What pin is this

Looks to be 3/8-10. 3/8 being the diameter and 10 being the number of threads per inch.
Is it sticking out a little over an inch? I'm counting 11 threads visible.
What's the possibility it's not 3/8-11 I made this mistake before, it turned out to be 3/8-11 When i guessed it at 3/8-10 that cost me , sometime to get what i needed to make it right The only way i new for sure was you try a 3/8-10 pin, then a tap , then the thread gauge lol Also, it's hard to judge anything from one picture, could be the angle that makes the pin look longer.
Hey Op share some measurements info on cue, maybe just length of pin or where the cue came from, maker etc.

Why Your Skill Doesn’t Matter in Matches - Just in Practice

I actually found the post to be very insightful and I for one appreciate him sharing it. I think the points he made are applicable for all levels of players as we all have moments where we feel we have to meet some unspoken expectation; one that we have created for ourselves or one that others have placed on us. If the focus is on the process however rather than the outcome it frees our mind and increases the probability of a better outcome.
I can't count the number of times I've missed an easy shot or runout and realized I wasn't focusing on the shot and instead was thinking about, this'll be a 4 pack or I better not miss, or if I make this I'll be guaranteed 5th place. It'll always help to understand that you need to focus on the right things and stay in the moment.

Why Your Skill Doesn’t Matter in Matches - Just in Practice

I actually found the post to be very insightful and I for one appreciate him sharing it. I think the points he made are applicable for all levels of players as we all have moments where we feel we have to meet some unspoken expectation; one that we have created for ourselves or one that others have placed on us. If the focus is on the process however rather than the outcome it frees our mind and increases the probability of a better outcome.

Talked With RealKingCobra

Wow.....many years ago now...may have been 20 year now......He was training a local at the time how to replace the rail wood..... He set up a EX Golden 8-ball GC I picked up and had stripped and refinished the aprins and base and had the rail trim ball return trim and pocket castings powder coated black.. He replaced the wood on the rails.....and put on cloth and cushions that he brought....can't remember if it was Simonis 860 or 760 (blue) cloth and superspeed cushions...artemis or something like that...hell I can't remember ........Can't remember all the specifics of everything he went over but he used a different improved wood that is not supposed to react as much to humidity changes and "diomized" the cut of the pockets....tighter than stock but not ridiculous.....dead on a standard 1.0 TDF......He fixed stuff that you never see fixed on a GC1 or GC2.....I had the standard corner pocket casting/rail gap here and there.....He fixed all of that like a car body shop guy fixes fender/1/4 panel, hood gaps on a car....

They guy is super meticulous about his work....Everything had to be perfect....Anyone that has played on it has said the same thing...It plays exactly like a table should.....perfect speed....not slug slow and not ice rink fast......1, ,2, 3 rail banks dead on......accepts balls at it should but will reject a mishit ball

I was highly impressed with his workmanship and the amount of effort he puts in.....I think the price may have been a little low....Perhaps because he needed a local set up to use to show how and train someone on....or perhaps he just like me cause I am a nice guy.....IDK.

That all being said.....I don't get out and play much anymore.....but even if I did......I would have no interest in a Diamond or any of the newer tables.....I don't mind playing on any table...just no interest...I am very happy with my Real King Cobra GC Conversion.

Table.jpg

Why Your Skill Doesn’t Matter in Matches - Just in Practice

Most competitive players believe matches are decided by skill. The better player wins. The higher level prevails.

Train enough, raise your standard high enough, and results will follow automatically. That belief is logical because skill is visible. You can measure it in shotmaking, cue ball control, pattern play, decision quality. You feel it when practice is crisp. You see it when someone runs racks without effort. So when competition goes badly, the default conclusion is obvious: I need more skill.

For years I believed the same thing, until a pattern became impossible to ignore. I had weeks in practice where everything worked. The stroke felt clean, the cue ball did what it was supposed to do, the table looked simple. Then I stepped into league or tournament play and performed far below what I knew was in me. Nothing had changed technically between the practice room and the match. The same fundamentals, the same knowledge, the same cue, the same body. Yet the outcome was completely different. That gap is the core problem most serious players are actually fighting.

The reason it happens is simple once you see it. In a match, your skill level is fixed for that day. You cannot add three months of training between rack two and rack three. You cannot magically become more precise because the moment is important. Skill is what you built beforehand. Competition is where you attempt to access it. What changes from rack to rack is not your ability, but the percentage of your ability you can use when the heat is on. That percentage is performance.

Before going further, one thing has to be clear: skill absolutely matters. If two players both perform close to their actual level, the one with the higher skill will win most of the time. And if your skill is significantly higher than your opponent’s, you can often survive stretches of average performance and still come out on top. I have won many matches simply because my underlying level was stronger, even though I was far from perfect. At the same time, when the skill gap is not huge, a player with slightly lower ability but much better performance can beat a stronger opponent who collapses under pressure.

