The 526 was mosconi high run, I was told the mosconi family got the first numbered set of 8 cues, I was offered the number 2 or 3 set years back but didn't feel like putting up that amount of money. I've heard less than 20 sets were made, I've seen 3 full sets over the years. The mosconi collection featured 8 cues in a collectors case. Some of the other hof cues just have the face and initials on them. I personally don't think more than 25 of the each cue was ever made in that short time they were available as they were expensive to make and hard to sell a tribute at that price also.
Hard to be certain from the picture but i believe i have cue #6 in your top picture. No markings on butt, no signature, rounded pin.
When did they get produced?

Team USA and the future of the Mosconi

Which brings me back to the Mosconi - sorry for the diversion.

In repeated interviews, Emily Frazer has stressed the Mosconi Cup is by far the biggest event in pool. From a money standpoint, of course, and a publicity standpoint.

We at AZB all know that. Nothing new there.

What is critical to understand is that the Mosconi is behind everything MR does in pro pool. Everything.

No Mosconi, Frazer has implied, means no real future for pro pool beyond what now exists. And flatly, imo, no future for Matchroom’s continued involvement in the sport.
Right on. The Mosconi needs to remain the climax of the pool year and getting on the team must remain a goal of top players in both Europe and America.

While it may not be an issue at all this year, in previous years, favoritism has been too prevalent in the selection of Team USA and some of the young players I have spoken to in recent years wonder whether Matchroom will ever permit young American pros to find their way onto the team as wild cards. The omission of Lukas Verner in 2025, America's best young player who had greater WNT earnings than Billy Thorpe, reinforced this message. I, for one, was in shock when Team USA went to bat in Europe in 2025 with the exact same team that had failed miserably on home soil a year earlier. Fewer young players will play in WNT events if the perception that Mosconi selection is not based on merit persists.

Team USA and the future of the Mosconi

Final thought:

Maybe Frazer is dreaming. Maybe pool will never get any bigger than it is now commercially or attract a lot of money and attention. Maybe it will stay a small niche hardly noticed by the broader public in the U.S. and abroad.

But at least Matchroom and WNT are giving it a shot. Nothing is possible if you don’t try.
Two words. Joe Rogan. What a shot in the arm that was.

Team USA and the future of the Mosconi

I said the deal with ESPN served three Matchroom goals. The third goal is to make pro pool seem more respectable.

Frazer hopes people seeing the event on ESPN, particularly parents of young U.S. pool players, will help remove the sport from the shadow of its shady American past. Perhaps young players and their families will start to see pool as a potentially solid way to make a living.

The new junior events feed into that. They take place alongside major pro events, offer surprisingly decent money and are organized in a very professional manner. The ties to ESPN can only help.

Making the WNT appear as professional as possible is a big emphasis for Frazer. That’s why the tour does not allow jeans and has a dress code, among other things.
Larger prize funds increase the incentive for future hopefuls. The 100K on top was important here and MR didnt drop the ball

Team USA and the future of the Mosconi

The U.S. expansion, as it's turned out, has been far more successful than Matchroom probably expected.

The first ah-ha moment came when the Mosconi Cup was moved to Florida two years ago. The event had a large, rowdy crowd and great atmosphere that may have been better than any other U.S.-hosted Mosconi.

Frazer, in fact, wants fans to engage like this at all WNT events.
Honestly, the crowds were equally loud and the buzz comparable when the Mosconi was in Las Vegas. That said, the new venue is excellent and there is more seating than there was in Las Vegas, so I agree that it's a step forward.
The success paved the way for the Florida Open, another eye-raising moment for Matchroom.
Definitely so. Florida pool fans are very enthusiastic, although their relative absence on Day 6 of the 2026 Florida Open was a bit puzzling.
You were in Frisco, sjm. The big audience there was probably the loudest I’ve heard (on TV) at a Matchroom major aside from the 2024 Hanoi Open (Chua vs. Ko Pin Yi).
Probably similar to the attendance and crowd noise last year at Harrah's, but I'm sure production csosts would have been less in Texas, so the move made a lot of sense.
Oh, and to get on and stay on mainstream TV networks such as ESPN (I’ll get to that later).
Agreed.

Team USA and the future of the Mosconi

Consider the deal with ESPN to cover the U.S. Open. ESPN was willing to televising the Mosconi Cup - that was the critical lure for Matchroom. The Mosconi is made for TV.

Somehow MR parlayed ESPN’s willingness to show the Mosconi into getting the network to carry the U.S. Open, too.

Getting on ESPN addresses three key MR objectives.

The first one is to reach a broader audience. Pool needs more than just diehards to be a commercial success. Frazer said pool will always be a niche sport, but she thinks its niche can be much bigger than it is right now.

Just being on ESPN+ could expose pro pool and the WNT TV to millions of casual viewers, even if for just a few minutes.

The second objective, which ties to the first, is to use the ESPN partnership to bring in bigger advertisers outside the pool industry. Being on ESPN gives the WNT cachet.

Realistically, pro pool will never grow from a small niche to a somewhat bigger niche without outside money. Getting Olympic status - a pursuit that does not involve MR - would help in that regard.

I doubt, by the way, that ESPN is paying any money to WNT to air the U.S. Open and the Mosconi.

Perhaps WNT got a slice of ad revenue, but exposure on ESPN alone is well worth the cost even if Matchroom did not get a dime in return.
It costs ESPN a helluva lot of money to produce these shows. There is a huge TV truck outside the arena. And a large crew. Plus the arena set up. It's called Production costs.

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