Skill sets the range of what is possible. Performance decides where inside that range you operate.

This is why “just play to your level” is one of the most damaging ideas in competitive pool. It sounds responsible, even professional, but it quietly turns the match into a test of identity. Instead of seeing a layout and solving it, you start checking whether you are living up to what you believe your level should look like. That shift creates a constant background pressure: "you’re supposed to make this, you can’t miss here, this is an important ball, don’t embarrass yourself." The table hasn’t changed, but your attention has. You stop playing the game and start protecting an image.

That identity pressure can come from many places. Sometimes it’s external expectations. Sometimes it’s your own standard. In my case, being known as a coach amplifies it. When you teach patterns and decision-making publicly, every miss feels heavier. It’s no longer just a technical error; it feels like a contradiction of who you’re supposed to be at the table. And that is exactly the trap. The moment you start protecting identity instead of solving the layout, you are no longer fully present in the shot.

Once that shift happens, performance drops quickly. Fear of missing changes both body and decision-making. You tighten up. The stroke gets smaller. The tempo changes. You start steering instead of delivering. Your mind jumps ahead to consequences instead of staying with execution. None of that reflects a lack of skill. It is performance collapsing under expectation.

Mistakes are already built into your skill level. They are not exceptions. They are part of the package.

Even the best players in the world miss balls, misjudge speed, choose the wrong pattern. Expecting error-free pool is unrealistic. Believing you can access your personal 100 percent in every match is just as damaging. Your absolute ceiling exists, but it shows up in peaks, not permanently. Some days you are close to it, some days you are not. That fluctuation is normal. When you expect both perfection and constant access to your maximum level, every ordinary mistake feels like failure. And that emotional reaction is what turns a single miss into a collapse over the next few racks.

When you accept that mistakes are normal at your level, the entire emotional structure of the match changes. A miss is no longer a crisis that needs to be explained. It is simply one of the outcomes your current ability produces. That acceptance doesn’t make you passive. It makes you calm. And calm is the foundation of performance, because it gives you access to what you already know how to do.

Performance, then, becomes much simpler than most players think. It is not a mystical mental toughness trait that you either have or don’t have. It is the ability to stay with the task in front of you and solve it with the tools you have today. In pool, every visit is a puzzle. You read the layout, decide what the correct solution is, commit to it, and execute. The more your mind drifts into judgment, identity, or future consequences, the more you lose access to that simple process.

That is why practice and competition can feel like two different sports. In focused practice, you rarely attach meaning to a shot. You don’t think about the score. You don’t worry about what the opponent thinks. You don’t fear embarrassment. You just try to execute and learn. The goal in competition is not to suddenly become better than in practice. It is to recreate that same mental structure while the stakes are present: task first, outcome second.

This also explains why so many strong practice players stay inconsistent for years. Their skill keeps rising, but their performance stays unstable. They add more tools, but they still can’t reliably access the tools they already have. That creates the most frustrating situation in pool: you know you’re getting better, yet your match play doesn’t reflect it. At some point, more training alone won’t solve that. You need performance skills: acceptance of mistakes, control of attention, commitment to process, and the ability to reset quickly after an error.

So the practical takeaway is not to ignore skill. It’s to put skill in its correct place.

Build it deliberately in practice. In competition, stop trying to prove your level and stop demanding perfection. Put your attention where it belongs: on the current puzzle. See the table clearly, choose the solution, commit, execute, accept the result, reset. When you do that consistently, pressure drops on its own, your performance rises, and your real ability finally has space to show up.

I also have a video where I am talking about that, you can check it out here: Login to view embedded media
Cheers,
Shari
LLM generated slop. Do better - I like your videos.

It's always the Indian Boyz and Girls

For sure not "that guy". I let obvious shots go uncalled and sometimes even not so obvious ones. And I really do try to be the first to compliment my opponent on a win or a shot. I play for the challenge and fun of the game, but also for the camaraderie. I've met lifelong friends playing this game, and wouldn't mind meeting more.

Cheers my friend 👍
When playing one of the San Fran Mezz tour stops, me Rodney Morris and someone else, one of the younger players maybe Spencer Ladin were sitting over by Desiree waiting on our next matches and a question comes up on one of the tables. We were playing WPA rules and they were stated before the tourney. Well, this guy comes over and states I made a bank and it was an obvious bank.

I reply. "There are no obvious banks or caroms, they have to be called". edit: which comes straight out of the WPA rules...

He asks, "Who are you?". I say I'm Jaden. He says, "No, who are you to be answering me?". I said "I'm the guy with the answer to the question."

He responds kind of stepping up, "who are you, you ain't involved". I stood up and said "I'm involved in whatever the $#%k I say I am".

The next 2 or 3 times Rodney saw me, he smirked and said, "I'm involved in whatever the @#$K I say I am", laughing to himself.

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